Aesthetic Reading and Reflexivity in Edwidge Danticat's Untwine

2021 ◽  
Vol 49 (1) ◽  
pp. 139-156
Author(s):  
Joelle Mann
Keyword(s):  
Author(s):  
Mary Ann Ann Harlan

Information Literacy is built on the idea that when we encounter information we can evaluate that information to incorporate into our knowledge schema. As such information can be encountered in a variety of ways, as academic information, workplace information, or everyday life information.  Art forms can also be considered information, including literature. As an art form literature has been theorized to be a window, mirror, and a sliding glass door (Bishop, 1990) to the reader, an information source regarding our world. The notion that fiction is an information source is not particularly considered in much of the information literacy scholarly research. This paper examines how adolescents engage with fiction as a source of information.   Using a small case study of a class of 16 and 17 year olds the paper examines how they construct ficiton and aesthetic reading as an information source, particularly using the metaphor of the window and the mirror.  While students might consider reading as a way to explore their identity, elements related to their stance towards reading impacted their ability to see reading fiction as an information source.  Furthermore they were unlikely to engage fiction as a "window" or a way to learn about others.  Specific pedagogical structures may encourage a more critical stance towards aesthetic reading as a way to engage in as a learning object.  


Scriptura ◽  
2019 ◽  
Vol 54 (0) ◽  
Author(s):  
Gerrie Snyman
Keyword(s):  

2020 ◽  
Vol 17 (2) ◽  
pp. 71-85
Author(s):  
Ha Thi Thu Nguyen ◽  
◽  
Ariana Henderson ◽  

Learning an academic discipline requires at a fundamental level reading of knowledge that has been recorded, debated and developed in writing over time. Given the essential role of reading in shaping knowledge, there needs to be more emphasis on approaches that nurture an engaged reading practice. This article explores the role of instrumental, critical and aesthetic reading stances in engaging students in academic reading at university and the extent to which connecting these reading stances can enhance student learning through academic reading. Using this dynamic view of reading, the article examines insights and evidence from recent research to investigate the connection between these reading stances and student learning. The studies analysed indicate elements of instrumental, critical and aesthetic reading in approaches that effectively engage learners in academic reading. These ways of reading are linked to enhanced learning in terms of individual reflexivity, disciplinary participation, social perspective and global awareness. An analysis of the studies investigated advocates for using a variety of text types, giving students choice of texts, explicitly teaching dynamic reading skills, providing opportunities for social reading practices and implementing process-based assessments for learning. These practices can lighten the academic reading load by enhancing engagement and learning of disciplinary knowledge.


2020 ◽  
Vol 65 (9) ◽  
pp. 22-33
Author(s):  
Mai Nguyen Phuong

The New Literature Curriculum in General Education (2018) aims to develop learners' qualities and competencies. This is an important step to innovate teaching and meet the requirements of international integration. Therefore, teachers and students are required to change their entire ways of teaching and learning previously to meet the aforementioned objectives. Aesthetic reading is a reading that focuses on readers’ emotions, attitudes, and ideas that appear throughout the reading process. Aesthetic reading in teaching lyric poetry in upper secondary schools is considered an effective and appropriate way of teaching, meeting part of the teaching requirements under the New Literature Curriculum. Based on the analysis of some theoretical issues on aesthetic reading and the teaching of aesthetic reading in upper secondary schools, the paper proposes a process of organizing teaching activities towards aesthetic reading in lyric poetry to improve the effectiveness of teaching Literature in upper secondary schools.


2019 ◽  
Vol 63 (3) ◽  
pp. 601-610
Author(s):  
Natalia Ortiz Maldonado ◽  
Gonzalo S. Aguirre ◽  

We propose to approach Simondon’s writing as a techno-aesthetic object, as a singular prose of thought. To do so requires assuming Simondon’s technological proposal as the creation of a new mode of knowledge about the technicality of objects, abandoning the idea that the word “technology” can serve to designate a given state of things. This proposal, cultural and educational at the same time, requires a new way of approaching the world, starting with the way we approach reading. The techno-aesthetics of Simondon’s writing also requires a techno-aesthetic reading.


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