2015 ◽  
pp. 4-12
Author(s):  
Elena V. Nikolaeva

The article analyzes the correlation between the screen reality and the first-order reality in the digital culture. Specific concepts of the scientific paradigm of the late 20th century are considered as constituent principles of the on-screen reality of the digital epoch. The study proves that the post-non-classical cultural world view, emerging from the dynamic “chaos” of informational and semantic rows of TV programs and cinematographic narrations, is of a fractal nature. The article investigates different types of fractality of the TV content and film plots, their inner and outer “strange loops” and artistic interpretations of the “butterfly effect”.


2014 ◽  
Author(s):  
Kamila Wojdylo ◽  
Miguel Kazén ◽  
Julius Kuhl ◽  
Olga Mitina
Keyword(s):  

Rashi ◽  
2012 ◽  
pp. 12-51
Author(s):  
Avraham Grossman

This chapter offers a biographical sketch of Rashi. There are numerous folk legends about Rashi's birth, especially the miracles wrought for his mother during her pregnancy, and about his father and his father's journeys outside France and meetings with various sages, including Maimonides. None of these legends is reliably documented, however, and nothing can be gleaned from them about the events of Rashi's life. Ultimately, they reflect the cultural world of Jewish society in the late Middle Ages—a time that saw the composition, in Jewish circles as in Christian, of numerous hagiographical works recounting the miracles performed for holy men. Rashi is renowned throughout the Jewish world not only for his wide-ranging literary productivity but also for his unique character. Five qualities stand out in his warm and radiant personality: humility and natural simplicity, pursuit of truth, concern for human dignity, great confidence in his own abilities, and a sense of mission as a community leader. These qualities are evident in his actions, his relations with other people, his ties to his students, his world-view, his scorn for arrogance, his love of peace, his literary output, and even in his writing style. The chapter then considers Rashi's status and fame.


2003 ◽  
Vol 27 (11) ◽  
pp. 427-428 ◽  
Author(s):  
Dinesh Bhugra

Through novels and films, we learn about different portrayals of cultural norms and culture conflicts in different parts of the world. A basic tenet of training in cultural competence is that people become aware of the differences and similarities across cultures, allowing them to be more conscious of their own cultural world view, and also better able to deal with any differences and to learn from them. Reading novels and seeing films can help to develop trainees' humanism and capacity for understanding and so facilitate their learning about cultural competence (Fritz & Poe, 1979). One drawback of using films in this way is that the dramatic points in the stories may hinge on social stereotypes. For example, in several recent Hollywood blockbusters the British characters were portrayed as butlers, buffoons or villains using their accent and caricatured appearance to emphasise differences.


2017 ◽  
Vol 23 (2) ◽  
pp. 599-614
Author(s):  
Cynthia L. Miller-Naudé ◽  
Jacobus A Naudé

Modern language instruction always includes a cultural component – students do not learn just isolated words, morphology and syntax, but rather the cultural context of the language and its speakers. The teaching of Biblical Hebrew, however, has usually taken place in a cultural vacuum without reference to the cultural concepts that permeated ancient Israelite society. In this paper we describe an initiative to embed the teaching of Biblical Hebrew within the cultural world-view of ancient Israel in accordance with modern language pedagogy. Because South Africa is a multi-cultural society, we pay particular attention to the differing cultural backgrounds that our students bring to the learning of ancient Hebrew.


Idei ◽  
2020 ◽  
pp. 57-66
Author(s):  
Наталія Кривда ◽  
Світлана Сторожук

The article shows that contrary to the fact that constructing the image of an “Enemy” for a long time has been remaining an inseparable element of the strategy of forming a national identity, yet it should be regarded as a rudiment of the national policy of the modern period, since then homogeneous national identity was the only way to gain political independence of a conscious proper cultural cutoff of the community. Meanwhile, in today’s conditions, the formation of a homogeneous national identity is a conflict strategy that can lead to a social split and fragmentation of the state borders. Given this, strategies that are aimed at ensuring a high level of citizens’ loyalty to the political state institutions on the basis of “constitutional”, “territorial”, “regional” and other patriotism seem more fruitful. Under conditions of implementing such a strategy and rational cultural policy aimed at developing a system of super-ethnic values that will be shared by the majority of the population of a certain state, it is possible to overcome the world-view split and save the national identity.


2009 ◽  
pp. 62-69
Author(s):  
N.S. Kulish

The relations of such two important public institutions in Ukraine, as the state and the church, throughout national history, and especially in the era of independent state formation, have shown that they have always been a significant element of the climate formation in Ukrainian society, its spiritual potential and stability. Not always were these relations a priori constructive, but in their positive and negative ways they remained socially significant, determining the directions and tonality of many political, social and spiritual processes of national history. 90s of the twentieth century. in the life of the Ukrainian society was marked by a radical change in the paradigm of being, which led to a rethinking of the whole spectrum of life-determining priorities and orientations - from political to cultural, world-view and religion.


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