scholarly journals Quilts: Unfolding personal and public histories in South Africa and the United States

Image & Text ◽  
2020 ◽  
Author(s):  
Marsha MacDowell

Quilts and related textiles are a particularly capacious textile medium through which the intersection of materiality and narratives can be explored. There are thousands of extant historical examples to be found in public and private collections, and the "quilt world" of the early twenty-first century is robust and enormous. There are literally millions of individuals around the globe who are involved in some aspect of quilt production, preservation, and study. This article provides a brief overview of quiltmaking and quilt studies in the United States and in South Africa. It draws upon samples of work from both countries to illustrate how, through their needles and their stories, quilt artists provide unique windows into personal and public histories.

Author(s):  
Thomas J. Knock

This chapter explores American foreign policy and the country’s global position in the early twenty-first century, and in particular during the presidency of Donald Trump, employing the historical background of Woodrow Wilson’s Fourteen Points. Specifically, the chapter discusses the importance of Wilson’s fourteenth point, which emphasizes the need for international cooperation and mutual understanding among nations. It explains why the United States needs internationalism and a strong foreign policy. The chapter concludes by stating the need for America’s involvement with the United Nations, in the midst of Trump’s efforts to separate America from the international community.


2020 ◽  
pp. 75-103
Author(s):  
Nelly Furman

The international appeal of the story of Carmen on the silver screen has been phenomenal. The story has spawned nearly eighty films by some of the world’s most celebrated directors. In the early days of cinema, we find a first cluster of Carmens among them films directed by Cecil B. Demille, Charlie Chaplin, and Ernest Lubitsch. In 1954, Otto Preminger’s Carmen Jones calls attention to African American issues in the United States, as will in 2001, Carmen: A Hip Opera directed by Robert Towsend for MTV. In 1983, we find a second cluster of international film directed by Jean-Luc Godard (France), Francesco Rosi (Italy) and Carlos Saura (Spain). At the turn of the twenty-first century, Bizet’s heroine appears in two major African film production: Joseph Gaï Ramaka’s Karmen (Senegal) and U-Carmen by the Dimpho Di Kopan theater (South Africa). All these films testify to the continuous attraction of Bizet’s heroine through time from the lyric stage to the silver screen.


2015 ◽  
Vol 39 (3) ◽  
pp. 361-369 ◽  
Author(s):  
Carol E. Heim

What is public, what is private, and what is the relationship between them? Can the public interest be clearly identified and protected? What role should government play in the lives of ordinary citizens? These are questions currently engaging policy makers and the general public as well as scholars in a range of disciplines. The provision and financing of urban public goods is one arena in which such questions have arisen. Historically, governments, private entities, and mixed forms such as public-private partnerships have undertaken these activities in the United States and other countries (Beito et al. 1989; Dyble 2010; Goodrich 1960; Hodge et al. 2010; Jacobson and Tarr 1995). In the late-twentieth- and early-twenty-first-century United States, tax revolts and concerns about “big government” led to increased scrutiny of the appropriate role of government. Contracting out of government activities and privatization both assumed increased importance (Dyble 2012; Light 1999).


Author(s):  
James Lee Brooks

AbstractThe early part of the twenty-first century saw a revolution in the field of Homeland Security. The 9/11 attacks, shortly followed thereafter by the Anthrax Attacks, served as a wakeup call to the United States and showed the inadequacy of the current state of the nation’s Homeland Security operations. Biodefense, and as a direct result Biosurveillance, changed dramatically after these tragedies, planting the seeds of fear in the minds of Americans. They were shown that not only could the United States be attacked at any time, but the weapon could be an invisible disease-causing agent.


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