scholarly journals The Struggle for a South African Film Audience

2004 ◽  
Author(s):  
Martin P. Botha
Keyword(s):  
South African ◽  
West Germany ◽  
Current Status ◽  
Art Cinema ◽  
Independent Cinema ◽  
African Film ◽  
World Cinema ◽  
Audience Development ◽  
Political Films ◽  
Film And Video

IN THIS ARTICLE, the author aims to discuss the historical process which led to the fragmented nature of film audiences in South Africa presently. He examines the current status of film audiences and stresses the importance of audience development as an important option for the commercial growth of South African film industry. 1. Background and ContextThe years 1959 to 1980 had been characterised by an artistic revival in filmmaking throughout the world, ranging from exciting political films in Africa and Latin America to examples of great art cinema in Europe and Asia. National cinemas(1) emerged in Australia, West Germany, Iceland and New Zealand. In 1977 Iceland, for example, was nearly invisible on the map of world cinema. Few films were made there, but since the establishment of a national film commission similar to our NFVF (National Film and Video Foundation) an independent cinema emerged. Following the establishment of...

scholarly journals South African Film Industry

1995 ◽  
Author(s):  
Martin P. Botha
Keyword(s):  
South African ◽  
Film Industry ◽  
Identity Crisis ◽  
Committee Chairman ◽  
The South ◽  
African Film ◽  
Social Affiliations ◽  
Key Players ◽  
Film And Video

THE SOUTH AFRICAN FILM INDUSTRY: FRAGMENTATION, IDENTITY CRISIS AND UNIFICATION IntroductionFilm and video are regarded as vital in South Africa's transition. Amongst others, film and video can foster a stable, democratic and united society. However, the South African film industry cannot fulfil this role at present due to fragmentation and consequently an identity crisis. The industry therefore needs to change. One of the key players in previous debates about the restructuring of the local industry, the Film and Allied Workers' (FAWO) Distribution Committee chairman, Seipati Bulane-Hopa, describes the need for cinema in our society in these words: Cinema ... serves as a vehicle for people to articulate their different social affiliations and define their respective historic cultures, traditions, social and political experiences. If cinema is only used to entertain and not to educate, then the chances of transforming our society are slim (Blignaut & Botha, 1992, p.88)....

The Challenge of Hypertension to South African Health Psychology. 1. The Potential Contribution of Educational, Cognitive and Behavioural Strategies to Prevention and Treatment

1992 ◽  
Vol 22 (3) ◽  
pp. 105-116 ◽  
Author(s):  
David Edwards
Keyword(s):  
Health Psychology ◽  
South African ◽  
Current Status ◽  
Potential Contribution ◽  
Treatment Regimens ◽  
African Health ◽  
The Usa ◽  
Management Techniques ◽  
South African Health ◽  
Behavioural Strategies

This is the first of two papers on the potential contribution of health psychology to alleviating the problem of hypertension in South Africa. Educational, cognitive and behavioural strategies that can be employed as an adjunct to, or in place of, medication include: improving patients’ adherence to treatment regimens; educating and training in weight reduction, smoking cessation; healthy dietary and exercise habits; and a range of cognitive and behavioural stress management techniques. Research is reviewed, mostly from Europe and the USA, evaluating the effectiveness of these strategies, and their current status relative to the use of medication is examined.

scholarly journals Developments in the production of economics PhDs at four research-intensive universities in South Africa

2017 ◽  
Vol Volume 113 (Number 3/4) ◽  
Author(s):  
Phillip de Jager ◽  
Liezel Frick ◽  
Pieter van der Spuy ◽  
◽  
◽  
...  
Keyword(s):  
South African ◽  
Doctoral Education ◽  
Academic Departments ◽  
Current Status ◽  
Pedagogical Practice ◽  
Data Set ◽  
International Trends ◽  
Time Period ◽  
Recent Developments ◽  
Notable Increase

Abstract There is a national drive to increase PhD production, yet we know little about how this imperative takes shape within different disciplines. We therefore set out to explore recent developments and the current status of the PhD in economics at four South African research-intensive universities. A data set of all economics PhDs produced in these commerce faculties during the period 2008–2014 was analysed to determine whether the departments of economics responded to the call for increased doctoral production, and the role the PhD by publication might have played in the process. How an increase in quantity might influence doctoral education in the respective academic departments was also considered by supplementing the quantitative data with perspectives from heads of department at the four institutions. The notable increase in doctoral production over the time period studied shows that national and international trends have influenced doctoral education in economics departments within South African research-intensive universities. Increased usage of the PhD by publication has implications for policy and pedagogical practice within these departments, especially as there seems to be limited available supervisory capacity. Other changes in departmental practices, such as the entrenchment of a research culture and the promotion of collaborative research amongst students and staff, also contributed to maintain quality in doctoral education.

scholarly journals Between separation and celebration: Perspectives on the ethical-political preaching of Desmond Tutu

2015 ◽  
Vol 1 (1) ◽  
pp. 41 ◽  
Author(s):  
Johan Cilliers
Keyword(s):  
South African ◽  
African Society ◽  
South African Society ◽  
The Past ◽  
African Film ◽  
Desmond Tutu

Recognising the complexity of a pluralistic South African society, this article attempts to identify four ethical movements in preaching in the past, as well as the present. These movements are from silence to struggle, from eparation to celebration, from lamenting to longing, and from shaming to playing. In this regard, cognisance is taken in particular of the sermons, speeches, and letters of Archbishop Desmond Tutu. The paper concludes with a discussion of a classic South African film from 1976, entitled <em>e’Lollipop</em>.

“On Reading The South African Film Industry”

Critical Arts ◽  
1980 ◽  
Vol 1 (1) ◽  
pp. 57-62 ◽  
Author(s):  
Richard Harvey
Keyword(s):  
South African ◽  
Film Industry ◽  
The South ◽  
African Film

Conclusion: The Crisis Image – Mumblecore and Beyond

2015 ◽  
Author(s):  
Anna Backman Rogers
Keyword(s):  
Specific Effect ◽  
Theoretical Framework ◽  
Art Cinema ◽  
Independent Cinema ◽  
Economic Production ◽  
Production And Distribution ◽  
Salient Features ◽  
Transition Mutation ◽  
Modes Of Thought ◽  
Further Development

By way of conclusion and further development of the notion of a cinema of crisis, I will extend briefly this study’s theoretical framework to the work of Harmony Korine, Kelly Reichardt and the ‘Mumblecore’ movement – or, more specifically, the work of Lena Dunham. However, in order to outline these further facets of a cinema of crisis, it is necessary at this juncture to summarise what its salient features are. I argued at the beginning of this book that the dominant and established approach to American independent cinema in critical and scholarly studies is to categorise it in terms of economic, production and distribution strategies.1 While this is important and useful, this focus on the meaning and context of the very term ‘independent’ has resulted in a paucity of material on the aesthetics and poetics of this kind of cinema and its specific effect or affects. By focusing on the themes of crisis, liminality, transition, mutation and transformation, I have tried to emphasise the ways in which American independent cinema appropriates and transfigures the tropes of European ‘Art’ cinema (as set forth in Gilles Deleuze’s Cinema 2) for its own particular purposes in order to challenge entrenched modes of thought.

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