A Stride towards Korean Reunification for Peace and Prosperity through Building a Single National Community : Historical Continuity and Ideological Identity in Korean Nationalism

2021 ◽  
Vol 22 (2) ◽  
pp. 7-35
Author(s):  
Heaseung Kim ◽  
2019 ◽  
Vol 24 (1) ◽  
pp. 149-171
Author(s):  
Bumsoo Kim

Abstract Focusing on the question of whether South Koreans’ notion of “we, the people of Korea” (uri taehan kungmin) included North Korean compatriots or not, this study examines the trifurcation of ethnic nationalism in South Korea during the Syngman Rhee era (1948–1960). Specifically, by analyzing columns and editorials of three Korean newspapers, Chosŏn ilbo, Tonga ilbo, and Kyŏnghyang sinmun, this study reveals that, following the division of Korea (1948), Korean nationalism trifurcated, at least in South Korea, into three different but closely related versions, each of which did not deny that historically all Koreans belonged to the same nation, but defined “we, the people of Korea” differently: (1) tanil minjok (one nation) nationalism, which included not only South Koreans but also North Korean compatriots in “we, the people of Korea”; (2) anticommunist nationalism, which included South Koreans and “patriotic compatriots” of North Korea in “we, the people of Korea” while excluding North Korean “commies”; and (3) Taehan Min’guk (the great ROK) nationalism, which identified only South Koreans as “we, the people of Korea.” In doing so, this study suggests that, as the division of Korea solidified after the Korean War, South Koreans began to “imagine” themselves as a different national community, separated from North Korean compatriots.


Author(s):  
Günter P. Wagner

Homology—a similar trait shared by different species and derived from common ancestry, such as a seal's fin and a bird's wing—is one of the most fundamental yet challenging concepts in evolutionary biology. This book provides the first mechanistically based theory of what homology is and how it arises in evolution. The book argues that homology, or character identity, can be explained through the historical continuity of character identity networks—that is, the gene regulatory networks that enable differential gene expression. It shows how character identity is independent of the form and function of the character itself because the same network can activate different effector genes and thus control the development of different shapes, sizes, and qualities of the character. Demonstrating how this theoretical model can provide a foundation for understanding the evolutionary origin of novel characters, the book applies it to the origin and evolution of specific systems, such as cell types; skin, hair, and feathers; limbs and digits; and flowers. The first major synthesis of homology to be published in decades, this book reveals how a mechanistically based theory can serve as a unifying concept for any branch of science concerned with the structure and development of organisms, and how it can help explain major transitions in evolution and broad patterns of biological diversity.


MedienJournal ◽  
2017 ◽  
Vol 37 (3) ◽  
pp. 7
Author(s):  
Gisela K. Cánepa

Nation branding plays a central role within neoliberal governmentality, operating as a technology of power in the configuration of emerging cultural and political formations such as national identity, citizenship and the state. The discussion of the advertising spot Perú, Nebraska  released as part of the Nation Branding campaign Marca Perú  in May of 2011, constitutes a great opportunity to: (i) argue about the way in which audiovisual advertisement products, designed as performative devises, operate as technologies of power; and (ii) problematize the terms in which it founds a new social contract for the Peruvian multicultural national community. This analysis will allow me to approach neoliberalism as a cultural regime in order to discuss the ideological nature of the uncontested celebratory discourse that has emerged in Perú and which explains the economic growth of the last decades as the outcome of a national entrepreneurial spirit that would be distinctive of Peruvian cultural identity.


Arts ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 18
Author(s):  
Jerzy Gorzelik

The rise of nationalism threatened the integrity of the Catholic milieu in borderlands such as Prussian Upper Silesia. Facing this challenge, the ecclesiastical elite developed various strategies. This article presents interpretations of sacred art works from the first half of the 20th century, which reveal different approaches to national discourses expressed in iconographic programs. The spectrum of attitudes includes indifference, active counteraction to the progress of nationalism by promoting a different paradigm of building temporal imagined communities, acceptance of nationalistic metaphysics, which assumes the division of humanity into nations endowed with a unique personality, and a synthesis of Catholicism and nationalism, in which national loyalties are considered a Christian duty. The last position proved particularly expansive. Based on the primordialist concept of the nation and the historiosophical concept of Poland as a bulwark of Christianity, the Catholic-national ideology gained popularity among the pro-Polish clergy in the inter-war period. This was reflected in Church art works, which were to present Catholicism as the unchanging essence of the nation and the destiny of the latter resulting from God’s will. This strategy was designed to incorporate Catholic Slavophones into the national community. The adoption of a different concept of the nation by the pro-German priests associated with the Centre Party—with a stronger emphasis on the subjective criteria of national belonging—resulted in greater restraint in expressing national contents in sacred spaces.


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