scholarly journals Interpretation of Yangmingism in the Late Works of Mishima Yukio

2020 ◽  
Vol 2020 (3) ◽  
pp. 63-70
Author(s):  
S. Kapranov ◽  
Keyword(s):  
2010 ◽  
Vol 51 (1-2) ◽  
pp. 141-152 ◽  
Author(s):  
Roger Grant

In recent years, music theorists and analysts have devoted a great deal of attention to the phenomenon of hypermeter, drawing some of their most representative examples from the late works of Haydn. Although this recent trend in analysis has shed much light on Haydn’s music, it has left questions of history distinct from the mode of listening it engages. This article argues that the way we understand conceptualizations of listening and aesthetic experience can greatly inform the way that we understand hypermeter and the question of style in history. Drawing on eighteenth-century theories of music and literature, it recontextualizes Haydn’s hypermetric style with respect to a larger world of aesthetic experience.


Author(s):  
Harry White

The Musical Discourse of Servitude examines the music of Johann Joseph Fux (ca. 1660–1741) in relation to that of Johann Sebastian Bach and George Frideric Handel. Its principal argument is that Fux’s long indenture as a composer of church music in Vienna gains in meaning (and cultural significance) when situated along an axis that runs between the liturgical servitude of writing music for the imperial court service and the autonomy of musical imagination which transpires in the late works of Bach and Handel. To this end, The Musical Discourse of Servitude constructs a typology of the late Baroque musical imagination which draws Fux, Bach, and Handel into the orbit of North Italian compositional practice. This typology depends on two primary concepts, both of which derive and dissent from Lydia Goehr’s formulation of the “work-concept” in The Imaginary Museum of Musical Works (1992), namely, the “authority concept” and a revised reading of the “work-concept” itself. Both concepts are engaged through the agency of two musical genres—the oratorio and the Mass ordinary—which Fux shared with Handel and Bach respectively. These genres functioned as conservative norms in Fux’s music (most of Fux’s working life was spent in writing for the church service), but they are very differently engaged by Bach and Handel. To establish a continuity between Fux, Bach and Handel, and between the servitude of common practice and the emerging autonomy of a work-based practice in the early eighteenth-century musical imagination are the principal objectives of this study.


IZUMI ◽  
2017 ◽  
Vol 6 (1) ◽  
pp. 45
Author(s):  
Zaki Ainul Fadli ◽  
Nur Hastuti

This paper is titled Theme of Love in Mishima Yukio’s Shiosai. The purpose of writing is to reveal the major themes in Mishima Yukio's Shiosai and its relationship to other structures, especially figures and characters, plots and backgrounds. The analysis uses structural methods that have the concept that in a building of a literary work consists of interrelated and inseparable structures. The results of this paper indicate that the theme of love is a major theme that is evidenced by the correlation and relationship of love problems with other structures, especially figures and characterizations, plot, and background.


Diogenes ◽  
2021 ◽  
Vol 29 (2) ◽  
Author(s):  
Kosta Benchev ◽  

Janko Janeff’s book Southeast Europe and the German Spirit (1938) is analyzed through the lens of a fundamental Thracian-Dionysian- Orphic myth, i.e. the birth of being or of light from non-being/nothing/ darkness. It is shown how its geopolitical and ontological/theological consequences are to be drawn accordingly to that purely phenomenological premise concerning the supposed Indo-European Renaissance on the Old Continent as per the views expressed by the author.


Author(s):  
Aaron J. Kachuck

The Solitary Sphere in the Age of Virgil uses an enriched tripartite model of Roman culture—touching not only the public and the private, but also the solitary—in order to present a new interpretation of Latin literature and of the historical causes of this third sphere’s relative invisibility in scholarship. By connecting Cosmos and Imperium to the Individual, the solitary sphere was not so much a way of avoiding politics as a political education in itself. As reimagined by literature in this age, this sphere was an essential space for the formation of the new Roman citizen of the Augustan revolution, and was behind many of the notable features of the literary revolution of Virgil’s age: the expansion of the possibilities of the book of poetry, the birth of the literary cursus, new coordinations of cosmology and politics within strictly organized schemes, the attraction of first-person genres, and the subjective style. Through close readings of Cicero’s late works and the oeuvres of Virgil, Horace, and Propertius and the works of other authors in the age of Virgil, The Solitary Sphere thus presents a radical reinterpretation of classical Roman literature, and contributes to the study of premodern culture more generally, especially for traditions that have taken antiquity as too fixed a point in their own literary, religious, and cultural histories.


Author(s):  
Alice Wood

This chapter traces the development of Woolf’s late feminist politics and aesthetic experimentalism, focusing on her penultimate and final novels, The Years (1937) and Between the Acts (1941), and her anti-war pamphlet, Three Guineas (1938). It reads across these texts and Woolf’s wider writings from 1933–1941, including essays, unpublished drafts, and her fictional biography Flush (1933), to identify key strands of social and political enquiry in Woolf’s late works. The chapter pays particular attention to Woolf’s late analysis of the role of art in society and her evolving feminist-pacifist critique of the links between patriarchy, nationalism, fascism, and war. Rejecting a narrative of creative decline, the chapter highlights the productive relationship between political engagement and formal experiment in Woolf’s late works.


2021 ◽  
Vol 309 ◽  
pp. 01111
Author(s):  
Mohammed Junaid Ahmed ◽  
Padmalaya Nayak

Leukemia detection and diagnosis by inspecting the blood cell images is an intriguing and dynamic exploration region in both the Artificial Intelligence and Medical research fields. There are numerous procedures created to look at blood tests to identify leukemia illness, these strategies are the customary methods and the deep learning (DL) strategy. This survey paper presents a review on the distinctive conventional strategies and Deep Learning and Machine Learning methods towards that have been utilized in leukemia illness diagnosis dependent on platelets images and to analyze between the two methodologies in nature of appraisal, exactness, cost and speed. This article covers 11 research papers, 9 of these examinations were in customary strategies which utilized image handling and AI (ML) calculations, such as, K-closest neighbor (KNN), K-means, SVM, Naïve Bayes, and 2 investigations in cutting edge procedures which utilized Deep Learning, especially Convolutional Neural Networks (CNNs) which is the most generally utilized in the field leukemia detection since it is profoundly precise, quick, and has the smallest expense. What's more, it dissects various late works that have been presented in the field including the dataset size, the pre-owned procedures, the acquired outcomes, and so forth. At last, in view of the led study, it very well may be reasoned that the proposed framework CNN was accomplishing immense triumphs in the field whether in regards to highlights extraction or classification time, precision and also a best low cost in the identification of leukemia.


Sign in / Sign up

Export Citation Format

Share Document