Contemporary Chinese Literature: From the Cultural Revolution to the Future (review)

2010 ◽  
Vol 17 (2) ◽  
pp. 237-240
Author(s):  
Lingchie Letty Chen
Keyword(s):  
Cultural Revolution ◽  
Chinese Literature ◽  
Contemporary Chinese Literature ◽  
The Future ◽  
Contemporary Chinese ◽  
The Cultural Revolution

scholarly journals Mediated and Marginalised: Translations of Modern and Contemporary Chinese Literature in Spain (1949-2010)

2018 ◽  
Vol 63 (2) ◽  
pp. 306-321
Author(s):  
Maialen Marin-Lacarta
Keyword(s):  
Cultural Revolution ◽  
Chinese Literature ◽  
Global Scale ◽  
Contemporary Chinese Literature ◽  
Starting Point ◽  
History Of ◽  
Hierarchical Nature ◽  
Literary Systems ◽  
Contemporary Chinese ◽  
Do So

The history and reception of translations of modern and contemporary Chinese literature in Spain form the basis of the discussion in this article. Eighty-four translations of modern and contemporary Chinese literature were published in Spain – either in Spanish or in Catalan – between 1949 and 2010. Using this under-researched corpus as a starting-point, this article explores two interrelated premises: the marginalisation of modern and contemporary Chinese literature in Spain and the mediation of its Spanish reception by Anglophone and Francophone literary systems. To do so, the study investigates the history of translations, pays attention to the evolution of types of translation (direct and indirect), and uses concrete examples from paratexts (back covers and prefaces) and translation reviews. After a discussion of the predominance of indirect translations, three recurring motifs inferred from an analysis of the paratexts and reviews are presented: (a) a preference for documentary value, (b) an insistence on difference and (c) an emphasis on politics and trauma (censorship, dissidence and the Cultural Revolution). In addition, I demonstrate the connections between these recurring motifs in the Spanish reception of Chinese literature in relation to European orientalism and area studies. Ultimately, the recent history of translations of modern and contemporary Chinese literature in Spain helps us to reflect on the complexity and hierarchical nature of literary exchanges on a global scale.

The Chinese Face of Jesus Christ

2021 ◽  
pp. 446-462
Author(s):  
Roman Malek
Keyword(s):  
Jesus Christ ◽  
Cultural Revolution ◽  
Chinese Context ◽  
The Future ◽  
Chinese Religions ◽  
The Subject ◽  
Chinese Face ◽  
Historical Nature ◽  
The Cultural Revolution

Jesus Christ has been the subject of manifold and intensive reflection in the Chinese context and has shown various faces. The essay surveys the innumerable works of biblical, apologetical, catechetical, liturgical, general theological, literary, and art-historical nature on Jesus Christ covering the periods from Tang and Yuan dynasties (seventh–ninth centuries and twelfth–fourteenth centuries) to the “Cultural Revolution” (1966–1976). The essay observes how various Chinese portraits of Jesus Christ engage with Chinese religions, and how the Chinese context limited the possibilities for the unfolding of a specific face and image of Jesus much more than other Asian and Western contexts. It raises the question of the future: Which faces and images of Jesus Christ will the Chinese context still generate? In this vast part of Asia, will he remain a vox clamantis in deserto?

scholarly journals Navigating New Approaches for Grassroot Community Theatre in a (Post-)Covid World

2021 ◽  
pp. 163
Author(s):  
Kerrie Reading
Keyword(s):  
Welfare State ◽  
Cultural Revolution ◽  
Cultural Shift ◽  
Community Theatre ◽  
New Approaches ◽  
Theatre Companies ◽  
The Future ◽  
The Way ◽  
The Cultural Revolution

The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre was made. Community theatre gained currency and one company who became prominent during this cultural shift was Welfare State, later Welfare State International. They were one of the theatre companies who focused not only on a community theatre aesthetic but a grassroot one. I examine the radicality of community theatre and consider the efficacy of the historical approaches to engaging with communities in a (Post-)Covid world. I acknowledge and explore the shifting understanding of communities and assert that a deeper engagement is needed to foster collectivity (Tannahill 2016; Fişek 2019; Weston 2020; Bartley 2021). To reconsider the role that theatre may play in the future, I focus on a grassroot approach to community-led work and posit that location will be a key component to how theatre is made as we emerge from a pandemic.

The Cultural Revolution in Cinema

Slavic Review ◽  
1988 ◽  
Vol 47 (3) ◽  
pp. 414-433 ◽  
Author(s):  
Peter Kenez
Keyword(s):  
Economic System ◽  
Cultural Revolution ◽  
Political System ◽  
Private Enterprise ◽  
Marxist Ideology ◽  
The Future ◽  
Party Congress ◽  
The Cultural Revolution

The NEP was an inherently unstable social and political system: It contained within itself the seeds of its own destruction. The Bolsheviks carried out policies in which they did not fully believe and with implications that worried them. Although the Tenth Party Congress in 1921 forbade factions within the party, the struggle for power during Lenin's final illness and after his death inevitably created factions. The struggle for power and the conflict between contrasting views concerning the future of society came to be intertwined. For the sake of economic reconstruction the party allowed private enterprise to reemerge. As time went on, many Bolshevik leaders came to be convinced supporters of the mixed economic system; others, on the basis of their reading of Marxist ideology, found such policies distasteful.

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