scholarly journals The Material Culture of Small Rural Settlements in the Batavian Area: A Case Study on Discrepant Experience, Creolisation, Romanisation or Globalisation?

2014 ◽  
Vol 0 (2013) ◽  
pp. 159
Author(s):  
Stijn Heeren
Keyword(s):  
Material Culture ◽  
Rural Settlements

scholarly journals Cultura material y cultura visual de las villae en el ager de Olisipo = Material culture and visual culture of the villae in the ager of Olisipo

2018 ◽  
pp. 11
Author(s):  
Jorge Tomás García
Keyword(s):  
Visual Culture ◽  
Material Culture ◽  
North Africa ◽  
Mechanisms Of Action ◽  
Rural Settlements ◽  
Italian Peninsula ◽  
Material Reality ◽  
Roman Province ◽  
Different Parts

Resumen: La cultura material en el contexto agrario caracteriza de manera definitiva la cosmovisión de la provincia romana de Lusitania. Este trabajo tiene como objetivo analizar la realidad material de los distintos asentamientos rurales reconocidos como villae en el ager de Olisipo –actual Lisboa-. La riqueza geográfica de la zona (a través del contraste ager-litoral), la variedad económica de los intercambios comerciales (especialmente las factorías de pescado), las influencias artísticas de distintas partes del Imperio (norte de África y península Itálica), y la idiosincrasia propia de Lusitania, conforman un caso de estudio paradigmático para definir los mecanismos de actuación de la cultura material en la zona de Olisipo y su ager.Abstract: Material culture in the agrarian context characterizes the worldview of the Roman province of Lusitania. This article aims to analyze the material reality of the different rural settlements recognized as villae in the ager of Olisipo –Lisbon today-. The geographic richness of the area (contrast ager-littoral), the economic variety of commercial exchanges (especially fish factories), the artistic influences of different parts of the Empire (North Africa and Italian peninsula), and idiosyncrasy of Lusitania, constitute a paradigmatic case study to define the mechanisms of action of the material culture in the area of Olisipio and its ager.

Unsustainable Capitalism

2001 ◽  
Vol 8 (1) ◽  
pp. 31-34
Author(s):  
Allan Macinnes
Keyword(s):  
Material Culture ◽  
Social Relationships ◽  
Culture Change ◽  
Critical Period ◽  
Settlement Patterns ◽  
Ongoing Debate ◽  
Important Distinction ◽  
The Family ◽  
The Individual

This paper makes an important, interdisciplinary contribution, to the ongoing debate on the transition from clanship to capitalism. Integral to this contribution is the important distinction between capitalism as an individualist ideology and capitalist societies where individualism is a widespread but not necessarily a universal ideology. His concern is not with the bipolar opposition of landlord and people which tends to dominate debates on the land issue in the Highlands. Instead, he focuses on material culture change in relation to landscape organisation, settlement patterns and morphology in order to examine how social relationships were structured during the critical period of estate re-orientation often depicted progressively as Improvement but regressively as clearance through the removal and relocation of population. His case study on Kintyre is particularly valuable. By scrutinising spatial as well as social relationships Dalglish demonstrates that clanship was based as much on daily practices of living as on an patrimonial ideology of kinship, practices which led the House of Argyll to attempt the reinvention of concepts of occupancy in order to emphasise the importance of the individual over the family through partitioned space.

scholarly journals American Wedding Albums: a Case Study

2021 ◽  
Author(s):  
Marisa Catherina D’Agostino
Keyword(s):  
Qualitative Research ◽  
Material Culture ◽  
Historical Context ◽  
Oral Histories ◽  
Main Section ◽  
Specific Focus ◽  
Popular Medium ◽  
Production Organization ◽  
Scholarly Attention

Wedding photography is an area of vernacular studies that receives surprisingly little scholarly attention. This thesis explores the material culture of wedding photography, with a specific focus on the analysis of the wedding album in terms of presentation and consumption by families from the 1950s to the 1980s. The main section of this thesis provides an examination of selected wedding album owners. This case study contains a collection of oral histories from seven individuals on their experiences with presenting and displaying their wedding photographs. The analysis provides qualitative research on the production, organization, and consumption of the wedding album as a popular medium for exhibiting wedding photographs. In addition, this thesis offers some social and historical context on the development of the wedding album and wedding photography.

scholarly journals Elitism and Status: Reassessing Settlement Hierarchy in Early Medieval England

2020 ◽  
Vol 38 (2) ◽  
pp. 9-42
Author(s):  
Hana Lewis
Keyword(s):  
Material Culture ◽  
Hierarchical Model ◽  
Medieval England ◽  
Rural Settlements ◽  
Early Medieval ◽  
Social Functions ◽  
The Status ◽  
Source Of Information ◽  
Scholarly Attention

The complexities of identifying and understanding settlement hierarchy in early medieval England (c. 5th–11th centuries) is the focus of much debate. Within this field of enquiry, settlement arrangements, architecture, landholding patterns and material culture are commonly used in the identification of a range of settlement types. These include royal complexes, monastic institutions, towns and trading/production sites such as emporia. This same evidence is also used to interpret the status and role of these sites in early medieval England. This paper advances the current understanding of settlement hierarchy through an assessment of rural settlements and their material culture. These settlements have received comparatively less scholarly attention than higher profile early medieval sites such as elite, ecclesiastical and urban centres, yet represent a rich source of information. Through analysis of material culture as evidence for the consumption, economic and social functions which characterise rural settlements, a picture of what were inherently complex communities is presented. The findings further support the need to reassess settlement hierarchy in early medieval England and a new hierarchical model is proposed.  

scholarly journals Kreatywność za drutem kolczastym: archeologia i sztuka okopowa z pierwszowojennego obozu jenieckiego w Czersku (woj. pomorskie)

2019 ◽  
Vol 23 ◽  
pp. 105-136
Author(s):  
Dawid Kobiałka
Keyword(s):  
Material Culture ◽  
Historical Context ◽  
Archaeological Sites ◽  
Archaeological Research ◽  
Prisoner Of War ◽  
The Third ◽  
Anthropological Research ◽  
Special Category

This article discusses the results of archaeological and anthropological research concerning material remains of a prisoner of war camp in Czersk (Pomeranian province, Poland) (Kriegsgefangenenlager Czersk). In the first part, I sketch a broader historical context related to building and functioning of the camp in forests around Czersk between 1914–1919. After that, the role and meaning of  archaeological research on such type of archaeological sites are presented. In the third part, I focus on a very special category of the camp heritage which is called trench art. The last part of this paper is a case study where an assemblage of objects classified as trench art that was found at the camp is described and interpreted. This text aims at highlighting the value of such prisoners and camp’s heritage. Such material culture is a material memory of extraordinary prisoners’ creativity behind barbed wire. It makes one aware of how every piece of trash, rubbish was re-cycled during day-to-day life behind barbed wire.

Status, Magic and Belief: Exploring Identity through Dress Accessories and Other Amulets in Medieval Scotland: A Perthshire Case-study

2021 ◽  
Vol 100 (3) ◽  
pp. 469-492
Author(s):  
Mark A. Hall
Keyword(s):  
Material Culture

This paper explores belief and identity as expressed through the material culture of dress. It focuses on supernatural engagements through material culture linked to human and animal bodies and offers a view of the means by which everyday ritual, habit and devotion were embodied and facilitated through dress and other amulets, including contextually re-purposed coins. The evidence is primarily archaeological and derives from medieval Perthshire, a place with wide connections, and so the discussion is presented in the context of Scottish and European practices. The key themes are status, magic and belief, all three of which speak to identity. The practices they elucidate are explored primarily through jewellery and dress fittings, pilgrimage souvenirs, coins and other amulets.

Reverse tomboy: (Re)definitions of gender fluidity through sensory engagement with material culture

2020 ◽  
Vol 5 (2-3) ◽  
pp. 149-170
Author(s):  
Charlie Athill
Keyword(s):  
Material Culture ◽  
Subject Position ◽  
Sex And Gender ◽  
Key Factors ◽  
Sensory Ethnography ◽  
The United Kingdom ◽  
Cross Dressing ◽  
And Gender ◽  
Embodied Practice

This narrative case study explores how material culture, in the form of dress, grooming and accessories, is utilized to establish a gender-fluid presentation of the self. It focuses on Tim Mustoe, a 42-year-old heterosexual creative living and working in London, whose embodied practice contributes to the problematization of gender normativity through a disruption of culturally established links between appearance, gender and sex. The study considers how a particular form of non-spectacular cross dressing is used to integrate into a work environment and also operate within a non-queer social environment. The study explores the affective power of material culture in the reification of subject position and as a means of resilience and empowerment through everyday practice and also considers its significance on a social, intersubjective level. The methodology used for this case draws on sensory ethnography and includes a queer reflexive turn to consider parallels and contrasts between my own and Tim’s experience and practice. Conceptualizations of subjectivity, sex, gender are considered in relation to those on material culture, and the study draws on scholarship related to cross-dressing in the United Kingdom. Tim identifies as a man, as do I; however, his embodied practice and gender identification proffer a particular response to culturally embedded norms relating to the binaries of sex and gender. Therefore, in relation to male femininity, I propose the notion of feminizing as an amendment to the concept of femaling, which assumes the identification with or transition to a cisgender position. This study explores the phenomenology of dress as an expressive tool of gratification and as a means of integration for which the imperatives of professionalism, age and respectability are key factors.

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