“I Give Thanks to God, After That, the United States”Everyday Life in Textitlán

Author(s):  
Debra Lattanzi Shutika
Aschkenas ◽  
2014 ◽  
Vol 24 (2) ◽  
Author(s):  
Joachim Schlör

AbstractThe idea to create and stage a play called »Heimat im Koffer« – »A home in the suitcase« – emerged, I presume, in Vienna shortly before Austria became part of National Socialist Germany in 1938: the plot involved the magical translocation of a typical Viennese coffeehouse, with all its inhabitants and with the songs they sang, to New York; their confrontation with American everyday life and musical traditions would create the humorous situations the authors hoped for. Since 1933, Robert Gilbert (Robert David Winterfeld, 1899–1978), the son of a famous Jewish musician and himself a most successful writer of popular music for film and operetta in Weimar Germany, found himself in exile in Vienna where he cooperated with the journalist Rudolf Weys (1898–1978) and the piano artist Hermann Leopoldi (1888–1959). Whereas Gilbert and Leopoldi emigrated to the United States and became a part of the German-Jewish and Austrian-Jewish emigré community of New York – summarizing their experience in a song about the difficulty to acquire the new language, »Da wär’s halt gut, wenn man Englisch könnt« (1943) – Weys survived the war years in Vienna. After 1945, Gilbert and Weys renewed their contact and discussed – in letters kept today within the collection of the Viennese Rathausbibliothek – the possibility to finally put »Heimat im Koffer« on stage. The experiences of exile, it turned out, proved to be too strong, and maybe too serious, for the harmless play to be realized, but the letters do give a fascinating insight into everyday-life during emigration, including the need to learn English properly, and into the impossibility to reconnect to the former life and art.


1996 ◽  
Vol 5 (2) ◽  
pp. 101-119 ◽  
Author(s):  
Marilee Long ◽  
Jocelyn Steinke

Several media effects perspectives suggest that televised images can influence children's perceptions of science and scientists. This study analysed images of science and scientists in four children's educational science programmes. The images of science as truth, as fun, and as a part of everyday life, as well as the image that science is for everyone, were quite evident. Little evidence was found for the image of science as magical or mysterious. Support for the images of science as dangerous and science as a solution to problems was mixed. Images of scientists as omniscient and elite were quite prevalent; there was no evidence for the image of scientists as evil or violent. Some support was found for the image of scientists as eccentric and antisocial. Overall, the images were more constructive than detrimental. Predictions about the effect these images could have on children and on the scientific community are given.


Author(s):  
Norman C. Craig

Prior to the mid-1880s aluminum was known as a metallic substance but was too costly to be used for other than jewelry-type applications. In 1886, Charles Hall in the United States and Paul Héroult in France discovered an economical electrolysis process for reducing aluminum from its abundant ore, alumina (Al2O3). This method, known today as the Hall–Héroult process, was a direct application of the then-new development of dynamos and principally of waterpower to generate huge amounts of electricity. Within a few years, aluminum was being produced at a low enough price that this metal played a growing role in everyday life. As a lustrous and lightweight metal, aluminum transformed human expectations for the appearance and uses of metals. This paper traces the stories of Hall and Héroult in their historic paths from concept to industrialization for refining aluminum metal. The essentials of the Hall–Héroult process remain fundamental in the aluminum industry today.


2021 ◽  
Author(s):  
Ethan C. Busby ◽  
Adam J. Howat ◽  
Jacob E. Rothschild ◽  
Richard M. Shafranek

In the United States, politics has become tribal and personalized. The influence of partisan divisions has extended beyond the political realm into everyday life, affecting relationships and workplaces as well as the ballot box. To help explain this trend, we examine the stereotypes Americans have of ordinary Democrats and Republicans. Using data from surveys, experiments, and Americans' own words, we explore the content of partisan stereotypes and find that they come in three main flavors—parties as their own tribes, coalitions of other tribes, or vehicles for political issues. These different stereotypes influence partisan conflict: people who hold trait-based stereotypes tend to display the highest levels of polarization, while holding issue-based stereotypes decreases polarization. This finding suggests that reducing partisan conflict does not require downplaying partisan divisions but shifting the focus to political priorities rather than identity—a turn to what we call responsible partisanship.


Author(s):  
Jennifer Patico

This chapter introduces the argument of the book: that tensions in the way middle-class parents treat children’s food reflect the influence of an underlying ethic that is linked with neoliberal capitalism and that shapes social inequality in the United States. Several literatures and subthemes are introduced, including the politics of parenting in the United States; middle-class aesthetics and anxieties, particularly as these relate to parenting and food; and theories of neoliberalism and its impacts on selfhood and everyday life. In addition, this chapter describes the research setting of the book: “Hometown,” a K–8 charter school and the urban, gentrifying area of Atlanta in which it is located. Finally, the chapter provides an overview of the ethnographic methods used to collect materials for this book, including reflexive discussion of the ethnographer’s positioning.


Author(s):  
Herbert R. Hartel, Jr.

The American Abstract Artists is a formally established organization of painters, sculptors, and printmakers that has been devoted to promoting abstraction in the United States since the late-1930s. The organization was established in New York City in 1936, at a time when American art was dominated by figurative, realistic styles, such as regionalism and social realism, which favored depicting everyday life and people and national historical subjects. It held several exhibitions over the subsequent years, including a large annual exhibition each winter from 1937 to 1941. It was most influential in the late-1930s through the mid-1940s. The membership grew to more than fifty artists at this time, and its most influential, its famous members have included Burgoyne Diller, Ilya Bolotowsky, George L. K. Morris, Balcomb Greene, Albert E. Gallatin, Alexander Calder, Suzy Frelinghuysen, Fernand Léger, Piet Mondrian, Josef Albers, Jean Hélion, Carl Holty, Ad Rinehardt, Gertrude Greene, Stuart Davis, Charles Shaw, Vaclav Vytlacil, Jean Xceron, and David Smith. The American Abstract Artists group is often thought to have advocated a rather homogenous abstract style that was geometric, linear, and planar, but this is a broad oversimplification of the diversity of its membership.


2019 ◽  
Vol 77 ◽  
pp. 49-58
Author(s):  
Aleksandra Frania

The article presents legal challenges, that must be tackled by Polish jurisprudence in the upcoming next hundred years of Polish independence. As the key challenge, the author has indicated adaptation of Polish law to an increasingly common use of artificial intelligence in everyday life. But, the author focused his attention to use of artificial intelligence in transport. Concepts of this issue sanctioning were indicated on examples of European Union and the United States of America.


2016 ◽  
Vol 17 (3) ◽  
pp. 523-541 ◽  
Author(s):  
Devon Powers ◽  
DM Greenwell

This article develops a theory of branded fitness within the United States through a focus on two of its most visible examples: CrossFit and Bikram yoga. We argue that highly successful forms of branded fitness such as these give insight into the enormous power and permeation of branded sensibilities into everyday life – in this case, going so far as to inform how we relate to, and attempt to modify, our own bodies. However, we argue that a close examination of branded fitness likewise reveals the inconsistencies, trouble spots, and extraordinary limits of the brand as a way to build a fitness movement – which we contend is instructive in thinking about how branding more generally relates to mediation, community, and cultural commodification.


Author(s):  
Amaia Ibarraran-Bigalondo ◽  

The Mexican corrido is one of the most popular cultural manifestations both in the United States and Mexico. From its origins in the mid-nineteenth century, the corrido has dealt with “people’s stuff,” such as war, love, honor, immigration and/or belonging to a land, among other everyday life issues. The corrido is, in short, a symbol of identity and belonging, and can be considered a marker of the Mexican identity on both sides of the border. In this sense, it is to be expected that the corrido, as an expression of “people’s stuff,” voices the relevance of a “national” symbol. In the same way, tequila is regarded, at least internationally, as directly related to “lo mexicano/chicano,” and in many cases also to Mexican/Chicano masculinity. Starting from this premise, the aim of this article is to observe the presence of tequila and its significance as a symbol of “lo mexicano/chicano” in the work of Los Tigres del Norte, one of the most prominent corrido bands, both locally and internationally.


2009 ◽  
Vol 3 (4) ◽  
pp. 301-303
Author(s):  
Fernando Garcia-Hernandez ◽  
◽  
Adrian H. Oskam ◽  
Victor M. Castano ◽  
◽  
...  

Corrosion is the deterioration of a substance (usually a metal) or its properties because of the reaction with its environment. There are many forms of corrosion, some of which are encountered in everyday life. Direct losses due to corrosion are more than $276 billion dollars annually = 3.1% of Gross Domestic Product only in the United States. If we consider the rest of the world this figure would be many times higher. However, corrosion and its control besides of its importance, is often a neglected element in the practice of engineering. This work presents the design of an innovative low cost device to carry out corrosion testing of materials in different environments. High costs that result from the fabrication of special probes or devices for testing, make it an interesting challenge for the engineer or designer. This original and innovative device has been designed accordingly to both the laboratory equipment which will do the characterization and assessment of the corrosion testing, as well as the “Loop reactor” where testing will be carried out in different environments.


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