scholarly journals Intercultural Dialogue and Humanities from Late Antiquity to the Middle Ages

2019 ◽  
Vol 10 (1) ◽  
pp. 12-22
Author(s):  
Enrico Maria Di Palma

The aim of this articole is to discover traces of humanitas in late antique and mediaval literature. Starting from the classic meaning of this notion, the paper finds three meaningful episodes: the controversy between Ambrosius and Symmachus about the Altar of Victory, the Dialogue of a Philosopher with a Jew and a Christian by Peter Abelard and the spread of the Life of Balaam and Josaphat. Through these examples, the article builds a new idea of humanitas, free from historical restricion, a blend of literary passion, acceptance of diversity and multiculturalism.

Ramus ◽  
2018 ◽  
Vol 47 (2) ◽  
pp. 216-238 ◽  
Author(s):  
Fran Middleton

There is increasing interest in what might be thought ‘special’ about late antique poetry. Two volumes of recent years have focused on Latin poetry of this time, Classics Renewed: Reception and Innovation in the Latin Poetry of Late Antiquity edited by Scott McGill and Joseph Pucci (2016) as well as The Poetics of Late Latin Literature edited by Jaś Elsner and Jesús Hernández Lobato (2017), while it has become increasingly acceptable to remark on late antiquity as a cultural period in its own right, rather than a point of transition between high antiquity and the middle ages. Greek poetry of late antiquity has yet to receive the level of attention offered to Latin literature of this time, and so it is to help answer the question of what may be thought special about late antique Greek poetry that I here discuss the poetics of later Greek ecphrasis.


Numen ◽  
2009 ◽  
Vol 56 (2-3) ◽  
pp. 326-365 ◽  
Author(s):  
Danuta Shanzer

This article discuses the fate of a special class of child, the unborn, in the afterlife, as well as the gradual criminalization of abortion in Antiquity. Particular attention is paid to a possible prohibition of abortion in Orphism that may underpin the nekyiai in P. Bon. 4. and Vergil Aen . 6. Then it turns to depictions of the aborted in the Apocalypse of Peter and its late antique off spring to show how the aborted fetus gradually acquires a visible body and an articulate voice. At the same time, the theology of sentiment works out its solutions to mitigate the problem of the innocent in hell. The fate of the almost bodiless fetus in the Resurrection became a bone of contention by the early 5th C. The satirical questions posed Christians about the resurrection of the unborn may first have been raised by Porphyry. His interest in the embryo and its ensoulment in the Pros Gauron are adduced as evidence. Attention is drawn to Augustine's doubts about the status and fate of the human embryo, and some reasons are suggested about why he hesitated to adopt an unambiguous “human from conception” position. In the 5th C., after the Pelagian controversy, attention began to shift from the unborn to the unbaptized, who dominate the nekyiai of the Middle Ages. The rise of the Mizuko kuyō cult in Japan shows astonishing parallels to what happened in Late Antiquity.


2021 ◽  
Author(s):  
Samu Niskanen

This Element explores the papacy's engagement in authorial publishing in late antiquity and the Middle Ages. The opening discussion demonstrates that throughout the medieval period, papal involvement in the publication of new works was a phenomenon, which surged in the eleventh century. The efforts by four authors to use their papal connexions in the interests of publicity are examined as case studies. The first two are St Jerome and Arator, late antique writers who became highly influential partly due to their declaration that their literary projects enjoyed papal sanction. Appreciation of their publication strategies sets the scene for a comparison with two eleventh-century authors, Fulcoius of Beauvais and St Anselm. This Element argues that papal involvement in publication constituted a powerful promotional technique. It is a hermeneutic that brings insights into both the aspirations and concerns of medieval authors. This title is also available as Open Access on Cambridge Core.


Author(s):  
Jack Tannous

In the second half of the first millennium CE, the Christian Middle East fractured irreparably into competing churches and Arabs conquered the region, setting in motion a process that would lead to its eventual conversion to Islam. This book argues that key to understanding these dramatic religious transformations are ordinary religious believers, often called “the simple” in late antique and medieval sources. Largely agrarian and illiterate, these Christians outnumbered Muslims well into the era of the Crusades, and yet they have typically been invisible in our understanding of the Middle East's history. What did it mean for Christian communities to break apart over theological disagreements that most people could not understand? How does our view of the rise of Islam change if we take seriously the fact that Muslims remained a demographic minority for much of the Middle Ages? In addressing these and other questions, the book provides a sweeping reinterpretation of the religious history of the medieval Middle East. The book draws on a wealth of Greek, Syriac, and Arabic sources to recast these conquered lands as largely Christian ones whose growing Muslim populations are properly understood as converting away from and in competition with the non-Muslim communities around them.


Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 377-379
Author(s):  
Kriszta Kotsis

Late antique and early medieval graphic signs have traditionally been studied by narrowly focused specialists leading to the fragmentation and decontextualization of this important body of material. Therefore, the volume aims “to deepen interdisciplinary research on graphic signs” (7) of the third through tenth centuries, with contributions from archaeologists, historians, art historians, a philologist, and a paleographer. Ildar Garipzanov’s introduction defines the central terms (sign, symbol, graphicacy), calls for supplanting the text-image binary with “the concept of the visual-written continuum” (15), and argues that graphicacy was central to visual communication in this period. He emphasizes the agency of graphic signs and notes that their study can amplify our understanding of the definition of personal and group identity, the articulation of power, authority, and religious affiliation, and communication with the supernatural sphere.


Gesta ◽  
2017 ◽  
Vol 56 (1) ◽  
pp. 27-52
Author(s):  
Armin F. Bergmeier

Sign in / Sign up

Export Citation Format

Share Document