Rituali di corte. Il Triclinio dei XIX Letti del Grande Palazzo di Costantinopoli

2021 ◽  
Vol 114 (1) ◽  
pp. 65-110
Author(s):  
Isabella Baldini
Keyword(s):  
Middle Ages ◽  
Late Antiquity ◽  
Early Middle Ages ◽  
Present Contribution ◽  
The Third ◽  
Great Banquet

Abstract The present contribution aims at reviewing the available data on the Triclinium of the Nineteen couches. It is divided into three parts: the first is intended to overview the information that Byzantine authors have handed down to us about this great banquet hall; the second aims at proposing reconstructive hypotheses about its dimensions and architecture, as well as to investigate the material aspects related to the organisation of the banquet in late antiquity; the third part deals with the ceremonial functions that were performed in it. Contrary to what is usually assumed, the Triclinium was probably not a huge hall with nine apses on each side, but a rectangular hall with a final apse and akkoubita arranged along the perimeter walls. In terms of ritual, the Triclinium must have continued to be in use throughout the early Middle Ages, with a particular revival in the 10th century.

Mythenauslegung, römische Königszeit und der Tod des Kaiser Valens: Christliche Interpretationen von Orosius bis Isidor von Sevilla

2020 ◽  
Vol 69 ◽  
pp. 73-93
Author(s):  
Dirk Rohmann
Keyword(s):  
Middle Ages ◽  
Late Antiquity ◽  
Transition Period ◽  
Early Middle Ages ◽  
Present Contribution ◽  
The World ◽  
Isidore Of Seville ◽  
History Of

Chronicles became the dominant historical genre in the transition period between Late Antiquity and the Early Middle Ages. While individual authors tended to build one on another, they also exerted considerable licence in rearranging the tralaticious material they found in previous compilations. Comparing Latin with Greek authors– Orosius, Isidore of Seville, Gregory of Tours, and John Malalas – the present contribution argues that all of these historical works, while summarising the history of antiquity, reflect discourses of their own day and age. These differences can be appreciated in comparing their specific views on the origin of sin in the world, on king Numa, and on the death of the Arian emperor Valens.

Ildar Garipzanov, Caroline Goodson, and Henry Maguire, ed., Graphic Signs of Identity, Faith, and Power in Late Antiquity and the Early Middle Ages. Cursor Mundi, 27, Turnhout: Brepols, 2017, xviii, 392 p., 141 ill.

Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 377-379
Author(s):  
Kriszta Kotsis
Keyword(s):  
Middle Ages ◽  
Interdisciplinary Research ◽  
Late Antiquity ◽  
Visual Communication ◽  
Group Identity ◽  
Religious Affiliation ◽  
Late Antique ◽  
The Third ◽  
Cursor Mundi ◽  
Definition Of

Late antique and early medieval graphic signs have traditionally been studied by narrowly focused specialists leading to the fragmentation and decontextualization of this important body of material. Therefore, the volume aims “to deepen interdisciplinary research on graphic signs” (7) of the third through tenth centuries, with contributions from archaeologists, historians, art historians, a philologist, and a paleographer. Ildar Garipzanov’s introduction defines the central terms (sign, symbol, graphicacy), calls for supplanting the text-image binary with “the concept of the visual-written continuum” (15), and argues that graphicacy was central to visual communication in this period. He emphasizes the agency of graphic signs and notes that their study can amplify our understanding of the definition of personal and group identity, the articulation of power, authority, and religious affiliation, and communication with the supernatural sphere.

The Fate of Small Towns, Hilltop Settlements, and Elite Residences in Merovingian-Period Gaul

2020 ◽  
pp. 610-640
Author(s):  
Luc Bourgeois
Keyword(s):  
Middle Ages ◽  
Late Antiquity ◽  
Fourth Century ◽  
Small Towns ◽  
Seventh Century ◽  
Archaeological Research ◽  
Power Networks ◽  
Early Middle Ages ◽  
The Many

The study of places of power in the Merovingian realm has long been focused on cities, monasteries, and royal palaces. Recent archaeological research has led to the emergence of other categories. Four of them are addressed in this chapter. These include the capitals of fallen cities, which continue to mark the landscape in one way or another. Similarly, the fate of small Roman towns during the early Middle Ages shows that most of them continued to host a variety of secular and ecclesiastical powers. In addition, from the fourth century onward, large hilltop fortified settlements multiplied anew. They complemented earlier networks of authority, whether elite residences, artisan communities, or real towns. Finally, from the seventh century onward, the great aristocratic villas of late antiquity were transformed into settlements organized around one or more courtyards and supplemented by funerary and religious structures. The evolution of political spaces and lifestyles explains both the ruptures in power networks that occurred during the Merovingian epoch and the many continuities that can be seen in the four kinds of places studied in this chapter that were marked by these developments.

Aachen — the Second Rome: a City as a Symbol of Power in Poetic Carolingian Texts

Istoriya ◽  
2021 ◽  
Vol 12 (9 (107)) ◽  
pp. 0
Author(s):  
Maya Petrova
Keyword(s):  
Middle Ages ◽  
Turning Point ◽  
Early Middle Ages ◽  
Poetic Tradition ◽  
Narrative Poetry ◽  
The Third ◽  
Epic Poem ◽  
The City

The paper deals the construction of Aachen as a symbol of the power of Charlemagne (742/4 — 814). It discusses the poetic Carolingian texts, which played an important role in the formation of the medieval ideology of the unity of the City and the power of its creator. It is shown that the most striking example of the statement of such a worldview is the third book (v. 1—536) of the anonymous epic poem (not fully preserved), known in the early Middle Ages under the title “Charlemagne and Pope Leo” (Karolus Magnus et Leo Papa). It is noted that this text, containing a description of the construction of the Second Rome — Aachen, influenced the subsequent Carolingian poetic tradition, serving as a turning point in the development of narrative poetry during the reign of Charlemagne.

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