scholarly journals THE PRINCIPLES OF THE ORGANIZATION OF URBAN WATERFRONTS AS COMFORTABLE PUBLIC RECREATIONAL ENVIRONMENT

2020 ◽  
pp. 108-121
Author(s):  
Matvei V. Saveliev ◽  
◽  
Mikhail D. Roman ◽  
Nikolay V. Bondar ◽  
◽  
...  
Keyword(s):  
New York ◽  
Spatial Organization ◽  
Living Environment ◽  
Design Solution ◽  
City Image ◽  
Communication Structure ◽  
Basic Principles ◽  
East River ◽  
Urban Waterfront ◽  
Free Environment

The authors address the problem of development of urban waterfront territories. Therefore the focus is on the basic principles of the organization of public recreational areas. The relevance of the interest is generally stipulated by the following reasons. Firstly, due to the analysis of the domestic and overseas waterfront design experience it seems reasonable to point out that the quality of urban living depends directly on the viability of open public spaces. The waterfront area proves to be a major element of urban tissue that can be related as the city image. Secondly, it can be reasonable to outline a range of issues that are extremely important for many cities in Russia such as the lack of land improvement, comfortable living environment and architectural-aesthetic identity in terms of the image of waterfront areas. The article aims to reveal basic principles of spatial organization of urban waterfront areas. The study is carried out on the material of the domestic and overseas experience in design solu-tions and existing public recreational areas. This implies the analysis and comparison of the following cases: waterfront revival in great cities and suburban towns within Russia as well as overseas experi-ence on regeneration of abandoned waterfront areas. Furthermore, there is the description of the main methods, principles, prospective directions in design management and architectural-aesthetic features of each considering design solution. The methodological basis of the research incorporates architectur-al, art, historical and cultural approaches. In terms of key results of the research we consider highlighting such principles of the organiza-tion of urban waterfronts as multilayer communication structure which are the priority for pedestrian circulation and multilevel waterfront environment; the ability to access water bodies, the addition of focal points, viable and barrier-free environment. Moreover, one of the most important factors is the concentration of urban recreational areas with diverse multifunctional zones that can be used both in summer and winter seasons. The preservation of ecological framework and maintenance of biodiversi-ty, the reliance on water protection zones as well as the appliance of eco-materials are also considered to be a range of inalienable measures in urban waterfront design. Waterfronts cannot be designed sepa-rately from adjacent urban bodies that, for example, can represent historical value. Architectural-aesthetic image of urban waterfronts should meet the modern tendencies in architecture, urban plan-ning and design or emphasize historical identity of urban development. The overall statements are supported by the analysis of the following design solutions: the embankment of Zaryadye Park in Moscow; the design of the waterfront regeneration in Divnogorsk in Krasnoyarsk region; the design of Riga waterfront in Latvia, the design of Seine quayside reinvention in Paris; the East River waterfront in New York; the waterfront arear HafenCity in Hamburg. Overall, due to the results of our research the organization of urban waterfronts incorporates a variety of crucial factors (in terms of architecture, urban planning and design, imageability, ecology, economy etc) which add the complexity to the designing process. Nevertheless, the implementation of the basic principles of design provides waterfronts with the high level of diversity and comfort for cities’ inhabitants.

The Two Row Wampum-Covenant Chain Tradition as a Guide for Indigenous-University Research Partnerships

2018 ◽  
Vol 19 (5) ◽  
pp. 339-359
Author(s):  
Richard W. Hill ◽  
Daniel Coleman
Keyword(s):  
New York ◽  
Indigenous Peoples ◽  
Community Based ◽  
Research Partnerships ◽  
Basic Principles ◽  
North Americans ◽  
The Past ◽  
Six Nations ◽  
Productive Research ◽  
First Time

This co-authored article examines the oldest known treaty between incoming Europeans and Indigenous North Americans to derive five basic principles to guide healthy, productive relationships between Indigenous community-based researchers and university-based ones. Rick Hill, Tuscarora artist and knowledge keeper from the Six Nations of the Grand River, publishes for the first time here the most complete oral history that exists today of that ancient treaty, from the early seventeenth century, known as the Two Row Wampum or the Covenant Chain agreement. Interspersed with Dr. Hill’s reflections, Daniel Coleman, a settler professor of English and Cultural Studies at McMaster University, outlines five principles for research partnerships derived from the discussions of the Two Row Research Partnership seminars that Hill and Coleman have been hosting at Deyohahá:ge: Indigenous Knowledge Centre for the past four years. Formed between the Hodinöhsö:ni’ confederacy and Dutch merchants arriving near Albany, New York in 1609, the Two Row Wampum-Covenant Chain treaty set the precedent for nation-to-nation treaties between European colonial powers and Indigenous peoples with two parallel rows representing the Hodinöhsö:ni’ canoe and the Dutch ship sailing down the shared river. Each party agreed to keep their beliefs and laws in their separate vessels, and on this basis of interdependent autonomy, they established a long-lasting friendship. This article suggests that by renewing our understanding of the Two Row Wampum-Covenant Chain treaty, Indigenous and non-Indigenous researchers alike can rebuild relationships of trust and cooperation that can decolonize Western presumptions and re-establish healthy and productive research partnerships.

scholarly journals Ismar David’s Quest for Original Hebrew Typographic Signs

2021 ◽  
Vol 53 (1) ◽  
Author(s):  
Shani Avni
Keyword(s):  
New York ◽  
Design Process ◽  
Architectural Design ◽  
Design Solution ◽  
Type Design ◽  
Graphic Designer ◽  
Character Set ◽  
Creative Career ◽  
Applied Arts

Ismar David was a prolific calligrapher, type designer, graphic designer, and illustrator who also engaged in architectural design and taught calligraphy. He studied applied arts in Berlin, emigrating to Jerusalem in 1932 and to New York in 1952. From the 1930s to the 1990s, he created a wealth of unique designs, most importantly the David Hebrew typeface family. It was the first comprehensive Hebrew typeface family, comprising nine styles that include a true Hebrew italic style and a monolinear style, equivalent to a Latin sans serif. David Hebrew provides an example of how a research-based design process can help negotiate the tension between old and new, leading to an innovative, well-informed design solution. David not only excelled in his groundbreaking approach to Hebrew type design for existing glyphs, but he went a step further, expanding the character set. After David completed the design of his typeface family in 1954, it was partially cast for machine composition by the Intertype Corporation. During that period, David relocated to New York to pursue his creative career.

scholarly journals EAST RIVER BATTLE FOR SHEEN: SKIMMING AN OIL SHEEN IN A 3- TO 5-KNOT CURRENT

2001 ◽  
Vol 2001 (2) ◽  
pp. 1431-1434
Author(s):  
Dennis E. Connelly ◽  
Dennis J. McCarthy ◽  
John E. Westerlind
Keyword(s):  
New York ◽  
Current Flow ◽  
Discharge Rate ◽  
Water Discharge ◽  
Cooling Water ◽  
High Discharge ◽  
East River ◽  
Discharge Canal ◽  
High Discharge Rate ◽  
Set Up

ABSTRACT This paper explores the challenges involved with the recovery of oil from a discharge canal with limited access and high relative currents. In March 1999, a sheen was observed in the cooling water discharge canal of Consolidated Edison's 2.5-million kilowatt generating station in Queens (New York City), New York At the time the sheen was discovered, the entire station had been shut down for several months for a maintenance outage. As the tide rose and fell in the East River, into which the discharge canal emptied, the oil sheen moved in and out of a 1,000-foot long tunnel connecting the generating station to the canal. The major challenges to the recovery and removal of the oil sheen were: (1) the low over head of the discharge tunnel and canal support girders, which prevented getting a skimmer into the tunnel and canal; (2) the high discharge rate of the station's cooling water pump; and (3) skimming the sheen in a 3-to 5-knot current. Consolidated Edison is a member of Clean Harbors Cooperative, L.L.C, which was brought in to remove the sheen. This was accomplished utilizing two JBF Scientific DIP Belt Skimmers, which were set up parallel to the current flow, and deflection booming.

From the East River to the Sea

Arab New York ◽  
2019 ◽  
pp. 113-144
Author(s):  
Emily Regan Wills
Keyword(s):  
New York ◽  
Social Justice ◽  
New Jersey ◽  
Case Studies ◽  
Political Engagement ◽  
Arab Americans ◽  
Muslim American ◽  
Detailed Case ◽  
East River ◽  
Activist Groups

This chapter documents the diversity within Arab-led activism for Palestinians, through detailed case studies of two different activist groups, Adalah-NY and Al-Awda NY. While Al-Awda draws its membership and discourses from the recently-immigrated communities of New York and New Jersey, Adalah-NY is oriented towards international discourses of solidarity and social justice. The different ways that identities (such as Arab, Palestinian, Muslim, American, and Jewish) are used by these organizations represent different responses to the problems of political engagement that Arab Americans and their political allies face.

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