Rediscovering Victor Bator, founder of the New York Bartók Archives

2012 ◽  
Vol 53 (1-3) ◽  
pp. 349-372
Author(s):  
Carl Leafstedt
Keyword(s):  
New York ◽  
World War Ii ◽  
The United States ◽  
Early Years ◽  
Business Law ◽  
World War ◽  
American Composers ◽  
Professional Career ◽  
Legal Provisions ◽  
History Of

Bartók’s American estate dates its origins to 1943, when he entrusted his music manuscript collection to the care of two fellow Hungarian emigrés, Gyula Báron and Victor Bator, both then living in the United States. After his death in 1945 the estate devolved into their care, in accord with the legal provisions of the will. For the next 22 years it was carefully managed by Bator, a lawyer and businessman who lived in New York City for the rest of his life. The onset of Cold War politics in the late 1940s presented numerous challenges to the estate, out of which emerged the tangled thicket of rumor, litigation, misunderstanding, confusion, and personal animosity that has been the American Bartók estate’s unfortunate legacy since the 1950s.As one of Hungary’s most significant cultural assets located outside the country’s borders, the American Bartók estate has since 1981 been under the control and careful supervision of Peter Bartók, now the composer’s only remaining heir. All but forgotten is the role Victor Bator played in managing the estate during the difficult years after World War II, when its beneficiaries became separated by the Iron Curtain, setting in motion legal and emotional difficulties that no one in the immediate family could have predicted. Equally overlooked is the role he played in enhancing the collection to become the world’s largest repository of Bartók materials.A considerable amount of Bator’s personal correspondence related to the early years of the Bartók estate has recently come to light in the U.S. Together with U.S. court documents and information gleaned from recent interviews with Bator’s son, Francis Bator, still living in Massachusetts, and the late Ivan Waldbauer, we can now reconstruct with reasonable accuracy the early history of Bartók’s estate. A strikingly favorable picture of Bator emerges. Bartók, it turns out, chose his executors wisely. A cultivated and broadly learned man, by the late 1920s Victor Bator had gained recognition as one of Hungary’s most prominent legal minds in the field of international business and banking law. His professional experience became useful to the Bartók estate as the Communist party gradually took hold of Hungary after World War II, seizing assets and nationalizing property previously belonging to individual citizens. His comfort in the arena of business law also thrust him into prominence as a public advocate for increased fees for American composers in the late 1940s - a matter of tremendous urgency for composers of serious music at the time. By reconstructing Bator’s professional career prior to 1943 his actions as executor and trustee become more understandable. We gain new insight into a figure of tremendous personal importance for Bartók and his family.

Japanese American Buddhism

2021 ◽  
Author(s):  
Michihiro Ama ◽  
Michael Masatsugu
Keyword(s):  
United States ◽  
World War Ii ◽  
Cultural Practices ◽  
The United States ◽  
Japanese American ◽  
World War ◽  
Japanese Buddhism ◽  
American Buddhism ◽  
History Of ◽  
Jodo Shinshu

Japanese Buddhism was introduced to the United States at the Parliament of World Religions in Chicago in 1893, but the development of Japanese American Buddhism, also known as Nikkei Buddhism, really began when Japanese migrants brought Buddhism with them to Hawaii and the continental United States during the late 19th and early 20th centuries. It has been influenced by, and has reflected, America’s sociopolitical and religious climate and the US relationship to Japan, to which generations of Japanese Americans, such as Issei (literally, first generation, referring to Japanese immigrants), Nisei (second-generation American-born offspring of the Issei), and Sansei (third generation), responded differently. While adapting to American society, Japanese American Buddhists maintained their cultural practices and ethnoreligious identity. The history of Japanese American Buddhism discussed in this article spans from the late-19th Century to the 1970s and is divided into three major periods: the pre-World War II, World War II, and the postwar eras. Japanese American Buddhism is derived from the various Buddhist organizations in Japan. The Nishi Hongwanji denomination of Jōdo Shinshū, a form of Pure Land Buddhism known as Shin Buddhism in the West, is the oldest and largest form of ethnic Japanese Buddhism in the United States. In Hawaii, Nishi Hongwanji founded the Hompa Hongwanji Mission of Hawaii (HHMH) in Honolulu in 1897. On the continental United States, it established the Buddhist Mission of North America (BMNA) in San Francisco in 1898, currently known as the Buddhist Churches of America (BCA). Other Japanese Buddhist organizations also developed in the United States at the beginning of the 20th century. They include the Jōdo-shū, another sect of Pure Land Buddhism; Higashi Hongwanji, another major denomination of Jōdoshin-shū; Sōtō-shū, a Zen Buddhist school; Shingon-shū, known as Kōyasan Buddhism; and Nichiren-shū. The characteristics of Japanese American Buddhism changed significantly during World War II, when approximately 120,000 persons of Japanese descent living in the West Coast states were incarcerated because of President Franklin D. Roosevelt’s Executive Order 9066. The postwar period witnessed a rapid transformation in the status and visibility of Japanese Buddhism in the United States. This transformation was driven by the promotion of ethnonational Buddhism by Nisei and by the growth of interest in Zen Buddhism among the general American public. The positive reception of Japanese Buddhism in the United States reflected and reinforced the transformed relationship between the United States and Japan from wartime enemies to Cold War partners. While they experienced greater receptivity and interest in Buddhism from nonethnics, they could no longer practice or espouse Jōdo Shinshū teachings or adapted practices without clarification. Debates concerning the authenticity of Jōdo Shinshū Buddhism and Japanese American Buddhist practices were interwoven within a longer history of American Orientalism. By the 1960s, Japanese American Buddhist communities were transformed by the addition of a small but vocal nonethnic membership and a new generation of Sansei Buddhists. Demands for English-speaking ministers resulted in the creation, in 1967, of the Institute of Buddhist Studies, the first graduate-level training program in the United States endorsed by Nishi Hongwanji. This article is an overview of Japanese American Buddhism with a focus on the development of the Nishi Hongwanji Shin Buddhist organizations in the United States. English scholarship on the development of other Japanese Buddhist organizations in the United States is still limited. Throughout the history of Japanese American Buddhism, Nikkei Buddhists negotiated with America’s political institutions and Christian churches, as well as with Euro-American Buddhists, over Buddhist and cultural practices to maintain and redefine their ethnoreligious tradition. Buddhist temples provided the space for them to gather and build a community of shared faith and cultural heritage, discuss their place and the role of Buddhism in American society, and express their concerns to America’s general public.

scholarly journals Tracing the cultural history of upper Snake River guides in Grand Teton National Park

2016 ◽  
Vol 39 ◽  
pp. 108-115
Author(s):  
Yolonda Youngs
Keyword(s):  
World War Ii ◽  
Cultural History ◽  
National Park ◽  
Outdoor Recreation ◽  
The United States ◽  
Snake River ◽  
World War ◽  
Grand Teton National Park ◽  
History Of ◽  
The Impact

This study traces the development and evolution of Snake River use and management through an in-depth exploration of historic commercial scenic river guiding and concessions on the upper Snake River in Grand Teton National Park (GRTE) from 1950 to the present day. The research is based on a combination of methods including archival research, oral history analysis, historical landscape analysis, and fieldwork. I suggest that a distinct cultural community of river runners and outdoor recreationalists developed in Grand Teton National Park after World War II. In GRTE, a combination of physical, cultural, and technical forces shaped this community’s evolution including the specific geomorphology and dynamic channel patterns of the upper Snake River, the individuals and groups that worked on this river, and changes in boat and gear technology over time. The following paper presents the early results from the first year of this project in 2016 including the work of a graduate student and myself. This study offers connections between the upper Snake River and Grand Teton National Park to broader national trends in the evolution of outdoor recreation and concessions in national parks, the impact of World War II on technological developments for boating, and the cultural history of adventure outdoor recreation and tourism in the United States.   Featured photo by Elton Menefee on Unsplash. https://unsplash.com/photos/AHgCFeg-gXg

scholarly journals Politicizing Religion

2021 ◽  
pp. 73-99
Author(s):  
Uta A. Balbier
Keyword(s):  
United States ◽  
New York ◽  
World War Ii ◽  
Cold War ◽  
The United States ◽  
World War ◽  
The United Kingdom ◽  
The Media ◽  
Media Discourses ◽  
The Cold War

This chapter defines Graham’s crusades in the United States, Germany, and the United Kingdom in the 1950s as powerful cultural orchestrations of Cold War culture. It explores the reasons of leading political figures to support Graham, the media discourses that constructed Graham’s image as a cold warrior, and the religious and political worldviews of the religious organizers of the crusades in London, Washington, New York, and Berlin. In doing so, the chapter shows how hopes for genuine re-Christianization, in response to looming secularization, anticommunist fears, and post–World War II national anxieties, as well as spiritual legitimizations for the Cold War conflict, blended in Graham’s campaign work. These anxieties, hopes, and worldviews crisscrossed the Atlantic, allowing Graham and his campaign teams to make a significant contribution to creating an imagined transnational “spiritual Free World.”

scholarly journals A Transition of Internationalisms: Britain, the United States, and the Formation of the United Nations Information Organization during World War II

2019 ◽  
Vol 7 (1) ◽  
pp. 1-23
Author(s):  
Giles Scott-Smith
Keyword(s):  
United States ◽  
New York ◽  
World War Ii ◽  
United Nations ◽  
Public Information ◽  
World Order ◽  
The United States ◽  
International Agency ◽  
World War ◽  
The United Nations

The United Nations Information Office (UNIO), dating from 1942, holds the distinction of being both the first international agency of the embryonic UN network and the first to hold the United Nations label. Run from 1942 to 1945 from two offices in New York and London, these two were merged at the end of World War II to form the UN Information Organisation, and subsequently transformed into the Department of Public Information run from UN headquarters in New York. This article adds to the history of the UN by exploring the origins and development of the UNIO during 1940–41, when it was a British-led propaganda operation to gather US support for the allied war effort. It also examines the UNIO from the viewpoint of the power transition from Britain to the United States that took place during the war, and how this reflected a transition of internationalisms: from the British view of world order through benevolent imperialism to the American view of a progressive campaign for global development and human rights.

Broadway Goes to War

2021 ◽  
Author(s):  
Robert L. McLaughlin ◽  
Sally E. Parry
Keyword(s):  
World War Ii ◽  
The United States ◽  
Popular Media ◽  
Home Front ◽  
World War ◽  
American Theater ◽  
History Of ◽  
Battle Fatigue ◽  
The Rich ◽  
American Society

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

Epilogue

2018 ◽  
Author(s):  
Rosina Lozano
Keyword(s):  
New York ◽  
World War Ii ◽  
Bilingual Education ◽  
Latin American ◽  
The United States ◽  
Spanish Language ◽  
Spanish Speakers ◽  
History Of ◽  
American Spanish ◽  
Education Act

This epilogue briefly identifies some of the major changes in Spanish language politics since World War II. These include community shifts in activism. For example, the Chicano Movementreclaimed the language and advocated for culturally affirming bilingual education programs. The epilogue also turns to federal support for Spanish instruction with the 1968 Bilingual Education Act and with the 1975 extension to the Voting Rights Act that provides federal protection for ballots in languages other than English. Spanish is no longer a language of just the Southwest and there are major populations of Spanish speakers in cities like Chicago, New York, and Miami today. In 2013, tens of millions of U.S. residents spoke Spanish in their homes. Spanish language perseverance in the United States is due to a long history of Latin American migration to the country. It began as a language of settlement and power in the nineteenth century and has transformed into a language often deemed as foreign or un-American. Spanish is an American language historically and this book has recovered that history.

Introduction

Mahjong ◽  
2021 ◽  
pp. 1-13
Author(s):  
Annelise Heinz
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
The United States ◽  
Ethnic Communities ◽  
World War ◽  
The Social ◽  
Changing Roles ◽  
History Of ◽  
Late Twentieth ◽  
Late Twentieth Century

The Introduction provides an orientation to the book and its key questions: What did it mean to become “modern” in the early twentieth century? How did American ethnicities take shape in the years leading up to and after World War II? How did middle-class women experience and shape their changing roles in society, before the social revolutions of the late twentieth century? How are these things related? The Introduction also covers an overview of mahjong’s trajectory in the United States. It examines background related to the history of leisure, gender, and consumerism in addition to introducing key sources and methodologies. The introduction sets up the book to tell the story of mahjong’s role in the creation of identifiably ethnic communities, women’s access to respectable leisure, and how Americans used ideas of China to understand themselves.

The Price of Failure

2019 ◽  
pp. 119-134
Author(s):  
Anand Toprani
Keyword(s):  
World War Ii ◽  
World War I ◽  
Foreign Exchange ◽  
The United States ◽  
Critical Assessment ◽  
Early Years ◽  
Western Hemisphere ◽  
World War ◽  
Cape Of Good Hope ◽  
Energy Needs

This chapter provides critical assessment of Britain’s post-World War I oil strategy and details the strategic consequences of its failure during the early years of World War II. It reveals the irreconcilable dilemma that doomed Britain’s attempts to satisfy its energy needs independently in wartime: a shortage of tankers and foreign exchange. Reducing the foreign exchange burden meant increasing imports from the Middle East, which stretched Britain’s supply of tankers to the breaking point, since there were not enough to redirect imports around the Cape of Good Hope after Italian hostility threatened access through the Mediterranean. Drawing oil from the Western Hemisphere required fewer tankers but also cost foreign exchange. Ultimately, Britain’s survival after 1940—as after 1917—depended upon the assistance of the United States.

From World War II to the “War on Terror”

2019 ◽  
pp. 159-176
Author(s):  
Celia Casey
Keyword(s):  
New York ◽  
World War Ii ◽  
Creative Process ◽  
United States Of America ◽  
War On Terror ◽  
The United States ◽  
Terrorist Attacks ◽  
Compositional Process ◽  
World War ◽  
Steve Reich

This chapter investigates aspects of the creative process behind Reich’s “docu-music” work, WTC 9/11 (2010), which constitutes the composer’s response to the terrorist attacks in the United States of America, specifically those in New York City, on September 11, 2001. Sketch materials, including recorded interviews, computer files, and handwritten sketches, belonging to the Steve Reich Collection at the Paul Sacher Stiftung in Basel, Switzerland, reveal how both documentary content and musical design have informed the work. Based on an analysis of these materials, three aspects relating to the creative process of WTC 9/11 are examined: the treatment of speech recordings; the direction of interviews; and structural and referential elements of the work. This chapter not only reveals insights into Reich’s compositional process and techniques but also uncovers other significant factors in the composer’s docu-music approach, such as how autobiographical elements inform his work.

Sign in / Sign up

Export Citation Format

Share Document