As Septimus Smith prepares to commit suicide by throwing himself out of the window and ‘vigorously, violently down onto Mrs Filmer’s area railings,’ he comments on the narrative tradition of his own tragic demise. ‘It was their idea of tragedy,’ he reflects with bitter irony – ‘Holmes and Bradshaw liked that sort of thing.’ This paper addresses the wider implications of this sentiment in Mrs Dalloway, by positioning Septimus’ death as the tragic climax and dramatic focus of the novel. Previous scholarship has failed to recognise the significance of this allusion to Greek tragedy, though Woolf was an accomplished classical scholar and a voracious reader of ancient literature. This detail would repay attention, as the author’s self-conscious engagement with the literary and intellectual tradition of tragedy, demonstrated through the narrative and suicide of Septimus Smith, impacts upon our understanding of the novel as a whole. It raises several important questions which this paper seeks to address: to what extent does Woolf intend for us to sympathise with Septimus as the tragic protagonist? How does Woolf’s appropriation and manipulation of the tragic genre reflect her views on war, mental illness, and her relationship with her doctors? And finally, what does it tell us about Woolf’s idea of tragedy, and what she considers to be tragic?
About the Greek origin of acarology: a short note on Argas and the Acari
