The Yiddisher Kultur Farband in Argentina: Progressive and Communist Jews (1917–1956)

2022 ◽  
Vol 86 (1) ◽  
pp. 12-35
Author(s):  
Nerina Visacovsky

Progressive and Communist Jewish identity in Argentina flourished between the Russian Revolution of 1917 and the Cold War. In 1937, during the Popular Front period, Jewish Communist intellectuals organized an International Congress of Yiddish Culture in Paris. Twenty-three countries were represented, and the Congress formed the Yiddisher Kultur Farband (YKUF). In 1941, this Congress was replicated in Argentina, where the YKUF sponsored an important network of schools, clubs, theaters, socio-cultural centers, and libraries created by Yiddish-speaking Jewish immigrants from Eastern Europe. The Ykufist or Progressive Jewish identity reflects a particular construction that is as ethnic as it is political. As “Jewish,” it aimed to transmit the secular heritage of the Yiddishkeit devastated in Europe during World War II, but as “progressive,” “radical” or “Communist,” it postulated its yearning for integration into a universal socialism led by the Soviet model. Progressive Jewish identity was shaped in the antifascist culture and by permanent tensions between Jewish ethnicity and the guidelines of the Communist Party. Above all, it was framed by a fervent aspiration of the immigrants and their children to integrate into their Argentine society.

Slavic Review ◽  
2012 ◽  
Vol 71 (1) ◽  
pp. 91-107 ◽  
Author(s):  
Margarita Levantovskaya

Liudmila Ulitskaia's 2006 novel, Daniel' Shtain, pervodchik (Daniel Stein, Translator), explores the experience of the Russian-speaking diaspora in the aftermath of World War II through a focus on Jewish immigrants in Israel who convert to Christianity. The novel's treatment of the divisive topic of Jewish to Christian conversion is enabled by the author's reliance on the theoretical and allegorical values of translation. Evoking advancements in twentieth-century translation studies through its broad treatment of translation and critique of the investment in the notion of fidelity to the original, be it language or identity, the novel advocates for the acceptance of the transformations and the resulting hybridity of the Jewish diasporic self. Daniel Stein, Translator specifically highlights the influence of the Soviet nationalities policies and the Nazi occupation of eastern Europe on the identity metamorphoses of Soviet Jews. By promoting the legitimacy of the expressions of Jewish identity by immigrants from the USSR through her novel, Ulitskaia proposes an expanded and anti-essentialist view of Jewish identity that would include individuals traditionally viewed as apostates.


2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.


Author(s):  
Andrea Harris

This chapter takes a biographical approach to Lincoln Kirstein’s creation of a modernist theory of ballet to situate its development in the 1930s cultural wing of the Popular Front and explore its evolution through and after World War II. Fueled by the cultural front’s belief in the role of the arts in social revolution, Kirstein seized the opportunity to decouple ballet from existing biases about its elitism and triviality, and formulate new ideas about its social relevance in the Depression period. After exploring the development of Kirstein’s social modernism in the cultural front, chapter 2 then turns to the challenges posed to the 1930s belief that art could be productively combined with politics through two major turning points in Kirstein’s life. These are his experiences in World War II, and the erosion of his own artistic role in the ballet company after the formation of the New York City Ballet and the ascendance of George Balanchine’s dance-for-dance-sake aesthetic in the late 1940s. The chapter illustrates Kirstein’s attempts to negotiate the social modernist aesthetic he crafted under the wing of the cultural front within the volatile political, economic, and artistic circumstances of World War II, anticommunism, and the Cold War.


2021 ◽  
Vol 53 (4) ◽  
pp. 691-702
Author(s):  
Firoozeh Kashani-Sabet

In 1946, the entertainer and activist Paul Robeson pondered America's intentions in Iran. In what was to become one of the first major crises of the Cold War, Iran was fighting a Soviet aggressor that did not want to leave. Robeson posed the question, “Is our State Department concerned with protecting the rights of Iran and the welfare of the Iranian people, or is it concerned with protecting Anglo-American oil in that country and the Middle East in general?” This was a loaded question. The US was pressuring the Soviet Union to withdraw its troops after its occupation of the country during World War II. Robeson wondered why America cared so much about Soviet forces in Iranian territory, when it made no mention of Anglo-American troops “in countries far removed from the United States or Great Britain.” An editorial writer for a Black journal in St. Louis posed a different variant of the question: Why did the American secretary of state, James F. Byrnes, concern himself with elections in Iran, Arabia or Azerbaijan and yet not “interfere in his home state, South Carolina, which has not had a free election since Reconstruction?”


2021 ◽  

Global governance has come under increasing pressure since the end of the Cold War. In some issue areas, these pressures have led to significant changes in the architecture of governance institutions. In others, institutions have resisted pressures for change. This volume explores what accounts for this divergence in architecture by identifying three modes of governance: hierarchies, networks, and markets. The authors apply these ideal types to different issue areas in order to assess how global governance has changed and why. In most issue areas, hierarchical modes of governance, established after World War II, have given way to alternative forms of organization focused on market or network-based architectures. Each chapter explores whether these changes are likely to lead to more or less effective global governance across a wide range of issue areas. This provides a novel and coherent theoretical framework for analysing change in global governance.


Muzikologija ◽  
2008 ◽  
pp. 55-63
Author(s):  
Keti Romanu

This paper describes cultural policy in Greece from the end of World War II up to the fall of the junta of colonels in 1974. The writer's object is to show how the Cold War favoured defeated Western countries, which participated effectively in the globalisation of American culture, as in the Western world de-nazification was transformed into a purge of communism. Using the careers of three composers active in communist resistance organizations as examples (Iannis Xenakis, Mikis Theodorakis and Alecos Xenos), the writer describes the repercussions of this phenomenon in Greek musical life and creativity.


2020 ◽  
Vol 9 (2) ◽  
Author(s):  
Kimia Zare ◽  
Habibollah Saeeidinia

Iran and Russia have common interests, especially in political terms, because of the common borders and territorial neighborhood. This has led to a specific sensitivity to how the two countries are approaching each other. Despite the importance of the two countries' relations, it is observed that in the history of the relations between Iran and Russia, various issues and issues have always been hindered by the close relations between the two countries. The beginning of Iran-Soviet relations during the Second Pahlavi era was accompanied by issues such as World War II and subsequent events. The relations between the two countries were influenced by the factors and system variables of the international system, such as the Cold War, the US-Soviet rivalry, the Second World War and the entry of the Allies into Iran, the deconstruction of the relations between the two post-Cold War superpowers, and so on.The main question of the current research is that the political relations between Iran and Russia influenced by the second Pahlavi period?To answer this question, the hypothesis was that Iran's political economic relations were fluctuating in the second Pahlavi era and influenced by the changing system theory of the international system with the Soviet Union. The findings suggest that various variables such as the structure of the international system and international events, including World War II, the arrival of controversial forces in Iran, the Cold War, the post-Cold War, the US and Soviet policies, and the variables such as the issue of oil Azerbaijan's autonomy, Tudeh's actions in Iran, the issue of fisheries and borders. Also, the policies adopted by Iranian politicians, including negative balance policy, positive nationalism and independent national policy, have affected Iran-Soviet relations. In a general conclusion, from 1320 (1942) to 1357 (1979), the relationship between Iran and Russia has been an upward trend towards peaceful coexistence. But expansion of further relations in the economic, technical and cultural fields has been political rather than political.


2021 ◽  
pp. 73-99
Author(s):  
Uta A. Balbier

This chapter defines Graham’s crusades in the United States, Germany, and the United Kingdom in the 1950s as powerful cultural orchestrations of Cold War culture. It explores the reasons of leading political figures to support Graham, the media discourses that constructed Graham’s image as a cold warrior, and the religious and political worldviews of the religious organizers of the crusades in London, Washington, New York, and Berlin. In doing so, the chapter shows how hopes for genuine re-Christianization, in response to looming secularization, anticommunist fears, and post–World War II national anxieties, as well as spiritual legitimizations for the Cold War conflict, blended in Graham’s campaign work. These anxieties, hopes, and worldviews crisscrossed the Atlantic, allowing Graham and his campaign teams to make a significant contribution to creating an imagined transnational “spiritual Free World.”


Author(s):  
Dora Vargha

Concerns over children’s physical health and ability were shared experiences across post–World War II societies, and the figure of the child was often used as a tool to reach over the Iron Curtain. However, key differences in how children with polio were perceived, and as a result treated, followed Cold War fault lines. Concepts of an individual’s role in society shaped medical treatment and views of disability, which contributed to the celebrated polio child in one environment and her invisibility in another. Thus, through the lens of disability, new perspectives have emerged on the history of the Cold War, polio, and childhood.


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