scholarly journals ‘Unusual ingredients’: Developing a cross-domain model for multisensory artistic practice linking food and music

2021 ◽  
Vol 6 (2) ◽  
pp. 233-261 ◽  
Author(s):  
Jacob Thompson-Bell ◽  
Adam Martin ◽  
Caroline Hobkinson

This article explores linkages between sensory experiences of food and music in light of recent research from gastrophysics, 4E cognition (i.e. embodied, embedded, extended and enactive) and ecological perception theory. Drawing on these research disciplines, this article outlines a model for multisensory artistic practice, and a taxonomy of cross-domain creative strategies, based on the identification of sensory affordances between the domains of food and music. Food objects are shown to ‘afford’ cross-domain interrelationships with sound stimuli based on our capacity to sense their material characteristics, and to make sense of them through prior experience and contextual association. We propose that multisensory artistic works can themselves afford extended forms of sensory awareness by synthesizing and mediating stimuli across the selected domains, in order to form novel, or unexpected sensory linkages. These ideas are explored with reference to an ongoing artistic research project entitled ‘Unusual ingredients’, creating new music to complement and enhance the characteristics of selected food.

2018 ◽  
Vol 10 (4) ◽  
pp. 577-590 ◽  
Author(s):  
Boyang Zhang ◽  
Yingyi Liu ◽  
Haiwen Yuan ◽  
Lingjie Sun ◽  
Zhao Ma

2010 ◽  
Vol 26-28 ◽  
pp. 847-853
Author(s):  
Feng Man Miao ◽  
Qiu Yu Zhang ◽  
Zhan Ting Yuan

A bran-new lattice based cross-domain model is proposed to solve the shortcomings of the existing authentication model. Firstly, using the lattice theory, this model builds credit-domain alliance and user alliance on the two dimensional coordinates to avoid the abuse of centralized plans. Secondly, it uses the superiority thought of the existing authentication system to strengthen the integrity of the model. Finally, the detailed work flow, formula, domain disposal, extended algorithm, and identity-based Stealth transport protocols of the new model are drafted. It ensures the user’s identity information and privacy. After the certification and analysis, this model proved to have a good Practical character and an extremely large extension space.


2018 ◽  
Vol 6 (4) ◽  
pp. 561-580 ◽  
Author(s):  
Noah C. Venables ◽  
Jens Foell ◽  
James R. Yancey ◽  
Michael J. Kane ◽  
Randall W. Engle ◽  
...  

Recent mental health initiatives have called for a shift away from purely report-based conceptualizations of psychopathology toward a biobehaviorally oriented framework. The current work illustrates a measurement-oriented approach to challenges inherent in efforts to integrate biological and behavioral indicators with psychological-report variables. Specifically, we undertook to quantify the construct of inhibitory control (inhibition-disinhibition) as the individual difference dimension tapped by self-report, task-behavioral, and brain response indicators of susceptibility to disinhibitory problems (externalizing proneness). In line with prediction, measures of each type cohered to form domain-specific factors, and these factors loaded in turn onto a cross-domain inhibitory control factor reflecting the variance in common among the domain factors. Cross-domain scores predicted behavioral-performance and brain-response criterion measures as well as clinical problems (i.e., antisocial behaviors and substance abuse). Implications of this new cross-domain model for research on neurobiological mechanisms of inhibitory control and health/performance outcomes associated with this dispositional characteristic are discussed.


2017 ◽  
Vol 13 (2) ◽  
pp. 239-263
Author(s):  
Christopher Williams

Radiophonic art could not have emerged at the end of the 1920s without an intense period of experimentation across the creative fields of radio, new music, phonography, film, literature and theatre. The engagement with sound recording and broadcast technologies by artists radically expanded the scope of creative possibility within their respective practices, and more particularly, pointed to new forms of (inter-)artistic practice based in sound technologies including those of radio. This paper examines the convergence of industry, the development of technology, and creative practice that gave sound, previously understood as immaterial, a concrete objectification capable of responding to creative praxis, and so brought about the conditions that enabled a radiophonic art to materialize.


Author(s):  
Chen-Shan Wei ◽  
Ping-Yu Hsu ◽  
Chen-Wan Huang ◽  
Ming-Shien Cheng ◽  
Grandys Frieska Prassida
Keyword(s):  

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