A framework for cultural heritage content organisation, dissemination and communication in large-scale virtual environments

Author(s):  
Vasileios Komianos ◽  
Georgios Tsoumanis ◽  
Eleni Kavvadia ◽  
Konstantinos Oikonomou
1997 ◽  
Vol 6 (5) ◽  
pp. 547-564 ◽  
Author(s):  
David R. Pratt ◽  
Shirley M. Pratt ◽  
Paul T. Barham ◽  
Randall E. Barker ◽  
Marianne S. Waldrop ◽  
...  

This paper examines the representation of humans in large-scale, networked virtual environments. Previous work done in this field is summarized, and existing problems with rendering, articulating, and networking numerous human figures in real time are explained. We have developed a system that integrates together some well-known solutions along with new ideas. Models with multiple level of details, body-tracking technology and animation libraries to specify joint angles, efficient group representations to describe multiple humans, and hierarchical network protocols have been successfully employed to increase the number of humans represented, system performance, and user interactivity. The resulting system immerses participants effectively and has numerous useful applications.


2019 ◽  
pp. 129-139
Author(s):  
Tamara Mykolayivna Kurach ◽  
Iryna Aleksandrovna Pidlisetskaya

The goal is to develop a tourist interactive map "Landmarks of Bohuslav". The methodology. The methodological and theoretical basis of the study is modern geographical and cartographic science in the field of thematic mapping with the involvement of web-mapping technologies. Results. A large-scale tourist web map of the cultural heritage of the Boguslavsky region - “Sights of Boguslavshchina” was created. Scientific novelty. Approbation of the methodology and technology for the development of interactive large-scale web maps of tourism topics involving the Leaflet JavaScript library. Practical value. An interactive tourist web map of the historical and cultural heritage sites “Sights of Bohuslavshchina” will be published on the website of the health-improving institution of sanatorium-type “Chaika”. Convenient using, visualization, prompt receipt of information will help to increase the attractiveness of tourist Boguslavschina routes.


Author(s):  
Minna Silver ◽  
Fulvio Rinaudo ◽  
Emanuele Morezzi ◽  
Francesca Quenda ◽  
Maria Laura Moretti

CIPA is contributing with its technical knowledge in saving the heritage of Syria by constructing an open access database based on the data that the CIPA members have collected during various projects in Syria over the years before the civil war in the country broke out in 2011. In this way we wish to support the protection and preservation of the environment, sites, monuments, and artefacts and the memory of the cultural region that has been crucial for the human past and the emergence of civilizations. Apart from the countless human atrocities and loss, damage, destruction and looting of the cultural heritage have taken place in a large scale. The CIPA’s initiative is one of the various international projects that have been set up after the conflict started. The Directorate-General of the Antiquities and Museums (DGAM) of Syria as well as UNESCO with its various sub-organizations have been central in facing the challenges during the war. Digital data capture, storage, use and dissemination are in the heart of CIPA’s strategies in recording and documenting cultural heritage, also in Syria. It goes without saying that for the conservation and restoration work the high quality data providing metric information is of utmost importance.


Author(s):  
S. Akhtar ◽  
G. Akoglu ◽  
S. Simon ◽  
H. Rushmeier

The practice of digitizing cultural heritage sites is gaining ground among conservation scientists and scholars in architecture, art history, computer science, and related fields. Recently, the location of such sites in areas of intense conflict has highlighted the urgent need for documenting cultural heritage for the purposes of preservation and posterity. The complex histories of such sites requires more than just their digitization, and should also include the meaningful interpretation of buildings and their surroundings with respect to context and intangible values. Project Anqa is an interdisciplinary and multi-partner effort that goes beyond simple digitization to record at-risk heritage sites throughout the Middle East and Saharan Africa, most notably in Syria and Iraq, before they are altered or destroyed. Through a collaborative process, Anqa assembles documentation, historically contextualizes it, and makes data accessible and useful for scholars, peers, and the wider public through state-of-the-art tools. The aim of the project is to engage in capacity-building on the ground in Syria and Iraq, as well as to create an educational web platform that informs viewers about cultural heritage in the region through research, digital storytelling, and the experience of virtual environments.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Francesca Giuliani ◽  
Rosa Grazia De Paoli ◽  
Enrica Di Miceli

PurposeThe purpose of this paper is to present and validate a large-scale methodology for risk assessment and management in cultural heritage sites, taking into account their specific tangible or intangible values. Emphasis is given to historic centres that are key resources in building resilience to disasters but are also highly vulnerable due to several factors, such as the characteristics of the built environment, the community and social life, the lack of risk awareness and maintenance and finally the poor regulatory framework for their management and valorisation.Design/methodology/approachThe multi-step procedure starts from the assessment of the attributes of cultural heritage in order to identify priorities and address the analysis. Then, it evaluates the primary and secondary hazards in the area, the vulnerabilities and threats of the site and the impacts of the chain of events. Finally, it allows for calibrating a site-specific set of mitigation, preparedness, response and recovery measures.FindingsThe application to two case studies in the Italian peninsula, the historic centres of San Gimignano and Reggio Calabria, allows for identifying research gaps and practical opportunities towards the adoption of common guidelines for the selection of safety measures.Originality/valueBy providing a qualitative assessment of risks, the research points out the potentialities of the methodology in the disaster risk management of cultural heritage due to its capacity to be comprehensive and inclusive towards disciplines and professionals.


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