Developing the Bridges self-management programme for New Zealand stroke survivors: A case study

2014 ◽  
Vol 21 (8) ◽  
pp. 381-388 ◽  
Author(s):  
Leigh Hale ◽  
Fiona Jones ◽  
Hilda Mulligan ◽  
William Levack ◽  
Cath Smith ◽  
...  
2021 ◽  
Vol 49 (2) ◽  
pp. 58-69
Author(s):  
Leigh Hale ◽  
Mandy McCulloch ◽  
Samuel De Ruiter ◽  
Evelyn Wihongia ◽  
Erina Mcdonnell Norlinger ◽  
...  

Physiotherapy ◽  
2019 ◽  
Vol 105 ◽  
pp. e32
Author(s):  
V. Johnson ◽  
S. Schreder ◽  
E. Kreit ◽  
R. Mullis ◽  
J. Mant

2017 ◽  
Vol 12 (3) ◽  
pp. 163-170 ◽  
Author(s):  
Isabella E Nizza ◽  
Jonathan A Smith ◽  
Jamie A Kirkham

Combining participant drawings with interviews can stimulate deep reflection and allow the inexpressible to be expressed. This case study uses visual methods to illustrate the 9-month self-management journey of a female chronic pain sufferer. The participant drew a picture of her pain at each of three interviews, and the drawings were used to discuss the changing impact pain was having on her life. Drawings and transcripts were jointly analysed longitudinally using interpretative phenomenological analysis, revealing how, as control is regained, a sufferer’s relationship with their chronic pain can visibly change and how the drawings, when reviewed retrospectively, enable insight and ownership of progress.


2018 ◽  
Vol 45 (2) ◽  
pp. 292-308 ◽  
Author(s):  
Rosi Crane ◽  
B. J. GILL

William Smyth, unable to get work in a New Zealand museum, ran a commercial taxidermy business at Caversham, Dunedin, from about 1873 to 1911 or 1912. His two decades of correspondence with Thomas Frederic Cheeseman at the Auckland Museum provide a case study of Smyth's professional interaction with one of New Zealand's main museums. We have used this and other sources to paint a picture of Smyth's activities and achievements during a time when there was great interest in New Zealand birds but few local taxidermists to preserve their bodies. Besides the Auckland Museum, Smyth supplied specimens to various people with museum connections, including Georg Thilenius (Germany) and Walter Lawry Buller (New Zealand). Smyth was probably self-taught, and his standards of preparation and labelling were variable, but he left a legacy for the historical documentation of New Zealand ornithology by the large number of his bird specimens that now reside in public museum collections in New Zealand and elsewhere.


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