Japanese Reinvention of Self through Hawai‘i’s Japanese Americans

2012 ◽  
Vol 83 (2) ◽  
pp. 333-349 ◽  
Author(s):  
Yujin Yaguchi

This article investigates the relationship between Asian American and modern Japanese history by analyzing the image of Japanese Americans in postwar Japan. Based on a book of photographs featuring Japanese immigrants in Hawai‘i published in 1956, it analyzes how their image was appropriated and redefined in Japan to promote as well as reinforce the nation’s political and cultural alliance with the United States. The photographs showed the successful acculturation of Japanese in Hawai‘i to the larger American society and urged the Japanese audience to see that their nation’s postwar reconstruction would come through the power and protection of the United States. Japanese Americans in Hawai‘i served as a lens through which the Japanese in Japan could imagine their position under American hegemony in the age of Cold War.

Author(s):  
Yujin Yaguchi

This chapter investigates the relationship between Asian American and modern Japanese history by analyzing the image of Japanese Americans in postwar Japan. Based on a book of photographs featuring Japanese immigrants in Hawai‘i published in 1956, it analyzes how their image was appropriated and redefined in Japan to promote as well as reinforce the nation’s political and cultural alliance with the United States. The photographs showed the successful acculturation of Japanese in Hawai‘i to the larger American society and urged the Japanese audience to see that their nation’s postwar reconstruction would come through the power and protection of the United States. Japanese Americans in Hawai‘i served as a lens through which the Japanese in Japan could imagine their position under American hegemony in the age of Cold War.


Author(s):  
Mark Padoongpatt

Substantial numbers of Asian Americans and Asian immigrants moved into suburbs across the United States after World War II, bringing distinctive everyday lifeways, identities, worldviews, family types, and community norms that remade much of American suburbia. Although Asian Americans were excluded from suburbs on racial grounds since the late 19th century, American Cold War objectives in Asia and the Pacific and domestic American civil rights struggles afforded Asian Americans increased access to suburban housing in the 1950s, especially Chinese and Japanese Americans. Following passage of the Immigration Act of 1965 and the Fair Housing Act of 1968, new groups of Asian Americans, particularly Filipino, Vietnamese, Thai, Korean, and South Asian Indian, joined Chinese and Japanese Americans in settling in earnest into all kinds of suburban neighborhoods. At the turn of the 21st century, a majority of Asians resided in the suburbs, which also became the preferred gateway communities for new immigrants who often bypassed urban cores and moved straight to the suburbs when they arrived. Entrance into highly racialized postwar suburbs defined by white middle-class norms and segregated white privilege did not, however, mean that Asian Americans gained entry or assimilated into whiteness. While many certainly aspired to and reinforced long-standing white suburban ideals, others revamped, contested, and outright fractured dominant notions of the suburban good life. By the 1980s Asian Americans of various ethnic and national backgrounds had transformed the sights, sounds, and smells of suburban landscapes throughout the country. They made claims on suburban space and asserted a “right to the suburb” through a range of social and cultural practices, often in physical places, especially shopping plazas, grocery stores, restaurants, religious centers, and schools. Yet as Asian Americans tried to become full-fledged participants in suburban culture and life, their presence, ethnic expressions, and ways of life sparked tensions with other mostly white suburbanites that led to heated debates over immigration, race, multiculturalism, and assimilation in American society. The history of post-World War II Asian American suburban cultures highlights suburbia as a principal setting for Asian American experiences and the making of Asian American identity during the second half of the 20th century. More broadly, the Asian American experience reveals how control over the suburban ideal and the making of suburban space in the United States was and remains a contested, layered process. It also underscores the racial and ethnic diversification of metropolitan America and how pressing social, political, economic, and cultural issues in US society played out increasingly on the suburban stage. Moreover, Asian Americans built communities and social networks precisely the moment in which the authentic “American” community was supposedly in decline, providing a powerful counterpunch to those who lament nonwhite populations, particularly immigrants, for fracturing an otherwise unified American culture or sense of togetherness.


sjesr ◽  
2021 ◽  
Vol 4 (1) ◽  
pp. 278-285
Author(s):  
Hassan Bin Zubair ◽  
Akifa Imtiaz ◽  
Asma Kashif Shahzad

This research explored the lives and worldviews of Asian immigrants in the United States presented in Chitra Banerjee Divakaruni's stories in The Unknown Errors of Our Lives (2001). Central characters in Divakaruni's narratives embody the sufferings of immigrants in the New Land. Precisely it was proposed to study the stories from the perspective of the diaspora. In this collection, the researcher has selected five stories, including "Mrs. Dutta Writes a Letter," "The Intelligence of Wild Things," "The Blooming Season for Cacti," "The Names of Stars in Bengali," and "The Unknown Errors of Our Lives." Since the characters like Mrs. Dutta, Mira, Radhika, and Kahuku's mother emigrate from India to different zones of America, they combat issues of cultural contradiction, identity crisis, disruption and family strives. Unlike them, Tarun, Mrs. Dutta's son, and her family are assimilated into the American society, whereas the characters such as Mrs. Dutta, Didi, and Mira recurrently remember their original house and early childhood days with friends. It is because they are fragmented and frustrated in America. The study concluded that the characters in her stories are ambitious and want to live a luxurious life but because of the lack of opportunities, they could not fulfill their desires and even some of them decided to return to their homeland to get a better life.


2001 ◽  
Vol 35 (2) ◽  
pp. 441-467 ◽  
Author(s):  
WILLIAM M. TSUTSUI

The profound influence of American management thought on Japanese industrial practice has generally been considered a postwar phenomenon. Stressing the contributions of Deming, Drucker and other American experts, both popular wisdom and scholarly opinion have embraced the notion that ‘the managerial revolution that occurred in Japan after World War II was made in the United States’. Prewar Japanese management, however, has seldom been figured in terms of American inspiration. Historians have commonly conceived prewar Japanese practice as somehow impervious to American theories and techniques, emphasizing instead the importance of indigenous patterns of familialism, German influences, or a capital-labor dynamic largely detached from external stimuli. Thus, in industrial management—as in so many facets of modern Japanese history—the prewar narrative and the postwar narrative have remained separate and unreconciled. Despite recent interest in establishing a fuller genealogy of Japanese management, the question of how American models could thrive in postwar Japan without a prewar legacy of integration has yet to be answered or even seriously addressed.


2007 ◽  
Vol 5 (1) ◽  
pp. 12-32
Author(s):  
ShiPu Wang

This essay delineates the issues concerning AAPI art exhibitions from a curator’s perspective, particularly in response to the changing racial demographics and economics of the past decades. A discussion of practical, curatorial problems offers the reader an overview of the obstacles and reasons behind the lack of exhibitions of AAPI works in the United States. It is the author’s hope that by understanding the challenges particular to AAPI exhibitions, community leaders, and patrons will direct future financial support to appropriate museum operations, which in turn will encourage more exhibitions and research of the important artistic contribution of AAPI artists to American art.


Author(s):  
Andrew Valls

The persistence of racial inequality in the United States raises deep and complex questions of racial justice. Some observers argue that public policy must be “color-blind,” while others argue that policies that take race into account should be defended on grounds of diversity or integration. This chapter begins to sketch an alternative to both of these, one that supports strong efforts to address racial inequality but that focuses on the conditions necessary for the liberty and equality of all. It argues that while race is a social construction, it remains deeply embedded in American society. A conception of racial justice is needed, one that is grounded on the premises provided by liberal political theory.


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