scholarly journals 1. Ancient Music, Modern Myth

2020 ◽  
pp. 1-22
Keyword(s):  
1988 ◽  
Vol 17 (4) ◽  
pp. 409-418
Author(s):  
Constantina Mitchell ◽  
Paul Raymond Cote
Keyword(s):  

Author(s):  
Noel Malcolm

This book of essays covers a wide range of topics in the history of Albania and Kosovo. Many of the essays illuminate connections between the Albanian lands and external powers and interests, whether political, military, diplomatic or religious. Such topics include the Habsburg invasion of Kosovo in 1689, the manoeuvrings of Britain and France towards the Albanian lands during the Napoleonic Wars, the British interest in those lands in the late nineteenth century, and the Balkan War of 1912. On the religious side, essays examine ‘crypto-Christianity’ in Kosovo during the Ottoman period, the stories of conversion to Islam revealed by Inquisition records, the first theological treatise written in Albanian (1685), and the work of the ‘Apostolic Delegate’ who reformed the Catholic Church in early twentieth-century Albania. Some essays bring to life ordinary individuals hitherto unknown to history: women hauled before the Inquisition, for example, or the author of the first Albanian autobiography. The longest essay, on Ali Pasha, tells for the first time the full story of the role he played in the international politics of the Napoleonic Wars. Some of these studies have been printed before (several in hard-to-find publications, and one only in Albanian), but the greater part of this book appears here for the first time. This is not only a contribution to Albanian and Balkan history it also engages with many broader issues, including religious conversion, methods of enslavement within the Ottoman Empire, and the nature of modern myth-making about national identity.


2020 ◽  
pp. 118-123
Author(s):  
Т.И. Твердовская

В рецензируемом сборнике, изданном к юбилеям профессоров Санкт-Петербургской консерватории К.И.Южак и А.П.Милки Проблемы и методы изучения старинной музыки: сборник статей по материалам международной конференции 45 декабря 2014 года (Санкт-Петербургская государственная консерватория имени Н.А.Римского-Корсакова. Санкт-Петербург: Скифия-принт, 2019), музыкальные явления разных эпох освещаются в различных ракурсах, в новых, подчас неожиданных, аспектах, в меняющихся контекстах. Благодаря публикации работ самих юбиляров, их коллег, представляющих крупнейшие музыкальные вузы России и зарубежья, а также их учеников сборник во многом приобретает черты коллективной монографии, продолжающей традиции ленинградской-петербургской полифонической школы. In the reviewed collection published for the anniversaries of the professors of St. Petersburg Conservatory Kira I. Yuzhak and Anatoliy P. Milka (Problems and Methods of Ancient Music Studying: collection of articles by International Conference materials, 45 December 2014. St. Petersburg, 2019. In Russian) the musical phenomena of various epochs are dealt with new, sometimes surprising, aspects and changing contexts. Due to publication of Prof. Yuzhak and Milkas articles, as well as works of their colleagues who are presenting the largest music schools of Russia and abroad and their pupils, the collection acquires the features of a collective monograph which carries on the Leningrad-Petersburg polyphonic school tradition.


2021 ◽  
Vol 28 (1) ◽  
pp. 116-118
Author(s):  
Eric M. Meyers
Keyword(s):  

2020 ◽  
Vol 4 (2) ◽  
pp. 63-82
Author(s):  
Peter Frost

Abstract European women dominate images of beauty, presumably because Europe has dominated the world for the past few centuries. Yet this presumed cause poorly explains “white slavery”—the commodification of European women for export at a time when their continent was much less dominant. Actually, there has long been a cross-cultural preference for lighter-skinned women, with the notable exception of modern Western culture. This cultural norm mirrors a physical norm: skin sexually differentiates at puberty, becoming fairer in girls, and browner and ruddier in boys. Europeans are also distinguished by a palette of hair and eye colors that likewise differs between the sexes, with women more often having the brighter hues. In general, the European phenotype, especially its brightly colored features, seems to be due to a selection pressure that targeted women, apparently sexual selection. Female beauty is thus a product of social relations, but not solely those of recent times.


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