Status, Magic and Belief: Exploring Identity through Dress Accessories and Other Amulets in Medieval Scotland: A Perthshire Case-study

2021 ◽  
Vol 100 (3) ◽  
pp. 469-492
Author(s):  
Mark A. Hall
Keyword(s):  
Material Culture

This paper explores belief and identity as expressed through the material culture of dress. It focuses on supernatural engagements through material culture linked to human and animal bodies and offers a view of the means by which everyday ritual, habit and devotion were embodied and facilitated through dress and other amulets, including contextually re-purposed coins. The evidence is primarily archaeological and derives from medieval Perthshire, a place with wide connections, and so the discussion is presented in the context of Scottish and European practices. The key themes are status, magic and belief, all three of which speak to identity. The practices they elucidate are explored primarily through jewellery and dress fittings, pilgrimage souvenirs, coins and other amulets.

Unsustainable Capitalism

2001 ◽  
Vol 8 (1) ◽  
pp. 31-34
Author(s):  
Allan Macinnes
Keyword(s):  
Material Culture ◽  
Social Relationships ◽  
Culture Change ◽  
Critical Period ◽  
Settlement Patterns ◽  
Ongoing Debate ◽  
Important Distinction ◽  
The Family ◽  
The Individual

This paper makes an important, interdisciplinary contribution, to the ongoing debate on the transition from clanship to capitalism. Integral to this contribution is the important distinction between capitalism as an individualist ideology and capitalist societies where individualism is a widespread but not necessarily a universal ideology. His concern is not with the bipolar opposition of landlord and people which tends to dominate debates on the land issue in the Highlands. Instead, he focuses on material culture change in relation to landscape organisation, settlement patterns and morphology in order to examine how social relationships were structured during the critical period of estate re-orientation often depicted progressively as Improvement but regressively as clearance through the removal and relocation of population. His case study on Kintyre is particularly valuable. By scrutinising spatial as well as social relationships Dalglish demonstrates that clanship was based as much on daily practices of living as on an patrimonial ideology of kinship, practices which led the House of Argyll to attempt the reinvention of concepts of occupancy in order to emphasise the importance of the individual over the family through partitioned space.

scholarly journals American Wedding Albums: a Case Study

2021 ◽  
Author(s):  
Marisa Catherina D’Agostino
Keyword(s):  
Qualitative Research ◽  
Material Culture ◽  
Historical Context ◽  
Oral Histories ◽  
Main Section ◽  
Specific Focus ◽  
Popular Medium ◽  
Production Organization ◽  
Scholarly Attention

Wedding photography is an area of vernacular studies that receives surprisingly little scholarly attention. This thesis explores the material culture of wedding photography, with a specific focus on the analysis of the wedding album in terms of presentation and consumption by families from the 1950s to the 1980s. The main section of this thesis provides an examination of selected wedding album owners. This case study contains a collection of oral histories from seven individuals on their experiences with presenting and displaying their wedding photographs. The analysis provides qualitative research on the production, organization, and consumption of the wedding album as a popular medium for exhibiting wedding photographs. In addition, this thesis offers some social and historical context on the development of the wedding album and wedding photography.

scholarly journals Kreatywność za drutem kolczastym: archeologia i sztuka okopowa z pierwszowojennego obozu jenieckiego w Czersku (woj. pomorskie)

2019 ◽  
Vol 23 ◽  
pp. 105-136
Author(s):  
Dawid Kobiałka
Keyword(s):  
Material Culture ◽  
Historical Context ◽  
Archaeological Sites ◽  
Archaeological Research ◽  
Prisoner Of War ◽  
The Third ◽  
Anthropological Research ◽  
Special Category

This article discusses the results of archaeological and anthropological research concerning material remains of a prisoner of war camp in Czersk (Pomeranian province, Poland) (Kriegsgefangenenlager Czersk). In the first part, I sketch a broader historical context related to building and functioning of the camp in forests around Czersk between 1914–1919. After that, the role and meaning of  archaeological research on such type of archaeological sites are presented. In the third part, I focus on a very special category of the camp heritage which is called trench art. The last part of this paper is a case study where an assemblage of objects classified as trench art that was found at the camp is described and interpreted. This text aims at highlighting the value of such prisoners and camp’s heritage. Such material culture is a material memory of extraordinary prisoners’ creativity behind barbed wire. It makes one aware of how every piece of trash, rubbish was re-cycled during day-to-day life behind barbed wire.

Reverse tomboy: (Re)definitions of gender fluidity through sensory engagement with material culture

2020 ◽  
Vol 5 (2-3) ◽  
pp. 149-170
Author(s):  
Charlie Athill
Keyword(s):  
Material Culture ◽  
Subject Position ◽  
Sex And Gender ◽  
Key Factors ◽  
Sensory Ethnography ◽  
The United Kingdom ◽  
Cross Dressing ◽  
And Gender ◽  
Embodied Practice

This narrative case study explores how material culture, in the form of dress, grooming and accessories, is utilized to establish a gender-fluid presentation of the self. It focuses on Tim Mustoe, a 42-year-old heterosexual creative living and working in London, whose embodied practice contributes to the problematization of gender normativity through a disruption of culturally established links between appearance, gender and sex. The study considers how a particular form of non-spectacular cross dressing is used to integrate into a work environment and also operate within a non-queer social environment. The study explores the affective power of material culture in the reification of subject position and as a means of resilience and empowerment through everyday practice and also considers its significance on a social, intersubjective level. The methodology used for this case draws on sensory ethnography and includes a queer reflexive turn to consider parallels and contrasts between my own and Tim’s experience and practice. Conceptualizations of subjectivity, sex, gender are considered in relation to those on material culture, and the study draws on scholarship related to cross-dressing in the United Kingdom. Tim identifies as a man, as do I; however, his embodied practice and gender identification proffer a particular response to culturally embedded norms relating to the binaries of sex and gender. Therefore, in relation to male femininity, I propose the notion of feminizing as an amendment to the concept of femaling, which assumes the identification with or transition to a cisgender position. This study explores the phenomenology of dress as an expressive tool of gratification and as a means of integration for which the imperatives of professionalism, age and respectability are key factors.

Introduction

2017 ◽  
Author(s):  
Oliver H. Creighton ◽  
Duncan W. Wright ◽  
Michael Fradley ◽  
Steven Trick
Keyword(s):  
Civil War ◽  
Material Culture ◽  
Evidence Base ◽  
Final Part ◽  
Documentary History ◽  
Siege Warfare ◽  
Material Evidence ◽  
The Church

This introductory chapter outlines the historiography of the reign of King Stephen (1135–54), highlighting how study has been dominated by documentary history while archaeological and other material evidence has played a marginal role. It identifies landmark studies of the period, summarises the principal chroniclers that cover Stephen’s reign and discusses charters as another cornerstone of the evidence base. A major debate has centred on whether or not the period should continue to be styled as ‘the Anarchy’, with scholars taking maximalist and minimalist views of the violence and disturbances of the period. The final part of the chapter explains the approach and structure of the volume: after a chronological outline of the civil war (Chapter 2), the book covers conflict landscapes and siege warfare (Chapter 3), castles (Chapter 4), artefacts and material culture (Chapter 5), weaponry and armour (Chapter 6), the church (Chapter 7), settlements and landscape (Chapter 8), and a detailed case study of the fenland campaigns (Chapter 9), while Chapter 10 presents a self-contained concluding essay that reflects on what the material evidence can and cannot us about the conflict and its consequences.

Music in the French Domestic Interior (1500–1600)

2012 ◽  
Author(s):  
SOPHIE PICKFORD
Keyword(s):  
Sixteenth Century ◽  
Material Culture ◽  
Leisure Activities ◽  
Music Making

This chapter considers music-making and the material culture of music in the French domestic interior (1500–1600) with the primary aims of outlining the field; discussing the context for entertaining, particularly in châteaux; as well as investigating the kind of music-related objects found in houses. Châteaux and other élite domestic settings often housed vibrant households, with music as a key part of inhabitants' leisure activities. From services in the chapel to banquets in the great hall, music was a common feature of privileged life. The chapter falls into two halves. First, it discusses the use of inventories in investigating music in châteaux, looking at the range of documents available dating from the sixteenth century, their limitations and, finally, the evidence they offer. Secondly, it takes the grande salle as a case study and examines the use of music as entertainment in this space.

Memorialising Anson, the fighting explorer: a case study in eighteenth-century naval commemoration and material culture

2019 ◽  
pp. 133-150
Author(s):  
Katherine Parker
Keyword(s):  
Eighteenth Century ◽  
Material Culture ◽  
British Culture

An informative example of the conscious act of naval hero-making are the commemorative medals struck in 1768 by the brother of George Anson. Anson had died in 1762, so these medals were not only a memorial to his life, but also a deliberate attempt to control his legacy. What the medals include, and omit, offers a fascinating opportunity to examine what some thought worthy of commemoration in eighteenth-century British culture. This chapter uses the medals as a prism through which to examine the interconnections between naval careers, material culture, and the process of commemoration. In addition, the paper offers a revaluation of the historiographical role of exploration in the eighteenth century and re-positions exploration as an explicitly naval activity in the British context.

From Ajanta to Sydenham: ‘Indian’ art at the Sydenham Palace

After 1851 ◽  
2017 ◽  
Author(s):  
Sarah Victoria Turner
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
The South ◽  
Crystal Palace ◽  
A Site ◽  
Victoria And Albert Museum ◽  
Great Exhibition ◽  
Indian Art

Discussions about the display of Indian art and material culture in the Victorian imperial metropolis have largely focused on the Great Exhibition of 1851 and its progeny, the South Kensington Museum (now the Victoria and Albert Museum). However, the Crystal Palace at Sydenham Hill was an important, but much overlooked, location of imperial and colonial display well into the twentieth century. This essay begins by examining the Sydenham Palace at a site of imperial spectacle from its opening in 1854 and well into the twentieth century. Relevant events included the African Exhibition of 1895, the opening of the Victoria Cross Gallery in the same year and the Colonial Exhibition of 1905, and the display of Major Robert Gill’s copies of the frescoes from the Buddhist rock-cut temples at Ajanta in India (until they were destroyed by fire in 1866). The crowning occasion in the Sydenham series of imperial events was the Festival of Empire in 1911 which celebrated the ascension of George V as ‘King-Emperor’. Taking the 1911 Festival as a case study, this essay explores the complex and often conflicting narratives of empire that were communicated through the courts and grounds at Sydenham.

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