scholarly journals Introduction: Cultural sovereignty – claims, forms and contexts beyond the modern state

Author(s):  
Gregor Feindt ◽  
Bernhard Gissibl ◽  
Johannes Paulmann
Author(s):  
Alexander B. Murphy

We live in profoundly unsettling times. The daily newspapers are filled with stories about terrorist threats, stockpiles of chemical and biological weapons, and the efforts of ever more states to acquire nuclear weapons. At the same time, longstanding interstate and intrastate conflicts continue to dominate the lives of people in such diverse settings as Israel-Palestine, southern Sudan, the India-Pakistan border, and the interior of Colombia. The issues that underlie these conflicts are as diverse as their geographic settings, but they share one commonality: they are all framed by the territorial logic of the modern state system. The foregoing statement might seem self-evident for intrastate struggles between ethnic groups or for boundary conflicts between states because these conflicts are clearly tied to the territorial reach of the modern state. Yet even the international terrorist activities associated with movements such as al-Qaeda cannot be understood without reference to prevailing international territorial norms. This is because the existing political-geographic order is a fundamental catalyst for such movements and because responses to international terrorism are often channeled in and through states. Consider, for example, the circumstances of the terrorist attacks on the United States of September 11, 2001. Chief among the articulated reasons for the attack was a sense of eroding political and cultural sovereignty in the Islamic world, as symbolized, for example, by the presence of U.S. military bases in Saudi Arabia and by the existence of a number of secular, Westernoriented regimes in the region. On the response side of the equation, a major focus of attention for the U.S. administration in the wake of September 11 was “regime change,” first in Afghanistan and then in Iraq. Against this backdrop, it is clearly important that we seek to understand the territorial logic of the modern state system and its role in different types of conflicts. A great deal of work has been done along these lines in recent decades. Scholars who have focused on the concept of the nation-state have devoted considerable attention to the gap between perception and reality that underlies the concept and have highlighted its pernicious influence in culturally diverse states.


2020 ◽  
Vol 5 ◽  
pp. 7-11
Author(s):  
Malek Abdel-Shehid

Calypso is a popular Caribbean musical genre that originated in the island nation of Trinidad and Tobago. The genre was developed primarily by enslaved West Africans brought to the region via the transatlantic slave trade during the seventeenth and eighteenth centuries. Although West-African Kaiso music was a major influence, the genre has also been shaped by other African genres, and by Indian, British, French, and Spanish musical cultures. Emerging in the early twentieth century, Calypso became a tool of resistance by Afro-Caribbean working-class Trinbagonians. Calypso flourished in Trinidad due to a combination of factors—namely, the migration of Afro-Caribbean people from across the region in search of upward social mobility. These people sought to expose the injustices perpetrated by a foreign European and a domestic elite against labourers in industries such as petroleum extraction. The genre is heavily anti-colonial, anti-imperial, and anti-elitist, and it advocated for regional integration. Although this did not occur immediately, Calypsonians sought to establish unity across the region regardless of race, nationality, and class through their songwriting and performing. Today, Calypso remains a unifying force and an important part of Caribbean culture. Considering Calypso's history and purpose, as well as its ever-changing creators and audiences, this essay will demonstrate that the goal of regional integration is not possible without cultural sovereignty.


Sign in / Sign up

Export Citation Format

Share Document