The Edited Collection and the Advancement of Late Antiquity

2021 ◽  
Vol 5 (3) ◽  
pp. 453-466
Author(s):  
Wendy Mayer

In this major review essay, two recent edited collections serve as a prompt to reflect more deeply on the contribution of edited collections as a whole to the advancement of knowledge in the field of Late Antiquity. The impact of the pressures brought to bear on the genre by publishers, employers, and funders in the current academic-capitalist environment is discussed. It is argued that the genre across the majority of its subcategories continues to have significant value for the field.

Author(s):  
Derek Attridge

The question this book addresses is whether, in addition to its other roles, poetry—or a cultural practice we now call poetry—has, across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson’s Works and the death of Shakespeare in 1616, continuously afforded the pleasurable experience we identify with the crafting of language into memorable and moving rhythmic forms. Parts I and II examine the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. Part III deals with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the importance of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. Part IV explores the achievements of the English Renaissance, from the manuscript verse of Henry VIII’s court to the anthologies and collections of the late Elizabethan period. Among the topics considered in this part are the advent of print, the experience of the solitary reader, the continuing significance of manuscript circulation, the presence of poet figures in pageants and progresses, and the appearance of poets on the Elizabethan stage. Tracking both continuity and change, the book offers a history of what, over these twenty-five centuries, it has meant to enjoy a poem.


2016 ◽  
Vol 111 ◽  
pp. 269-297
Author(s):  
Richard Hodges ◽  
Erika Carr ◽  
Alessandro Sebastiani ◽  
Emanuele Vaccaro

This article provides a short report on a survey of the region to the east of the ancient city of Butrint, in south-west Albania. Centred on the modern villages of Mursi and Xarra, the field survey provides information on over 80 sites (including standing monuments). Previous surveys close to Butrint have brought to light the impact of Roman Imperial colonisation on its hinterland. This new survey confirms that the density of Imperial Roman sites extends well to the east of Butrint. As in the previous surveys, pre-Roman and post-Roman sites are remarkably scarce. As a result, taking the results of the Butrint Foundation's archaeological excavations in Butrint to show the urban history of the place from the Bronze Age to the Ottoman period, the authors challenge the central theme of urban continuity and impact upon Mediterranean landscapes posited by Horden and Purcell, inThe Corrupting Sea(2000). Instead, the hinterland of Butrint, on the evidence of this and previous field surveys, appears to have had intense engagement with the town in the Early Roman period following the creation of the Roman colony. Significant engagement with Butrint continued in Late Antiquity, but subsequently in the Byzantine period, as before the creation of the colony, the relationship between the town and its hinterland was limited and has left a modest impact upon the archaeological record.


Author(s):  
Rita Copeland

Rhetoric is an engine of social discourse and the art charged with generating and swaying emotion. The history of rhetoric provides a continuous structure by which we can measure how emotions were understood, articulated, and mobilized under various historical circumstances and social contracts. This book is about how rhetoric in the West from Late Antiquity to the later Middle Ages represented the role of emotion in shaping persuasions. It is the first book-length study of medieval rhetoric and the emotions, coloring in what has largely been a blank space between about 600 CE and the cusp of early modernity. Rhetoric in the Middle Ages, as in other periods, constituted the gateway training for anyone engaged in emotionally persuasive writing. Medieval rhetorical thought on emotion has multiple strands of influence and sedimentations of practice. The earliest and most persistent tradition treated emotional persuasion as a property of surface stylistic effect, which can be seen in the medieval rhetorics of poetry and prose, and in literary production. But the impact of Aristotelian rhetoric, which reached the Latin West in the thirteenth century, gave emotional persuasion a core role in reasoning, incorporating it into the key device of proof, the enthymeme. In Aristotle, medieval teachers and writers found a new rhetorical language to explain the social and psychological factors that affect an audience. With Aristotelian rhetoric, the emotions became political. The impact of Aristotle’s rhetorical approach to emotions was to be felt in medieval political treatises, in poetry, and in preaching.


2010 ◽  
Vol 6 (1) ◽  
pp. 493-509
Author(s):  
Mark Humphries ◽  
David M. Gwynn

The impact of Christianity on secular life in Late Antiquity is often conceived in rather negative terms, as various characteristic features of classical Antiquity are regarded as coming to an end. Within this interpretative framework, most studies of the literature of Late Antiquity have focussed on the survival of ‘classical’ (or ‘pagan’ or ‘secular’ ) traditions and tropes in Christian writings. This paper examines the question from the opposite perspective. It aims to forefront various ways in which Christian discourses penetrated writings that were not primarily religious in content in the Latin West from the 4th c. to the 6th.


STADION ◽  
2020 ◽  
Vol 44 (1) ◽  
pp. 183-203
Author(s):  
Joris Lehnert

This review essay aims to present an overview of recent publications on the Tour de France. The death of Raymond Poulidor in November 2019 underlined the impact of the race on French culture and society. The numerous reactions to his death allow us first of all to return to the dominant historiography of the Tour de France interpreting it in the tradition launched by Georges Vigarello. Recent historiography, however, allows us to move away from this classical interpretation by proposing studies focusing on the economic and political aspects of the Tour. The development of the Tour has been determined in the past decades mainly by three phenomena: globalization, professionalization and monetisation by the worldwide media coverage. Following the departure of the Tour 2017 in Düsseldorf, this sporting, cultural and commercial event also seems likely to become a German research object.


1988 ◽  
Vol 41 (2) ◽  
pp. 401
Author(s):  
Barbara M. Rowland ◽  
Michael Clark ◽  
John Gray ◽  
Paul Johnson

2012 ◽  
Author(s):  
Kevin Newhouse

The trend in development of building codes has been to move away from prescriptive codes that describe a particular method that must be complied with, to performance–based or objective–based codes that describe the outcome or level of performance to be achieved. The development of the Building Code of Australia followed this trend, with a fully performance–based version of the code being released in 1996. An independent review of the Australian Building Codes Board, including the impact of the performance–based code was undertaken in 1999. This review reached conclusions about whether the code had met the expectations that were originally envisaged. The performance-based Building Code of Australia followed the ‘Nordic model’ of performance hierarchy, consisting of Objectives, Functional Statements and Performance Requirements. After 3 years of use of the code, and with a major review of how the code should develop in the future under way, the appropriateness of the Nordic model is being questioned. This paper identifies the experiences gained from use of the Building Code of Australia´s performance hierarchy, and factors associated with the regulatory environment that have the potential to influence its success. The code re–development process will be described and current thinking on changes to the performance hierarchy will be exposed. The results from the independent review of the performance–based code is reported here in.


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