‘Oohing and ahhing’: The power of thin(g)king in art education research

2021 ◽  
Vol 17 (2) ◽  
pp. 223-233 ◽  
Author(s):  
Emily Jean Hood ◽  
Tyson E. Lewis

In this article, we seek to explore what new materialist theory and post-intentional phenomenology bring to art education research. Materiality is contextualized politically and historically, and then applied to an emerging research methodology which attempts to centre the material world as a key participant in an art education dissertation research project. The research site, a creative reuse store, serves as both context and participant as the authors explore the powerful collective agency of materiality in processes of art making. Portions of findings from the project are presented here and a new theory of thin(g)king is discussed.

Author(s):  
Paul Kingston

The chapter outlines how researchers take on different roles and positionalities as they adapt to the field, moving, for instance, from that of an “outsider” laden with externalized theoretical assumptions and having few contacts with and knowledge of the research site to one approaching, to varying degrees, that of a “pseudo-insider.” Indeed, the argument here is that researchers make choices when moving from outsider to insider roles (and between them), contingently adapting their positionality in the hope to better understand the political dynamics that underlie research projects. The setting is post-civil war Lebanon and the research project revolves around an examination of the micropolitics of civil society and associational life in this re-emerging but fragmented polity.


2021 ◽  
pp. 219-228
Author(s):  
Lesia TURCHAK

The work of Ukrainian artists who have contributed to Ukrainian and international art, is not sufficiently disclosed. Their creative search impresses with versatility, interesting decision, continues to impress and inspire contemporaries. Purpose of the article — to find out the contribution of the Ukrainian avant-garde artist, set designer, teacher Oleksandra Ekster, to the Ukrainian and international fine arts. Oleksandra Ekster’s work has been the subject of research for decades. Scientists are interested in the painter’s art search, her contribution to Ukrainian avant-garde, scenography reforms, and teaching activity. Some sources may state that Ekster is a representative of Russian avant-garde. However, the artist grew up in Kyiv, obtained art education and promoted with her work not only Ukrainian but world avant-garde as well. The research of modern scientists (H. Kovalenko, D. Horbachova, T. Filevska, N. Stoliarchuk, M. Yur and others) makes it possible to review the artist’s life and artistic journey as well as her contribution to art history. The research methodology consists of a range of methods: historical, biographical, theoretical. The abovementioned methodological approach allows studying the question of historical data relating to the events in Ukraine that led to the emigration waves, finding out certain biographical facts and analyzing the artist’s creative activity.


2016 ◽  
Vol 1 (1) ◽  
pp. 77
Author(s):  
Partono Thomas ◽  
Ahmad Nurkhin

<p>Improving the learning process is very important for every lecturer by implement innovative learning methods or media. The purpose of this study is to develop a research methodology learning instruction and module based of problem based learning for accounting education students. This research applied research and development design in the research methodology course in Economics Education (Accounting) Department, Faculty Of Economics, Semarang State University. Data analysis was used to test the products through expert opinion (lecturer) and the feedback from students. The results show have been produced and tested two products, namely units lecture event and accounting education research methodology modules that implement problem-based learning methods. Some experts and students give positive feedback about the products.</p><p><strong>Keywords: </strong>problem  based learning, modul, accounting education research methodology<strong></strong></p>


Neurology ◽  
2008 ◽  
Vol 70 (20) ◽  
pp. e79-e84 ◽  
Author(s):  
E. C. Leira ◽  
M. A. Granner ◽  
J. C. Torner ◽  
R. C. Callison ◽  
H. P. Adams

2010 ◽  
Vol 33 (1) ◽  
pp. 33-37 ◽  
Author(s):  
Jeremy Slack ◽  
Daniel Martinez ◽  
Prescott Vandervoet

During a research project on the experiences of undocumented migrants that had been apprehended and returned to Mexico, we were faced with the difficult decision regarding continuation of research following several high-profile incidents of violence near our research site. There were a variety of opinions among the researchers involved. In this article we have included three different researchers' voices and opinions. These perspectives lead us to address broader issues involved with our responsibility as researchers to document the most prominent issues affecting our research localities in a reasonable albeit methodological manner.


1974 ◽  
Vol 16 (1) ◽  
pp. 26 ◽  
Author(s):  
Vincent Lanier

Journeys ◽  
2018 ◽  
pp. 25-50
Author(s):  
Susan L. Miller

Chapter 2 accomplishes two things. First, it outlines the research methodology conducted in the project, detailing the two groups of women that comprise the sample. Second, it explores the blurred boundaries between images of victims and survivors. Rather than an either/or dichotomy, the women talked about how victimization and survivorship exist on a continuum; the chapter further makes sense of the meanings adopted by the women and examines their implications.


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