4. Might Natur e Be Interpreted as a “Saturated Phenomenon”?

2020 ◽  
pp. 82-101
Keyword(s):  
Open Theology ◽  
2019 ◽  
Vol 5 (1) ◽  
pp. 430-450
Author(s):  
Kristóf Oltvai

Abstract Karl Barth’s and Jean-Luc Marion’s theories of revelation, though prominent and popular, are often criticized by both theologians and philosophers for effacing the human subject’s epistemic integrity. I argue here that, in fact, both Barth and Marion appeal to revelation in an attempt to respond to a tendency within philosophy to coerce thought. Philosophy, when it claims to be able to access a universal, absolute truth within history, degenerates into ideology. By making conceptually possible some ‚evental’ phenomena that always evade a priori epistemic conditions, Barth’s and Marion’s theories of revelation relativize all philosophical knowledge, rendering any ideological claim to absolute truth impossible. The difference between their two theories, then, lies in how they understand the relationship between philosophy and theology. For Barth, philosophy’s attempts to make itself absolute is a produce of sinful human vanity; its corrective is thus an authentic revealed theology, which Barth articulates in Christian, dogmatic terms. Marion, on the other hand, equipped with Heidegger’s critique of ontotheology, highlights one specific kind of philosophizing—metaphysics—as generative of ideology. To counter metaphysics, Marion draws heavily on Barth’s account of revelation but secularizes it, reinterpreting the ‚event’ as the saturated phenomenon. Revelation’s unpredictability is thus preserved within Marion’s philosophy, but is no longer restricted to the appearing of God. Both understandings of revelation achieve the same epistemological result, however. Reality can never be rendered transparent to thought; within history, all truth is provisional. A concept of revelation drawn originally from Christian theology thus, counterintuitively, is what secures philosophy’s right to challenge and critique the pre-given, a hermeneutic freedom I suggest is the meaning of sola scriptura.


2014 ◽  
Vol 25 (2) ◽  
pp. 31-41
Author(s):  
Tamás Pavlovits

I will analyse Descartes? role in the ?theological turn? of French phenomenology. Although in Husserl?s phenomenology the Cartesian cogito was the central element, in the phenomenologists of the ?theological turn? (Janicaud) it was exchanged for the idea of the infinite. I examine why Marion and L?vinas are interested in the Cartesian idea of the infinite. In the phenomenology of Marion this idea is interpreted as a ?conceptual icon? and a ?saturated phenomenon? ,in the phenomenology of L?vinas this idea represents the structure that provides the possibility of the phenomenological description of transcendence. In order to see if Marion and L?vinas turn back to the onto-theological tradition of the metaphysics, like Janicaud affirms, we have to see how Descartes describes 31 the idea of infinite and how Marion and L?vinas interpret it.


2020 ◽  
Vol 24 (2) ◽  
Author(s):  
Wellington José Santana

The present article analyses critically the paradox of phenomenon claimed by Danish Philosopher Kierkegaard and Marion’s new concept named saturated phenomenon. While the concept of God, by definition, must surpass the realm of empiricism, perhaps the something may shed light over what God must be: Excess. However, Marion developed a new concept of phenomenon that not only occupies the immanence world, but also goes beyond. It is called saturated phenomenon. In order to address the question one might understand the limit of the givenness and then what does it mean saturated givenness. We probably all have had the sense of being overwhelmed by something and this can lead toward a sense of torpor or numbness. In the other hand, Kierkegaard affirms that God is so different than a human being, so totally other that we may think we’re right in demanding God make himself understood and be reasonable towards us. Kierkegaard upholds that we’re always dealing with God in the wrong way. I will argue that Marion, however, following phenomenological footsteps indicates a new path toward how to address God properly.   Key words: Paradox; Saturated phenomenon; freedom; Excess. 


MELINTAS ◽  
2018 ◽  
Vol 34 (1) ◽  
pp. 60-79
Author(s):  
Hadrianus Tedjoworo

Givenness is probably an odd term in methodology, but not in phenomenology. The long history of subjectivism in philosophy faces confrontations from Derrida's deconstruction. This history also results in a sort of mutual exclusion between philosophy and theology. The concept of the subject becomes a problem for both, but frequently it is safeguarded for the sake of a more universal 'objectivity'. The phenomenological tendency towards phenomenon, more than towards the experiencing subject and more than anything regarded as object, provokes some philosophical focus on the emancipation of the phenomena. Marion pushes phenomenology to its limits, to the extent that he is suspected of undermining the role of the subject in contemporary philosophical discourse. He reacts to Derrida's deconstruction, which was also criticised for not offering a way out of the labyrinth from the collapse of traditional thoughts. Marion is quite consistent with his phenomenology, namely in offering a way out for the subject to be a witness, and reminds that philosophy should be more appreciative of phenomena. The term saturated phenomenon represents his philosophical thinking that can be regarded as a methodological approach to respect, and not to dominate, reality. Being a witness is not the same as playing a critic on reality. This could be a useful stance for philosophers as well as theologians in the presence of the phenomena they cannot master, namely, the given phenomena.


Author(s):  
Иван Александрович Авдеев

В статье проблематизируются аспекты гуссерлевской феноменологии, которые становятся отправной точкой для новых феноменологических теорий. Эти теории преодолевают затруднения, с которыми сталкивается классическая феноменология, такие как данность истины, историчность субъекта и «пустые» интенции. Неклассические теории предлагают свое дополнительное поле рассмотрения, в котором данность феномена необязательно носит интенциональный характер. Наиболее значимыми из них являются концепция «Другого» Э. Левинаса и «насыщенный феномен» Ж-Л. Мариона. Показано, что данные проекты позволяют работать с новыми классами феноменов. The paper questions some aspects of Husserlian phenomenology which have become a starting point for new phenomenological theories. These theories overcome difficulties of the classic phenomenology, such as: the givenness of the truth, historicity of the subject and «empty» intentions. Non-classical theories offer their own additional field of inquiry, where the given of the phenomenon isn't necessarily of intentional character. Among them, most substantial are conceptions of «The Other» by E. Levinas and «saturated phenomenon» by J.-L. Marion. The paper shows that these projects allow us to work with new kinds of phenomena.


Author(s):  
Sharon Kim

During a sunset in Italy, Ralph Marvell’s aesthetic pleasure in the landscape crosses into a visionary experience, one distinguished by the unusual perceptual means by which he sees it. His vision resembles the “saturated phenomenon” theorized by Jean-Luc Marion, in which the presence of being becomes so concentrated in a physical manifestation that it results in a bedazzlement of vision. Because such perception does not operate in Cartesian or Subject-centered terms, it does not reduce or objectify what is seen. The saturated gaze thus presents a rare alternative to the predatory modes of vision seen in The Custom of the Country (1913) and criticized in contemporary theory. It also forms the basis of an equally rare form of cosmopolitanism, one that is not a disguised version of narcissism, provincialism, or imperialism. Ralph’s vision, however, is short-lived, disintegrating in the destructive ways of seeing that empower his wife Undine.


Author(s):  
Jean-Luc Marion

In this chapter Marion speaks of the miracle as what we think to be impossible although it actually takes place. The miracle is about what really occurs but seems impossible, not about a logical contradiction, but about an event (it is hence about faith in the event). Christ’s death is the end of any possibility; his resurrection the miracle of the event of the impossible. The miracle puts faith into play. Metaphysics excludes possibility (and sees it as opposed to actuality). Phenomenology frees the possibility of phenomena. The Resurrection becomes the paradigm for any miracle. It appears outside the horizon and displaces or suspends it by saturating our gaze. This saturated phenomenon constitutes the I.


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