speech genre
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2022 ◽  
Vol 23 (4) ◽  
pp. 1032-1040
Author(s):  
Ye. R. Kravchuk

The present study featured the image of a TV hostess in such genres as chat interview and portrait interview. The speech genre is a factor that affects the linguistic image of a media personality. The linguistic image explicates various linguistic means used by TV hostesses to achieve the main goal of the speech genre. The research objective was to demonstrate the interrelation between the TV hostess image and the chat / portrait interview speech genres. The study involved the descriptive method, the qualitative and quantitative content analysis, and the discourse analysis. The linguistic image was analyzed at four levels. Each level revealed units that served as markers of the linguistic image of a TV hostess during chat and portrait interviews. The research results can be applied in theoretical and practical courses of media discourse theory, as well as in special courses of media linguistics, linguistic imagology, and communicative genreology. Further research is required to identify the nonverbal means of the image of a TV hostess in these speech genres.


Author(s):  
S.N. Vorobyova

The article is devoted to the study of such a speech genre as a request, which is actively used in interpersonal religious communication. The material for the study was the prayers, psalms of King David and the Book of Proverbs of Solomon, which are based on this form of communication. The study shows that the request belongs to the imperative speech genres, is an independent type of motivation, and has a set of specific properties. The specific situation of communication determines the choice of language forms of expression of the semantics of the request, and the addresser's intentions, which are implemented in it, make it possible to distinguish several types of requests. Statements have a spiritual component and are dialogical in nature. Their context directs the addressee to perform a post-communicative action, which is directly related to the addresser's desire to satisfy the necessary request. The paper uses a communicative-pragmatic approach, which allows us to explore the speech genre, taking into account all possible language means, special properties, aimed at implementing the semantics of the request in a communication situation. The results of the study are important for understanding the essence of religious communication.


2021 ◽  
Vol 21 ◽  
pp. 335-356
Author(s):  
Krystyna Tuszyńska

The article performs an analysis of 46th USA President’s inaugural speech in the spirit of Neo-Aristotelian concepts. The article also contains an analysis of inaugural speech genre, matching Joe Biden’s case as a hybrid, and analyses elocutio and the way the speaker claims the space of communication. The article also refers to Aristotle’s concept of ethos.


Author(s):  
Полина Евгеньевна Карташова

Данная публикация лежит в области лингвокультурологического исследования маркеров общенациональной и социорегиональной идентичности. Лингвокультурологический потенциал немецких глаголов говорения анализируется на материале такого уникального речевого жанра, как анекдот, в результате чего констатируется статус verba dicendi как стереотипного признака юмористического дискурса. The publication is devoted to the linguoculturological research of markers of national and socio-regional identity. The linguistic and cultural potential of German verba dicendi is analyzed on the material of such a unique speech genre as anecdote, as a result of which the status of verba dicendi as a stereotypical feature of humorous discourse is stated.


2021 ◽  
Vol 32 (4) ◽  
pp. 259-266
Author(s):  
Vladimir N. Bazylev ◽  

The article deals with the thrash talk as a speech genre. The term, which came to modern Russian from English, refers to a speech practice in which offensive statements are formulated against the opponent, designed to disturb the opponent’s psychological equanimity. It can be a form of bragging or insulting in competitive situations. The research was conducted in the context of Russian and foreign works on invective practice in Russian linguoculture, which not only represent a constant, but evolve as well. Such problems as the correlation between national-specific and universal aspects, linguistic and extralinguistic aspects, development of new phenomena on a national basis and borrowings are taken into account. Thrash-talk, if we use this term in a narrow sense, is autochthonous for Russian linguoculture. The methodology of the study is based on the comparison the description of speech practice with the standard. For our purposes we have formulated the standards “accusation”, “humiliation” and “hyperidenticity”, the components of the description of which were linguistic and psychological features. Thus, we can say that our research is carried out within the paradigm of psycholinguistics. This is justified by the fact that thrash talk balances on the edge of language and psyche. As a result of the comparison procedure we can conclude that there is a correspondence or discrepancy between these descriptions. The basis of our research were open Internet sources that contain examples of thrash talk as an element of characters’ speech behavior in texts or videos. As a result of the study it was possible to describe and systematize speech goals – persuasion and demonstration, the use of figurative, stylistically marked, expressively colored language means, psychological manipulative means of inducement and threat. In conclusion the article outlines the prospects for research related to such genres as flaming, flying, sledging, wolf-whistling, cat-calling, street-harassment, etc.


2021 ◽  
Vol 32 (4) ◽  
pp. 275-284
Author(s):  
Svetlana V. Volynkina ◽  

The article studies a speech genre of an expert report. The study focuses on the realization of the most significant genre-forming feature – the communicative goal of an expert report. Scientific novelty is connected with the fact that an expert report is studied in the context of being a result of speech activity; within the theory of speech genres and communicative linguistics. The article focuses on the basic characteristics of the genre, its communicative goal-setting peculiarities, and the influence of an expert report type on the communicative goal realization. The analysis shows that the speech genre of an expert report is included into the terminological and actual boundaries of a wider and larger phenomenon, known as a speech event, which is realized by a set of speech genres and represents a form of organization of communication with certain participants. As a speech event, an expert report possesses a complex ritualized nature which makes it possible to define it as a complex speech event. The article studies the speech genre of an expert report as a leading genre of a speech event with the same name. The analysis has found out a dual trend of an expert report in communicative goal-setting, represented by: 1) information communication (informative objective) and 2) evaluation expression (evaluative objective). The balance between the two objectives is determined by an expert report type. Expert reports of traditional (special-purpose) type are found to appeal to consciousness and logic with the informative illocution being a predominant goal; while in case of humanitarian expert reports, subjective emotional experience and assessment serve the same purpose being applied in practice in the dominating evaluative illocution.


2021 ◽  
Vol 32 (4) ◽  
pp. 295-304
Author(s):  
Olga V. Knorz ◽  

The semantic and pragmatic potential of statements of refusal to communicate allows shedding light on the peculiarities of the phenomenon of silence, identifying its varieties, the specifics of manifestation in the Russian linguistic picture of the world and analyzing the functionality as part of a literary text. The concept of “refusal to communicate” is a broader phenomenon than the actual speech genre of refusal, since refusal as such implies a negative reaction only to initial motivational responses, while refusal of communication can become both a reaction to any statement or not be reactive at all, that is, to be the initial remark in the dialogue. The peculiarity of statements with the semantics of silence is manifested in the fact that their illocutionary goal is the impossibility or unwillingness to continue communication and is achieved using various linguistic means, first of all, lexemes denoting the speaking process, as well as modal modifiers expressing the reason for such speech behavior. The differences between speech genres, which are based on rejection, lie in the very object of rejection, in what the speaker rejects. In the Russian linguistic picture of the world, silence is characterized by the fact that it is a communicative action, it consists not in the absence of speech, but in the transmission of information in a non-verbal way. In this case, it is called communicatively meaningful silence. The analysis of the lexical structure of E. Vodolazkin’s novel “Laure” made it possible to identify important fragments of the text associated with silence, to obtain information about the author’s worldview and his attitude to the phenomenon of silence.


2021 ◽  
pp. 153-174
Author(s):  
N. I. Tyukaeva ◽  
K. I. Brinev

The question of the method of describing of Author’s Image in Texts in modern linguistics is discussed in the article. It is argued that this technique requires the development of principles focused on systems engineering. The authors of the article note that one of the problems of modern genre studies is that a large amount of research in this area in aggregate reflects various approaches to the description of the “image of the author” in texts of the genre. The novelty of the research is seen in the fact that for an objective description of the author’s image, the hypothesis of “Functional modeling of the author of the genre” is put forward: the model of the genre system in the epistemological description has a complex level structure. The authors of the article put forward their own development of the technology for describing the image of the author of the genre, defining this technology as effective and consistent with the principles of a systematic approach to genre phenomena. In order to solve the problem of the attributive aspect of describing a genre, that is, to determine its units, it seems productive to analyze the genre according to the so-called communicative-semiotic model. The article proposes ways of solving emerging problems concerning the principles of objectivist description of the author’s model of the genre. 


2021 ◽  
pp. 134-152
Author(s):  
A. N. Smolina

A parametric model for describing the “essay” speech genre functioning in the church-religious style, which is called spiritual on the basis of its intentional, thematic-content, illocutionary and other features, is presented. The author suggests using the following parameters in the analysis of an essay with spiritual (religious-Christian) content: addresser, addressee, spiritual and religious intentions of the author, spiritual and religious thematic basis of content, composition, argumentation, used Christian images, tactics and strategies, representative linguistic stylistic means, intertextual content. The implementation of this model is shown on the basis of the text «“The effect of proximity” in history and everyday life» written by Archimandrite Makarii (Veretennikov). A spiritual essay is defined as a genre of a church-religious style: a text-reflection created by a clergyman and addressed to a representative of Christian culture, reflecting the personal experiences and impressions of the author. In the final part of the work, it is stated: the spiritual essay is realized as an independent genre and becomes an element of the structure of another genre, for example, writing, diary, etc., that is, it is embodied as an intragenre. The collection of spiritual essays by Archimandrite Savva (Mazuko) “Love and Emptiness” is used for research. The comparative analysis is designed to accurately and convincingly show the specifics of a spiritual essay. 


Author(s):  
E.A. Savochkina

The article is striving to describe one of the genres of advertising discourse - the advertising of elite brand goods in Instagram - through the theory of speech genres. The study is based on the following principles of the theory: all communication phenomena can be described through their primary or secondary nature; any speech genre has a field structure. A field consists of a core represented by features opposing this genre to other genres, and periphery represented by shared features. Field features of a genre are represented by language units of different levels grouped around some invariant content which depends on the topic and aim of communication. We have built a field model of speech genre of advertising of elite brand goods in Instagram, where the core features are word-play, highly expressive vocabulary and allusions which all aim to create positive image of elite goods. The field periphery has been split into closer periphery (common for all e-advertising) and farther periphery (represented by features common for advertising in general). The features of closer periphery are instant, ubiquitous and interactive nature. The features of farther periphery are informative and evaluative character, inducement and creolized nature.


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