The Freedom of the Press

Author(s):  
Maggie Gray

This chapter engages with important strands of scholarship on comics work, arguing for a critical comics studies that attends to the political economy, social relations, and material processes of production. It examines the relationship between struggles over the organization of cultural labor and the forms of value inscribed in comics, via the case study of a specific site of British comics production that reimagined how comics work could be organized and the artistic value comics could have– the cooperative Birmingham Arts Lab Press (1969-1982) and its Ar:Zak imprint. Bringing together archival inquiry and participant interviews, wider historical research into the arts lab, alternative press, community arts and underground/alternative comics movements, and Marxist political and aesthetic theory, this chapter analyzes how struggles for an autonomous, democratized, participatory creative practice that took place within this context of comics production were embodied in the material and visual form of the comics made.

Author(s):  
Jonathan Wolff

This chapter explores the relationship between equality and social justice. The demands of social justice are not always clear. One question that needs to be addressed is whether social justice condemns all inequalities, or whether it is primarily concerned with the provision of equal opportunity or the elimination of extreme poverty. The chapter first provides a historical background on social justice before discussing the political rejection of social justice and its revival. It then considers equality of opportunity, social justice and social relations, and concludes by reflecting on prospects for achieving social justice. A case study on social justice and disability is presented, along with Key Thinkers boxes featuring Friedrich von Hayek, Brian Barry, Richard Henry Tawney, and Iris Marion Young.


Author(s):  
Kristina Dietz

The article explores the political effects of popular consultations as a means of direct democracy in struggles over mining. Building on concepts from participatory and materialist democracy theory, it shows the transformative potentials of processes of direct democracy towards democratization and emancipation under, and beyond, capitalist and liberal democratic conditions. Empirically the analysis is based on a case study on the protests against the La Colosa gold mining project in Colombia. The analysis reveals that although processes of direct democracy in conflicts over mining cannot transform existing class inequalities and social power relations fundamentally, they can nevertheless alter elements thereof. These are for example the relationship between local and national governments, changes of the political agenda of mining and the opening of new spaces for political participation, where previously there were none. It is here where it’s emancipatory potential can be found.


Author(s):  
Xiaorong Gu

This essay explores the theory of intersectionality in the study of youths’ lives and social inequality in the Global South. It begins with an overview of the concept of intersectionality and its wide applications in social sciences, followed by a proposal for regrounding the concept in the political economic systems in particular contexts (without assuming the universality of capitalist social relations in Northern societies), rather than positional identities. These systems lay material foundations, shaping the multiple forms of deprivation and precarity in which Southern youth are embedded. A case study of rural migrant youths’ ‘mobility trap’ in urban China is used to illustrate how layers of social institutions and structures in the country’s transition to a mixed economy intersect to influence migrant youths’ aspirations and life chances. The essay concludes with ruminations on the theoretical and social implications of the political-economy-grounded intersectionality approach for youth studies.


2021 ◽  
pp. 136754942199423
Author(s):  
Anne M Cronin ◽  
Lee Edwards

Drawing on a case study of public relations in the UK charity sector, this article argues that cultural intermediary research urgently requires a more sustained focus on politics and the political understood as power relations, party politics and political projects such as marketization and neoliberalism. While wide-ranging research has analysed how cultural intermediaries mediate the relationship between culture and economy, this has been at the expense of an in-depth analysis of the political. Using our case study as a prompt, we highlight the diversity of ways that the political impacts cultural intermediary work and that cultural intermediary work may impact the political. We reveal the tensions that underpin practice as a result of the interactions between culture, the economy and politics, and show that the tighter the engagement of cultural intermediation with the political sphere, the more tensions must be negotiated and the more compromised practitioners may feel.


Harmoni ◽  
2018 ◽  
Vol 16 (2) ◽  
pp. 218-240
Author(s):  
M. Alie Humaedi

The relationship between Islam and Christianity in various regions is often confronted with situations caused by external factors. They no longer debate the theological aspect, but are based on the political economy and social culture aspects. In the Dieng village, the economic resources are mostly dominated by Christians as early Christianized product as the process of Kiai Sadrach's chronicle. Economic mastery was not originally as the main trigger of the conflict. However, as the political map post 1965, in which many Muslims affiliated to the Indonesian Communist Party convert to Christianity, the relationship between Islam and Christianity is heating up. The question of the dominance of political economic resources of Christians is questionable. This research to explore the socio cultural and religious impact of the conversion of PKI to Christian in rural Dieng and Slamet Pekalongan and Banjarnegara. This qualitative research data was extracted by in-depth interviews, observations and supported by data from Dutch archives, National Archives and Christian Synod of Salatiga. Research has found the conversion of the PKI to Christianity has sparked hostility and deepened the social relations of Muslims and Christians in Kasimpar, Petungkriono and Karangkobar. The culprit widened by involving the network of Wonopringgo Islamic Boarding. It is often seen that existing conflicts are no longer latent, but lead to a form of manifest conflict that decomposes in the practice of social life.


2019 ◽  
Author(s):  
Pier Francesco Cherchi ◽  
◽  
Marco Lecis ◽  
Marco Moro ◽  
◽  
...  

This paper illustrates a case study of teaching and research applied to the abandoned mining landscapes of the Sulcis area, located in the south-east side of Sardinia, one of the poorest in Europe. Although the region’s critical condition in the present, the area is nevertheless extremely rich in fascination and history. It offers unique natural landscapes, mostly pristine, a variety of archeological sites and, as mentioned, the ruins of the mining installations. All of this makes fore-seeable a concrete possibility of regeneration for the area, based on tourism, one of the island primary resources. The local institutions of Sulcis started a partnership with the University of Cagliari aiming to pursuit not just a practical and economical outcome in the immediate present, more a cultural and deeper rescue with a wider perspective. In the following pages, we present our academic activities in this mark and how we managed to guarantee fruitful superpositions of pedagogy, design, and research in our work within this kind of cooperation.Our focus is, therefore, the relationship between researching and teaching activities and the actions in support of the territory, pursued in a joint venture with the political institution. During these experiences, we defined a strategy to intercross these different layers, bringing the real and concrete dimension into our classroom, sharing our work with the students, and, at the same time, transferring the fruits of the teaching experiences to the territory. The correspondence between these two levels is not free of ambiguity and contradictions, however, we are convinced that it might show very important and fruitful outcomes.


2008 ◽  
Vol 25 (3) ◽  
pp. 223-232 ◽  
Author(s):  
Keith Swanwick

A brief review of the state of music education in the UK at the time of the creation of the British Journal of Music Education (BJME) leads to a consideration of the range and focus of topics since the initiation of the Journal. In particular, the initial requirement of careful and critical enquiry is amplified, drawing out the inevitability of theorising, an activity which is considered to be essential for reflective practice. The relationship of theory and data is examined, in particular differentiating between the sciences and the arts. A ‘case study’ of theorising is presented and examined in some detail and possible strands of future development are identified.


2020 ◽  
pp. 606-618
Author(s):  
Ibitayo Samuel Popoola

This probing thesis in this study is on how the political class in colonial and post-colonial Nigeria established, maintained, improved and controls the machinery of the state through the press. While establishing media ownership and unequal media access as key factors responsible for the emergence of the political class, the study similarly discovered that the political class emerged because they were read, advertised or packaged by the press. Robert C. North (1967:301) says “politics could not exist without communication, nor could wars be fought.” The media are also the playing field on which politics occurs” (Perloff 2014:37). They are also the strategic routes through which aspiring politicians must travel during elections. Through a case study method of analysis, this study discovered that the political class emerged because they were read, advertised, and publicized by the press. For this reason, the political class regarded the press as partners in progress.


2020 ◽  
pp. 0739456X2097168
Author(s):  
Francisco Vergara-Perucich ◽  
Camillo Boano

This article problematizes the relationship between the ethos of urban practitioners and the ideology of neoliberalism to show how neoliberalism has transformed urban design to make it an efficient mechanism for capital accumulation. The method used in the article is based on archival research and statistical analysis in addition to a comparative housing sample in Chile from the Servicio de Evaluación Ambiental (Environmental Assessment System). What emerges from such unpacking is a severe contradiction stemming from the clash between urban practitioners’ ethical responsibility in developing good cities and the neoliberalist goal of merely increasing the profitability of spaces. The article discusses the political and ideological dimensions of neoliberal urbanisms and the effects of neoliberalism in everyday urban practice of making in neoliberal urbanisms and discusses how to separate urban design practices from the profit-oriented ethos.


Author(s):  
JiHae Koo

Abstract The photographer Peter Henry Emerson (1856–1936) is known today for the splash he made on the Victorian photographic scene in the 1880s with his bold refusal to follow his fellow art photographers (collectively known as the Pictorialists) in latching the new medium on to the aesthetic conventions of painting. His conventional position within art history is thus as a precursor to the Modernist conception of photography’s medium-specificity. Yet even if Emerson’s work was ahead of its time in its proto-Modernist refusal of painterly conventions, it also has qualities that place it more squarely within late-Victorian discourses. In particular, I argue, Emerson’s ongoing efforts to secure his photographs via copyright law need to be understood as reflective of a distinctly nineteenth-century cultural imaginary. This essay addresses the relationship between Emerson’s aesthetic theory and copyright law by dividing Emerson’s career into two stages, before and after 1891, this being the year in which Emerson abruptly disavowed photography as an artistic medium in his short pamphlet ‘The Death of Naturalistic Photography’. Examining two photography books – Pictures of East Anglian Life (1888) and On English Lagoons (1893) – alongside late-Victorian debates about photographic copyright, I show that Emerson’s earlier belief in photographic copyright’s ability to retain the integrity of an artist’s vision breaks down after 1891. He loses faith in the ‘copyrightability’ of photography in 1891 when he recognizes the mechanical nature – or automaticity – of the camera. That is, Emerson realizes that the photograph is never purely the product of the artist. In sum, this case study shows that by the 1890s, photographic copyright was becoming detached from the notion of creativity and thus could no longer be the guarantee of a photographer’s claim to artistic individuality.


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