A Recording Project Featuring Works for Horn and Piano by American Female Composers

2020 ◽  
Author(s):  
Katelyn J. J. Halbert
1960 ◽  
Vol 41 (2) ◽  
pp. 200-b-200
Author(s):  
C. M.
Keyword(s):  

Notes ◽  
1971 ◽  
Vol 27 (3) ◽  
pp. 566
Author(s):  
Norbert Carnovale ◽  
Wendal Jones
Keyword(s):  

Notes ◽  
1983 ◽  
Vol 39 (3) ◽  
pp. 698
Author(s):  
Verne Reynolds ◽  
Ludwig van Beethoven ◽  
Barry Tuckwell ◽  
Gunther Schuller ◽  
Trygve Madsen
Keyword(s):  

Author(s):  
J. L. Lerma ◽  
M. Cabrelles ◽  
S. Navarro

Nowadays it is possible to measure accurately dense point clouds either with aerial/terrestrial laser scanning systems or with imagebased solutions (namely based on photogrammetric computer vision algorithms such as structure-from-motion (SfM)), from which highly detailed 3D models can be achieved. Besides, direct tools in the form of simple devices such as rulers, compass and plumblines are usually required in simple metric surveys, as well as high-end surveying and geodetic instruments such as robotized imagebased total stations and GNSS (probably to a lesser degree but still required) to set the archaeological/architectural recording project in a global reference frame. With all this gamut of image-based and range-based sensors and datasets (in the form of coordinates, point clouds or 3D models), in different coordinate systems (most of the times local for each device), lack of uniform scale, orientation and levelling, the fusion of data tends to be cumbersome. This paper presents an efficient way to fuse and merge different datasets in the form of point clouds/3D models and geodetic/UTM coordinates. The new developed 3DVEM – Register GEO software is able to handle datasets coming from both direct and indirect methods in order to provide unified and precise deliverables.


2020 ◽  
Vol 13 (1) ◽  
pp. 61-83
Author(s):  
Oscar Smith

As the subject of numerous studies over the last century, Balinese music has been presented in a particular light.  In the 21st Century, it has been a priority for Western musicologists to renew our outdated or inaccurate conceptions.  This paper joins that discourse by presenting an intercultural project as an opportunity to bring the perspective of Balinese musicians under consideration.  Recently, I undertook a recording project in Bali, working on my composition “Waringin,” written for Gamelan Salukat.  Gamelan Salukat is a 20-30-person bronze ensemble with a radical tuning system, comprised of young musicians (~18-30 yrs.) from around the Ubud region of Central Bali.  The project became a crossroads of musicianship, uncovering many intriguing tensions—notation versus oral learning, counting rhythms versus feeling or embodying rhythms, and composition versus improvisation.  The following ethnographic account explores how the young Balinese musicians tackled the problems we faced and discusses what implications these newly formed strategies have for Balinese music in a contemporary setting where East and West, self and other, participant and observer are no longer divided.


2020 ◽  
Vol 29 (11-12) ◽  
pp. 3103-3129
Author(s):  
Victoria Nolan ◽  
Tom Reader ◽  
Francis Gilbert ◽  
Nick Atkinson

Abstract Ancient, veteran and notable trees are ecologically important keystone organisms and have tangible connections to folklore, history and sociocultural practices. Although found worldwide, few countries have such a rich history of recording and treasuring these trees as the UK, with its extensive Royal and aristocratic land ownership, unique land management methods and long-standing interest in natural history and species record collecting. As a result, the UK has collated an extensive database of ancient, veteran and notable trees called the Ancient Tree Inventory (ATI). The ATI is the result of a successful, long-term citizen science recording project and is the most comprehensive database of ancient and other noteworthy trees to date. We present here the first review of the ATI in its entirety since its initiation in 2004, including summaries of the UK ancient, veteran and notable tree distributions, the status and condition of the trees, and key information about the recording process and maintenance of the database. Statistical analysis of components of the dataset, comprising 169,967 tree records, suggest there are significant differences in the threats, size, form and location of different types of trees, especially in relation to taxonomic identity and tree age. Our goal is to highlight the value of the ATI in the UK, to encourage the development of similar ancient tree recording projects in other countries, and to emphasise the importance to conservation of continued efforts to maintain and expand databases of this kind.


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