“To Make the World One in Christ Jesus”

2018 ◽  
Vol 87 (4) ◽  
pp. 575-592
Author(s):  
Gavin James Campbell
Keyword(s):  
Nineteenth Century ◽  
East Asian ◽  
Christian Doctrine ◽  
Transnational Community ◽  
The World ◽  
Imperial Expansion ◽  
Protestant Christianity ◽  
In Christ

Scholarship on nineteenth-century missionary encounters emphasizes either how native converts “indigenized” Christian doctrine and practice, or how missionaries acted as agents of Western imperial expansion. These approaches, however, overlook the ways both missionaries and converts understood Protestant Christianity as a call to transnational community. This essay examines the ways that American Protestants and East Asian Christian converts looked for ways to build a transpacific communion. Despite radically different understandings of Christian scripture, and despite the geopolitics of empire, U.S. and East Asian Protestants nevertheless strove to bring together diverse theologies and experiences into a loosely defined, transnational Protestant community.

Korean missions: Joy over obligation

2020 ◽  
Vol 48 (3) ◽  
pp. 279-288
Author(s):  
Sebastian Kim ◽  
Kirsteen Kim
Keyword(s):  
Early Growth ◽  
Christian Mission ◽  
Korean Christianity ◽  
The World ◽  
Revival Movements ◽  
Protestant Christianity ◽  
In Christ ◽  
Korean Missionaries

Korean Christianity has produced an exceptionally large number of martyrs. At the same time, this phenomenon is marked by joyful witness in Korea and in other parts of the world. This article explores some of the key stages in the early growth of Korean Protestant Christianity from the perspective of joy: the evangelists in the 1880s, the revival movements in the early 1900s, and the sending of the first Korean missionaries. These examples show that Christian mission was understood more as the natural and joyful outcome of being in Christ than as a duty and command.

Oh Capitano!

2018 ◽  
Author(s):  
Rudolph J. Vecoli ◽  
Francesco Durante
Keyword(s):  
Nineteenth Century ◽  
Migrant Workers ◽  
Native Hawaiians ◽  
Globalizing World ◽  
The World ◽  
Imperial Expansion ◽  
Cultural Traits

Italian adventurer and sea captain Celso Cesare Moreno traveled the world lying, scheming, and building an extensive patron/client network to establish his reputation as a middleman and person of significance. Through his machinations, Moreno became a critical player in the expansion of western trade and imperialism in Asia, the trafficking of migrant workers and children in the Atlantic, the conflicts of Americans and Native Hawaiians over the fate of Hawaii, and the imperial competitions of French, British, Italian, and American governments in an important era of imperial expansion during the nineteenth century. This book teases out Moreno's enormous peculiarities and fascination as well as his significance. It examines how he repeatedly sought a role at the center of a globalizing world with gusto and had no qualms about lying or betraying others. Dragged by his uncontrollable polemical passions, the old Captain died alone, unloved by anyone and with no meaningful relations to others. With its focus on Moreno, this book illustrates some of the most puzzling cultural traits of emigrant Italian elites. Called a “carpetbagger,” “land pirate,” “extinct volcano,” among many other derogatory monikers, Celso emerges in this fascinating biography as a multifaceted, chameleon-like personality not reducible to a single epithet.

‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys
Keyword(s):  
Nineteenth Century ◽  
William Wordsworth ◽  
Urban Landscape ◽  
Thomas De Quincey ◽  
Urban Centre ◽  
Early Nineteenth Century ◽  
Urban Representation ◽  
Robert Southey ◽  
The World ◽  
The City

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.

Mirrors, Masks, and Masculinity: The Homosocial Legacy from Dickens to Machen

2016 ◽  
Vol 6 (3) ◽  
pp. 256-275
Author(s):  
Molly C. O'Donnell
Keyword(s):  
Nineteenth Century ◽  
Victorian Novel ◽  
Specific Context ◽  
Clear Cut ◽  
The World ◽  
Speech Genre

All the narrators and characters in J. Sheridan Le Fanu's In a Glass Darkly are unreliable impostors. As the title suggests, this is also the case with Arthur Machen's The Three Impostors, which similarly presents a virtual matryoshka of unreliability through a series of impostors. Both texts effect this systematic insistence on social constructedness by using and undermining the specific context of the male homosocial world. What served as the cure-all in the world of Pickwick – the homosocial bond – has here been exported, exposed, and proven flawed. The gothic is out in the open now, and the feared ghost resides without and within the group. The inability of anyone to interpret its signs, communicate its meaning, and rely on one's friends to talk one through it is the horror that cannot be overcome. Part of a larger project on the nineteenth-century ‘tales novel’ that treats the more heterogeneric and less heteronormative Victorian novel, this article examines how In a Glass Darkly and The Three Impostors blur the clear-cut gender division articulated in prior masculine presentations like The Pickwick Papers and feminine reinterpretations such as Cranford. These later texts challenge binaries of sex, speech, genre, and mode in enacting the previously articulated masculine and feminine simultaneously.

Introduction

2017 ◽  
Author(s):  
George E. Dutton
Keyword(s):  
Nineteenth Century ◽  
Vantage Point ◽  
15Th Century ◽  
The World ◽  
Catholic Mission ◽  
Historical Moment ◽  
The Impact ◽  
Main Figure

This chapter introduces the book’s main figure and situates him within the historical moment from which he emerges. It shows the degree to which global geographies shaped the European Catholic mission project. It describes the impact of the Padroado system that divided the world for evangelism between the Spanish and Portuguese crowns in the 15th century. It also argues that European clerics were drawing lines on Asian lands even before colonial regimes were established in the nineteenth century, suggesting that these earlier mapping projects were also extremely significant in shaping the lives of people in Asia. I argue for the value of telling this story from the vantage point of a Vietnamese Catholic, and thus restoring agency to a population often obscured by the lives of European missionaries.

Sigurðr, Þórr and Ragnarök and their Christian Counterparts

2019 ◽  
Vol 15 ◽  
pp. 81-104
Author(s):  
Manu Braithwaite-Westoby
Keyword(s):  
Nineteenth Century ◽  
Systematic Study ◽  
Old Norse ◽  
The Bible ◽  
In Christ ◽  
Stone Sculpture ◽  
Popular Subject ◽  
New Religion

Few scholars would deny that some Old Norse myths have Christian counterparts, a phenomenon first noticed by nineteenth-century archaeologists and antiquarians in their observations of Anglo-Scandinavian stone sculpture in northern England. It is strange, therefore, that despite this long tradition, there is no systematic study on the topic. While this ambition is unfortunately outside the scope of this article, it does seek to address a number of Old Norse myths/legends and place them in conjunction with their Christian counterparts. One of the most important myths for Anglo-Scandinavian craftsmen was probably Sigurðr, who has an obvious parallel in Christ. The apocalyptic narrative in Voluspa known as Ragnarök was also a very popular subject and has a clear cognate in the apocalyptic sections of the Bible. Þórr and the Miðgarðsormr, though less appealing to artists, strongly recalls accounts of the conflict between Christ and Satan or Leviathan. This article uses a theoretical methodology called ‘figural interpretation’ to examine the Old Norse myths and explore how they reflect certain myths from the new religion. While distinctly art historical in approach, this article also invokes some Old Norse texts where relevant, which may themselves have been influenced by Christian thinking.

Women and Agency in Bankim’s Rajmohan’s Wife and Tagore’s The Home and The World

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Manju Dhariwal ◽  
Keyword(s):  
Nineteenth Century ◽  
The Self ◽  
Indian English ◽  
Colonial India ◽  
English Novel ◽  
The World ◽  
The Status ◽  
Insight Into ◽  
Status Of Women

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.

The Whole World in a Book

2019 ◽  
Keyword(s):  
Nineteenth Century ◽  
Social Mobility ◽  
White Men ◽  
Nation State ◽  
New Wave ◽  
Canadian French ◽  
Language And Literature ◽  
The World ◽  
Lower Status ◽  
Brazilian Sign Language

The nineteenth century saw a new wave of dictionaries, many of which remain household names. Those dictionaries didn’t just store words; they represented imperial ambitions, nationalist passions, religious fervour, and utopian imaginings. The Whole World in a Book explores a period in which globalization, industrialization, and social mobility were changing language in unimaginable ways. Dictionaries in the nineteenth century became more than dictionaries: they were battlefields between prestige languages and lower-status dialects; national icons celebrating the language and literature of the nation-state; and sites of innovative authorship where middle and lower classes, volunteers, women, colonial subjects, the deaf, and missionaries joined the ranks of educated white men in defining how people communicated and understood the world around them. This volume investigates dictionaries in the nineteenth century covering languages as diverse as Canadian French, English, German, Frisian, Japanese, Libras (Brazilian sign language), Manchu, Persian, Quebecois, Russian, Scots, and Yiddish.

Introduction

2018 ◽  
Author(s):  
Emma Mason
Keyword(s):  
Nineteenth Century ◽  
Environmental Crisis ◽  
Church Fathers ◽  
Communal Experience ◽  
In Christ ◽  
The Church ◽  
Francis Of Assisi

This chapter locates Rossetti in the context of the book’s ecotheological argument, which traces an ecological love command in her writing through her engagement with Tractarianism, the Pre-Raphaelite Brotherhood, the Church Fathers, and Francis of Assisi. It establishes her Anglo-Catholic imagining of the cosmos as a fabric of participation and communal experience embodied in Christ. The first section reads Rossetti in the context of current Victorian ecocriticism, which underplays the role of Christianity in the development of nineteenth-century environmentalism. The next sections question critical readings of Rossetti as a reclusive thinker and argue instead for an educated and politicized Christian for whom indifference to the spiritual is complicit with an environmental crisis in which the weak and vulnerable suffer most. This introduction also refers to the wider field of Rossetti studies and introduces her reading of grace and apocalypse as a major contribution to the intradiscipline of Christianity and ecology.

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