While scholars have tended to view the city in the Song of Songs negatively, this chapter traces a more ambivalent conceptualization of the city, as a space for conviviality and relationship, as well as a space of boundaries and violence. It draws on urban theory to explore these aspects in turn. Ultimately the Song imagines the city as dependent on and susceptible to its surrounding environment, gendered female according to the conventions of the ancient world, and a potent image of both protection and vulnerability. It offers readings of Song 3:1–5 and 5:2–8, and it ends with a close reading of the urban metaphor in Song 8:8–10.