scholarly journals Medialität und Auratisierung

Author(s):  
Ulrich Johannes Beil

AbstractLike in other Expressionist movies around the First World War, writing plays a decisive role in Paul Wegener’s silent movie

2021 ◽  
pp. 096834452110214
Author(s):  
Gün Kut

Cevat Paşa (General Cevat Çobanlı: 1870-1938) was an Ottoman Army officer who played a decisive role in the defence of the Dardanelles Strait against the Allied offensive during the First World War. He had been primarily responsible for the preparation and improvement of defensive plans as the commander of the Çanakkale Fortified Zone, as well as the implementation of these plans during the Allied naval assault of 19 February-18 March 1915. The ultimate failure of the offensive was mainly due to the careful planning and successful execution of defensive measures under the command of Cevat Paşa.


Author(s):  
Peter J. Mitchell ◽  
Andrey A. Andrakhanov ◽  
Egor V. Trusov

World War One had an impact not only the development of international relations throughout the 20th century, but also led to the creation of air forces of different countries. More than 30 countries participated in the First World War. The British Empire, which fought on the side of the Entente, was one of them. During the First World War, the importance of the Air Force increased. It played a decisive role in gaining dominance amidst the aerospace. Aviation, which tasks included aerial reconnaissance and bomb attacks, evolved significantly. A huge number of new experimental military equipment have appeared. All of this produced a huge number of military slang terms. In this study, we will examine the slang terms that appeared in the slang of the British Air Force during the First World War, classify them and make a conclusion about the influence of the First World War on the development of military slang terms. During the training of specialists in the linguistic support of military activity, the topic of military slang remains understudied, which is why interpreters have difficulties in translating slang units. Therefore, the studying of this phenomenon can improve the skills of military interpreters and allow them to avoid major mistakes in their professional activity.


2000 ◽  
pp. 67-75
Author(s):  
R. Soloviy

In the history of religious organizations of Western Ukraine in the 20-30th years of the XX century. The activity of such an early protestant denominational formation as the Ukrainian Evangelical-Reformed Church occupies a prominent position. Among UCRC researchers there are several approaches to the preconditions for the birth of the Ukrainian Calvinistic movement in Western Ukraine. In particular, O. Dombrovsky, studying the historical preconditions for the formation of the UREC in Western Ukraine, expressed the view that the formation of the Calvinist cell should be considered in the broad context of the Ukrainian national revival of the 19th and 20th centuries, a new assessment of the religious factor in public life proposed by the Ukrainian radical activists ( M. Drahomanov, I. Franko, M. Pavlik), and significant socio-political, national-cultural and spiritual shifts caused by the events of the First World War. Other researchers of Ukrainian Calvinism, who based their analysis on the confessional-polemical approach (I.Vlasovsky, M.Stepanovich), interpreted Protestantism in Ukraine as a product of Western cultural and religious influences, alien to Ukrainian spirituality and culture.


2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.


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