The concept sketch as a space

Author(s):  
Dennis Day

In this paper I explore some of the ways a concept sketch can be used in the professional practice of industrial design. The paper shows generally how an inscribed object is situated and utilized in collaborative activity, by focusing particularly on the space over the sketch as a site for participation in a concept development meeting. This participation is both bodily and verbally manifested and I attempt to show how using the sketch and not using the sketch are distinctly organized. A main finding is that the sketch – a ubiquitous artifact in design – is much more than the iconic representations inscribed upon it. For example, the ‘sketch space’ in the air over the sketch is a site that can arbitrate a fundamental organizational resource, namely turn taking. Another type of organization concerns the sorts of verbal actions carried out with and without the sketch, or the space over it. Actions concerning the organization of design were carried out without the sketch, while actions concerned with the concrete particulars of the design project at hand were carried out with the sketch. Its uses in the meeting allow for the artful demonstration of the professional competences of industrial designers.

Author(s):  
Mohammed A. Azam ◽  
William P. Holmes

Abstract Research has been carried out at Coventry University Centre for Integrated Design on the concept design process and it is funded by the Coventry University Research Fund. An experiment, simulating product design in industry, was conducted by concept designers which were, in turn, acted by student industrial designers and student engineering designers. In general the product design process is a sequential process. The first part of the process is the conceptual phase. This is followed by the engineering design phases which include all the manufacturing information. In this case the downstream engineering design focuses on designs for manufacture and process selection. Information on the requirements of conceptual designers in these areas was collected from these experiments. The information is ultimately to be incorporated into rules in a knowledge base which can be readily accessed by the industrial designer during concept development via a CAD system.


Author(s):  
Zhou Ding ◽  
Jiang Jiabei

The purpose of this paper is to develop further insights into micro-entrepreneurship programs participated in by Chinese industrial designers. A model of creative thinking is employed to explain the campaign creation process. A case study research in sample design entrepreneurs was designed and conducted, and it was composed of three steps: preparing for data collection, collecting the evidences, and analyzing the evidences. It was found that five main defects in creative thinking work as obstacles to crowdfunding success. In order to overcome these drawbacks, it is suggested that designers involved in micro-entrepreneurship programs should acquire the abilities of building prototypes, following the design procedure, finding and solving problems, defining ideation and applying the evaluation methods. Current findings and future study can contribute to the curriculum development for China's industrial design education.


2020 ◽  
pp. 802-813
Author(s):  
Zhou Ding ◽  
Jiang Jiabei

The purpose of this paper is to develop further insights into micro-entrepreneurship programs participated in by Chinese industrial designers. A model of creative thinking is employed to explain the campaign creation process. A case study research in sample design entrepreneurs was designed and conducted, and it was composed of three steps: preparing for data collection, collecting the evidences, and analyzing the evidences. It was found that five main defects in creative thinking work as obstacles to crowdfunding success. In order to overcome these drawbacks, it is suggested that designers involved in micro-entrepreneurship programs should acquire the abilities of building prototypes, following the design procedure, finding and solving problems, defining ideation and applying the evaluation methods. Current findings and future study can contribute to the curriculum development for China's industrial design education.


Author(s):  
W. Ernst Eder

‘Design’ can be a noun, or a verb. Six paths for research into engineering design (as verb) are identified, they must be co-ordinated for internal consistency and plausibility. Design Research tries to clarify design processes and their underlying theories – designing in general, and particular forms, e.g. design engineering. Theories are a basis for deriving theory- based design methods. Design engineering and artistic forms of designing, industrial design, have much in common, but also differences. For an attractive and user-friendly product, its form (observable shape) is important – a task for industrial designers, architects, etc. ‘Conceptualizing’ consists of preliminary sketches, a direct entry to hardware – industrial designers work ‘outside inwards’. For a product that should work and fulfill a purpose, perform a transformation process, its functioning and operation are important – a task for engineering designers. Anticipating and analyzing a capability for operation is a role of the engineering sciences. The outcome of design engineering is a set of manufacturing instructions, and analytical verification of anticipated performance. Design engineering is more constrained than industrial design, but in contrast has available a theory of technical systems and its associated engineering design science, with several abstract models and representations of structures. Engineering designers tend to be primary for technical systems, and their operational and manufacturing processes – they work ‘inside outwards’. Hubka’s theory, and consequently design metho- dology, includes consideration of tasks of a technical system, typical life cycle, duty cycle, classes of properties (and requirements), mode of action, development in time, and other items of interest for engineering design processes. Hubka’s methodology is demonstrated by several case examples.


1994 ◽  
Vol 22 (3) ◽  
pp. 229-234
Author(s):  
Darrell K. Kleinke ◽  
H. Mehmet Uras

An overview of the organization of a one-semester capstone design course is presented along with the description of a design project: ‘Sensor positioning device’. The students work as teams on a given project, starting from concept development to constructing and testing an actual working prototype. The sensor positioning device has electromechanical components and is computer-controlled. It is a multidisciplinary project with computer integration and software development.


Author(s):  
Alexander N. Brezing ◽  
Manuel Lo¨wer

It is generally accepted that superior products result from a balanced consideration of both “technology” and “aesthetic design”. Nonetheless, the gap between the two professions of the “design engineer” and the “industrial designer” has not been bridged since their origination in the course of industrialization [7]. One possible approach to enhance the collaboration of both disciplines is to teach the basics of the respective other’s. In Germany, the main work following this approach of trying to prepare engineers for design collaborations is the VDI guideline 2424 (“The Industrial Design Process”) [21], which was worked out and released in three parts from 1984 to 1988 by a group of engineering design researchers and industrial designers. As no accepted industrial design theory could be identified at that time, the authors of the guideline tried to apply some of engineering design methodology’s proven methods taken from the VDI guideline 2221 [19] that seemed to fit to industrial design. That approach ultimately failed, as the authors of the guideline had to conclude themselves in the opening remarks of its last part [21]. Even if the guideline is still officially in use for the lack of a replacement, it is hardly used in engineering education. Since then however, accepted theoretical approaches have been produced by industrial design research that allow for the definition of an interdisciplinary theory on product development. This paper introduces these approaches and arranges them together with models of engineering design methodology to serve as a basis for a design theory that explains both domains’ competences and responsibilities. A function-oriented product model is set up that illustrates existing interdependencies by classifying a technical product/project according to the relative importance of its technical function (engineering’s competence) on the one hand and its semiotic functions (industrial design’s competence) on the other. The realization of industrial design’s competence as signification and the organization of its devices according to the model of semiotic functions explain existing organizational problems of interdisciplinary design practice. It is demonstrated why industrial design cannot proceed according a purely technical design process such as the one defined in the VDI guideline 2221 and what implications that has on interdisciplinary design projects.


2014 ◽  
Vol 496-500 ◽  
pp. 2711-2714
Author(s):  
Lei Chen ◽  
Yan Fei Cao ◽  
Xiang Sen Zhang

Industrial designers generally are not following the natural ecological law,and their purpose is not to design the most satisfying products by using the least amount of raw materials and the lowest energy consumption and simultaneously prolong durability of the products. This article explores the problems which are caused during the process of industrial design with the view of ecological nature, aims at finding the measures to deal with those problems so as to coordinate the relationship among human being, products and environment during the process of industrial design eventually. From the perspective of ideology, we must rebuild the belief that man and nature are an interdependent integrity; From the perspective our practice, we must stick to the sustainable development.This is the only way to make the products benefit both human and nature and to achieve the harmonious development between human being and nature.


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