EXPLORATION ON THE RESONANCE MODEL OF BRAND COMMUNICATION TOWARD THE ENSEMBLE BETWEEN PRODUCTION AND MARKETING IN TAIWAN SEAFOOD BRANDS.

Author(s):  
Kuan Fu-Yung Ge ◽  
◽  
Chih-Hsiung Huang
2019 ◽  
Vol 2019 ◽  
pp. 105-128
Author(s):  
Xiaoming Lu ◽  
◽  
Raffaele Filieri ◽  
Mizan Rahman

2016 ◽  
Author(s):  
Wolfgang Fritz ◽  
Benjamin Wille-Baumkauff

2021 ◽  
Vol 145 ◽  
pp. 110800
Author(s):  
Wenyue Zhang ◽  
Peiming Shi ◽  
Mengdi Li ◽  
Dongying Han

2021 ◽  
pp. 146954052110336
Author(s):  
Mariachiara Colucci ◽  
Marco Pedroni

This article investigates how fashion companies build their relationships with digital influencers (DIs), a new group of cultural intermediaries who are increasingly central to brand communication strategies. Scholars have mostly studied DIs’ role in influencing the market, but largely neglected the process through which they build their work. Through a qualitative inductive research directed at 21 Italian fashion companies, we describe the process through which companies fabricate the authenticity work, while collaborating with DIs. By taking the overlooked perspective of the company brand owner, we identify the underlying dynamics of achieving co-fabricated authenticity, unpacking the mechanisms through which companies select DIs, shape the connections and regulate the reciprocity with them. Our findings highlight how companies and DIs’ practices become intertwined, with the commodity of authenticity being constructed at the crossroads between the former’s commercial needs and the latter’s grassroots narratives and practices. ‘Co-fabricated authenticity’ ultimately emerges as the result of the work of those actors who are engaged in managing the authenticity or processes of authentication of marketable goods: the intangible and ephemeral value of authenticity is made tangible and co-produced through the collaboration between brands and cultural intermediaries such as DIs.


1972 ◽  
Vol 5 (17) ◽  
pp. 1073-1078
Author(s):  
T. Roy ◽  
A. Roy Chowdhury

2016 ◽  
Vol 46 (3) ◽  
pp. 313-359 ◽  
Author(s):  
Marta Jordi Taltavull

One model, the resonance model, shaped scientific understanding of optical dispersion from the early 1870s to the 1920s, persisting across dramatic changes in physical conceptions of light and matter. I explore the ways in which the model was transmitted across these conceptual divides by analyzing the use of the model both in the development of theories of optical dispersion and in the interpretation of experimental data. Crucial to this analysis is the integration of the model into quantum theory because of the conceptual incompatibility between the model and quantum theory. What is more, a quantum understanding of optical dispersion set the grounds for the emergence of the first theories of quantum mechanics in 1925. A long-term history of the model’s transmission from the 1870s to the 1920s illuminates the ways in which the continuity of knowledge is possible across these discontinuities.


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