Engaging the White Possessive

2019 ◽  
Vol 6 (1) ◽  
Author(s):  
Aileen Moreton-Robinson
Keyword(s):  
Native American ◽  
National Identity ◽  
Identity Politics ◽  
New Work ◽  
White People ◽  
Indigenous Identity ◽  
Identity Fraud ◽  
Power Property ◽  
Genetic Science ◽  
Drag Queens

In this issue of Kalfou, my book The White Possessive: Power, Property, and Indigenous Sovereignty receives attention from three scholars whose work I admire and respect. George Lipsitz’s The Possessive Investment in Whiteness: How White People Profit from Identity Politics was seminal in conceptualizing the possessive logics of patriarchal white sovereignty, while Fiona Nicoll’s From Diggers to Drag Queens: Configurations of Australian National Identity heavily influenced my work on the formation of white national identity. Kim TallBear’s Native American DNA: Tribal Belonging and the False Promise of Genetic Science has been instructive in shaping my new work on the possessive racial logics of Indigenous identity fraud. I am honored they ha

Identity Politics and Migration

2008 ◽  
Vol 17 (1) ◽  
pp. 155-158
Author(s):  
Vytis Čiubrinskas
Keyword(s):  
National Identity ◽  
Identity Politics ◽  
Host Country ◽  
Social Anthropology ◽  
The Us ◽  
And Migration ◽  
The Uk ◽  
A Current ◽  
Respective Host

The Centre of Social Anthropology (CSA) at Vytautas Magnus University (VMU) in Kaunas has coordinated projects on this, including a current project on 'Retention of Lithuanian Identity under Conditions of Europeanisation and Globalisation: Patterns of Lithuanian-ness in Response to Identity Politics in Ireland, Norway, Spain, the UK and the US'. This has been designed as a multidisciplinary project. The actual expressions of identity politics of migrant, 'diasporic' or displaced identity of Lithuanian immigrants in their respective host country are being examined alongside with the national identity politics of those countries.

“The American Outlaws Are Our People”: Fox Sports and the Branded Ambivalence of an American Soccer Fan at the 2019 FIFA Women’s World Cup

2021 ◽  
pp. 152747642110532
Author(s):  
Charlotte E. Howell
Keyword(s):  
National Identity ◽  
Identity Politics ◽  
Participant Observation ◽  
World Cup ◽  
Sports Media ◽  
Progressive Politics ◽  
Media Companies ◽  
Sports Programming ◽  
American National Identity ◽  
American Media

Drawing on fan studies, sports media studies, media industries studies, and participant observation of the American Outlaws, this essay analyzes specific aspects of the 2019 FIFA Women’s World Cup as televised by Fox Sports in the wider context of soccer’s evolving place within the American sports media marketplace. American media companies have increasingly positioned soccer as an upscale sport in the U.S. In addition to representing an affluent and cosmopolitan taste culture, the representation of the American Outlaws as part of Fox Sports’ programming and branding flattened the frictions of class, national identity, politics, and race that shaped American soccer discourse in the summer of 2019. This essay explores this flattening and the underlying tensions between televising a tournament based in American national identity that allows for a more mass audience appeal and the more niche-based framing of soccer—including the progressive politics of women’s soccer—in U.S. sports media.

‘No Straight Answers’: Writing in the Margins, Finding Lost Heroes

2009 ◽  
Vol 25 (1) ◽  
pp. 6-21 ◽  
Author(s):  
Mojisola Adebayo ◽  
Valerie Mason-John ◽  
Deirdre Osborne
Keyword(s):  
National Identity ◽  
Black Woman ◽  
Environmental Degradation ◽  
Identity Politics ◽  
Subject Matter ◽  
Black British ◽  
Cross Dressing ◽  
And Performance ◽  
Contemporary Writing ◽  
Universal Themes

Mojisola Adebayo and Valerie Mason-John are two distinctive voices in contemporary writing and performance, representing an Afro-Queer diasporic heritage through the specific experience of being black, British, and lesbian. Creating continuities from contorted or erased histories (personal, social, and cultural), their drama demonstrates both Afro-centric and European theatrical influences, which in Mason-John's case is further consolidated in her polemic, poetry, and prose. Like Britain's most innovative and prominent contemporary black woman dramatist, debbie tucker green, they reach beyond local or national identity politics to represent universal themes and to centralize black women's experiences. With subject matter that includes royal families, the care system, racial cross-dressing, and global ecology, Adebayo and Mason-John have individually forged a unique aesthetic and perspective in work which links environmental degradation with social disenfranchisement and travels to the heart of whiteness along black-affirming imaginative routes. Deirdre Osborne is a lecturer in drama at Goldsmiths College, University of London, and has published essays on the work of black British dramatists and poets, including Kwame Kwei-Armah, Dona Daley, debbie tucker green, Lennie James, Lemn Sissay, SuAndi, and Roy Williams. She is the editor of Hidden Gems (London: Oberon Books, 2008), a collection of plays by black British dramatists.

Lineage, Food and Ritual in a Chinese Metropolis

Anthropos ◽  
2019 ◽  
Vol 114 (1) ◽  
pp. 195-208 ◽  
Author(s):  
Man Guo ◽  
Carsten Herrmann-Pillath
Keyword(s):  
Hong Kong ◽  
National Identity ◽  
Social Norms ◽  
Identity Politics ◽  
Large Scale ◽  
Chinese Society ◽  
Public Role ◽  
The Common

Thirty years ago, the eminent sinologist James Watson published a paper in Anthropos on ‘common pot’ dining in the New Territories of Hong Kong, a banquet ritual that differs fundamentally from established social norms in Chinese society. We explore the recent career of the ‘common pot’ in neighbouring Shenzhen, where it has become an important symbol manifesting the strength and public role of local lineages in the rapidly growing mega-city. We present two cases, the Wen lineage and the Huang lineage. In case of the Wen, we show how the practice relates to their role as landholding groups, organized in a ‘Shareholding Cooperative Companies’ that is owned collectively by the lineage. In the Huang case, identity politics looms large in the context of globalization. In large-scale ‘big common pot festivals’ of the global Huang surname association, traditional conceptions of kinship merge with modernist conceptions of national identity.

Contemporary Burmese Buddhism

2016 ◽  
Author(s):  
Niklas Foxeus
Keyword(s):  
National Identity ◽  
Identity Politics ◽  
Nation Building ◽  
Moral Community ◽  
Colonial Period ◽  
Power Struggles ◽  
Engaged Buddhism ◽  
Insight Meditation ◽  
Dynamic Interplay

Contemporary Buddhism in Burma/Myanmar is diverse and manifold, and the variety of “modern” forms of Buddhism have evolved since the colonial period in dynamic interplay with modernization, colonization, nation-building, and shifting socioeconomic circumstances. Complex hybrids have emerged, combining a wide variety of sources and influences, drawing both on the pre-colonial developments and novel ones introduced during the colonial period onward, reflecting the interests of those involved, identity politics, and power struggles. This chapter investigates the development of a textual, doctrinal Buddhism, defense and promotion of the Buddha’s sasana, moral community, and national identity in a diversity of movements: the Buddhist lay associations, systematic meditation, and Abhidhamma studies for the laypeople, the insight meditation movement and the esoteric congregations, Buddhist nationalism, socially engaged Buddhism, and individualist trends and prosperity Buddhism.

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