From Local Concerns to Global Challenges: Continuity and Change in Sub-state “Green Nationalism”

Issues related to anthropogenic climate change such as global warming, fossil fuel emissions, and renewable energy have emerged as some of the most important and pertinent political questions today. While the role of the state in the Anthropocene has been explored in academia, there is a severe dearth of research on the relationship between climate change and nationalism, especially at the sub-state level. This paper builds on the concept of “green nationalism” among sub-state nationalist parties in European minority nations. Using a multimodal analysis of selected European Free Alliance (EFA) campaign posters from the past 30 years, the article explores an extensive “frame bridging” where minority nationalist political actors actively seek to link environmental issues to autonomy. Although there is an apparent continuity in minority nationalist support for green policies, earlier initiatives focused on preservation of local territory while EFA parties today frame climate change as a global challenge that requires local solutions, which only they can provide. The frame bridging between territorial belonging and progressive politics has lead to the emergence of an environmentally focused, minority nationalist agenda that advocates for autonomy in order to enact more ambitious green policies, or “green nationalism”. This shows that nationalism in the right ideological environment can be a foundation for climate action, as minority nationalist actors base their environmentally focused agenda to address the global climate crisis precisely on their nationalist ideology.

Progressive Urbanism in Small Towns: The Contingencies of Governing From the Left

The progressive potential of urban politics is the subject of growing interest. However, debates have been largely focused on large cities with strong progressive constituencies of activists and Left-voting residents. We know little about the opportunities and challenges for progressive politics in smaller urban areas. This article addresses these shortcomings through a discussion of “progressive urbanism” in relation to small towns. In doing so, it makes three main contributions. First, it provides a definition of progressive urbanism as political projects of social justice, citizenship and democracy exploring the contingent potential of “localism”, “urban movements” and “municipal government”. Second, the article provides empirical insights on small towns in the German state of Brandenburg governed by mayors of the Left Party. Third, the article outlines challenges and opportunities of progressive urbanism in small towns, providing points of reflection for future research.

“The American Outlaws Are Our People”: Fox Sports and the Branded Ambivalence of an American Soccer Fan at the 2019 FIFA Women’s World Cup

Drawing on fan studies, sports media studies, media industries studies, and participant observation of the American Outlaws, this essay analyzes specific aspects of the 2019 FIFA Women’s World Cup as televised by Fox Sports in the wider context of soccer’s evolving place within the American sports media marketplace. American media companies have increasingly positioned soccer as an upscale sport in the U.S. In addition to representing an affluent and cosmopolitan taste culture, the representation of the American Outlaws as part of Fox Sports’ programming and branding flattened the frictions of class, national identity, politics, and race that shaped American soccer discourse in the summer of 2019. This essay explores this flattening and the underlying tensions between televising a tournament based in American national identity that allows for a more mass audience appeal and the more niche-based framing of soccer—including the progressive politics of women’s soccer—in U.S. sports media.

Deception and Reception in the Commemorative Landscape of Newcastle, Australia, 1970 to 2020

Contemporary reception of colonial monuments in Australia is informed by global debate on race, memory and representation in public space, typified in the decolonial and anti-racist movements Rhodes Must Fall and Black Lives Matter. While art historians and anti-colonial iconoclasts alike easily conceive of statues as objects for critique, non-figurative sculpture is no less effective when deployed as an ideological tool. Given the typically progressive politics of twentieth-century abstractionists, this study asks how comfortable these artists are with the nation-building function often ascribed to their work by political elites. Through a thematic survey of the commemorative landscape of Newcastle, NSW, this article describes a city punctuated by patriotic references to war, colonialism, and Indigenous absence, exemplified in modernist sculptor Margel Hinder’s (1906–1995) *Civic Park Fountain* (1966). Recounting its relaunch in 1970 as a memorial to Captain James Cook and its vandalism in 2020, the article examines changes in public reception of the fountain, from hostility towards abstract art and government spending to outrage at colonial symbols. Archival reconstruction of Hinder’s responses to local government demonstrates her silence on the fountain’s assimilation to colonial celebration. When contrasted with Hinder’s activities as a lobbyist and camouflage designer, this finding reveals a complex political biography. Without ignoring Hinder’s concern for Aboriginal rights, her attitude towards the instrumentalisation of her work is at best ambivalent. Beyond challenging the apolitical readings of Hinder’s work in existing scholarship, this study provides a key example of the ideological malleability of abstract public art. By producing “empty” signifiers to then “fill” with meaning, abstract sculptors and administrators together help to shape the semiotic and racial topography of urban space.

What Does it Mean to Be White in America: My Multi-Metamorphoses

Gil Fagiani is a storyteller by nature and by craft, both of which he employs in his essay My Muli-Metamorphoses, a version of which originally appeared in the anthology What Does it Mean to Be White in America (Two Leaf Press). Fagiani traces the dramatic arc of his transformation from a clueless White suburban middle class boy from Connecticut to a left-wing urban revolutionary who co-founded White Lightning, a Bronx-based organization that sought to radicalize white, working-class people. By working side by side with minority ethnic groups as an aide at the Bronx Psychiatric Center; a first marriage to a woman of color; and as the Director of a substance abuse program, Fagiani paves a path that binds his ethnicity with his progressive politics. As a writer, much influenced by Puerto Rican and Black writers, his work reflects the thorny racial separateness that makes trust and understanding distant goals.