scholarly journals La crítica eclesiástica a la danza popular durante la Antigüedad Tardía (siglos IV-VIII)

2021 ◽  
Vol 39 ◽  
pp. 455-482
Author(s):  
Juan Antonio Jiménez Sánchez
Keyword(s):  
Lived Religion ◽  
Religiosidad Popular

En el presente estudio analizamos cómo las jerarquías eclesiásticas señalaron siempre el baile como una actividad pecaminosa y del todo condenable, y lo convirtieron en un signo más de alteridad religiosa, aun cuando amplias capas de la población cristiana lo habían adoptado ya como una parte más de su acervo cultural. El problema resultaba más grave cuando el pueblo incorporaba dichas danzas a las fiestas efectuadas en honor de los santos, lo cual, para los predicadores, suponía contaminar de idolatría estas solemnidades. Sin embargo, lo que para las autoridades de la Iglesia era una pervivencia del paganismo, para los fieles constituía una expresión más de su forma de entender la religión y se convertía en una manifestación más de la religiosidad popular ajena a la religión normativa; en otras palabras, se erigía como un componente imprescindible de la lived religion.

Wiwanyag Wachipi

2017 ◽  
Vol 1 (1) ◽  
pp. 48-69
Author(s):  
Fritz Detwiler
Keyword(s):  
Native American ◽  
Indigenous Peoples ◽  
Methodological Approach ◽  
Gift Exchange ◽  
Lived Religion ◽  
Religious Ritual ◽  
Pine Ridge ◽  
Ontological Categories ◽  
Ritual Process ◽  
Pine Ridge Reservation

Graham Harvey’s reconceptualisation of religion emphasises the relational world of indigenous peoples. His suggestion that religion revolves around negotiating with ‘our neighbours’ is particularly relevant to Native American ritual processes insofar as he extends ‘neighbours’ to other-species persons. Further, by emphasising ‘lived religion’, Harvey turns our attention to the significance of embodied religion as it expresses itself in ceremonial performances. Harvey’s approach is enriched by Ronald L. Grimes’ notion of the way in which indigenous rituals take us into the deep world of other-species communities through a gift exchange economy that promotes the wellbeing of everyone in the neighbourhood. The present discussion demonstrates the applicability of both Harvey’s and Grimes’ approaches to indigenous religious ritual processes by focusing on James R. Walker’s account of Oglala Sun Dancing. Walker constructs a fourstage ritual process from information he gathered while working as a physician on the Pine Ridge Reservation from 1896 to 1914. The entire process, from the declaration of the first candidates who announce their intention to make bodily sacrifices to the culmination of the ritual process in the last four days where the flesh sacrifices are made many months later, centres on re-establishing and promoting harmonious relations among the Oglala and between the Oglala and their other-species neighbours within the Sacred Hoop. The indigenous methodological approach interprets the process through Oglala cosmological and ontological categories and establishes the significance of Harvey’s approach to religion and Grimes’ approach to ritual in understanding embodied and lived religion.

Narrated Photography

2015 ◽  
Vol 9 (1) ◽  
pp. 30-52
Author(s):  
Sarah Dunlop ◽  
Peter Ward
Keyword(s):  
Qualitative Research ◽  
Material Culture ◽  
Family Relationships ◽  
Research Method ◽  
Religious Practice ◽  
Ethnographic Research ◽  
Lived Religion ◽  
Visual Context ◽  
Textual Material ◽  
Shed Light

This article describes how a recently refined visual ethnographic research method, “narrated photography,” contributes to the study of religion. We argue that this qualitative research method is particularly useful for studies of lived religion and demonstrate this through examples drawn from a study the sacred among young Polish migrants to England. Narrated photography, which entails asking people to photograph what is personally significant to them and then to narrate the image, generates visual and textual material that mediates the subjective. Through using this method we discovered that family was considered to be sacred, both in terms of links to religious practice and a desire for a secure home which family relationships provide. Additionally, narrated photography has the potential to expand our conceptions of lived religion through the inclusion of visual material culture and the visual context of the research participants. In this case the data revealed that the Polish young people view structures within their landscape through a particularly Polish Catholic lens. These findings shed light on the religious tensions that migrants encounter in everyday life.

Food and Religious Identities in the Venetian Inquisition, ca. 1560–ca. 1640

2021 ◽  
Vol 74 (1) ◽  
pp. 181-214
Author(s):  
Eleanor Barnett
Keyword(s):  
Identity Construction ◽  
Religious Identity ◽  
Lived Religion ◽  
Ordinary People ◽  
Religious Identities ◽  
Access Points ◽  
Counter Reformation ◽  
Eating Practices ◽  
The City ◽  
Insight Into

Through Venetian Inquisition trials relating to Protestantism, witchcraft, and Judaism, this article illuminates the centrality of food and eating practices to religious identity construction. The Holy Office used food to assert its model of post-Tridentine piety and the boundaries between Catholics and the non-Catholic populations in the city. These trial records concurrently act as access points to the experiences and beliefs—to the lived religion—of ordinary people living and working in Venice from 1560 to 1640. The article therefore offers new insight into the workings and impacts of the Counter-Reformation.

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