A Study on the meaning of Feminist Politics of differences through the concepts of Philosophy of differences – Focusing on Asis women’s movement

2021 ◽  
Vol 36 ◽  
pp. 35-59
Author(s):  
Hyungmee Choi
Keyword(s):  
Women's Movement ◽  
Feminist Politics

Making Waves

2019 ◽  
Keyword(s):  
Critical Review ◽  
Women's Movement ◽  
Political History ◽  
Political Activism ◽  
The Political ◽  
Feminist Politics ◽  
Politics And Culture ◽  
Second Wave Feminism ◽  
The Relationship ◽  
Second Wave

French feminisms were central to the theory and culture of Second Wave feminism as an international movement, and 1975 was a key year for the women’s movement in France. Forty years on, this book offers a critical review of the political activism and the cultural creativity of that moment, from the perspective of both preceding and subsequent ‘waves’ of feminism. It explores the importance and the legacies of 1975, and their strengths and limitations as new questions and new conjunctures have come into play. Edited and written by an international collective of feminist scholars, the book represents both a critical re-evaluation of a vital moment in women’s cultural and political history - and a new analysis of the relationship between Second Wave agendas and contemporary feminist politics and culture.

Women’s Subjectivities of Suffering and Legal Rhetoric on Domestic Violence

2010 ◽  
Vol 17 (3) ◽  
pp. 375-401 ◽  
Author(s):  
Rukmini Sen
Keyword(s):  
Domestic Violence ◽  
Entire Range ◽  
Women's Movement ◽  
Physical Violence ◽  
Social Practices ◽  
Legal Language ◽  
Legal Rhetoric ◽  
Legal Documents ◽  
Feminist Politics ◽  
Objective Evidence

It is undoubtedly true that feminist politics in the last three decades has struggled to make visible an entire range of social practices that are inimical to women and brought them under the rubric of ‘violence’. This article revisits the meaning of violence when translated in the language of law. In the courtroom, the meaning of violence has to be technically grounded as the law would want it to be, filtering from it many nuances that possibly existed at the time when the aggrieved woman was narrating her incident. This article therefore is an exploration of the legal rhetoric engaging with violence as faced by women within marriage; it argues that there is often a strong disjuncture with the subjectivities of suffering primarily due to the legal need for objective evidence. There are three parts: (a) how violence has been understood by the women’s movement in India, (b) an analysis of some legal documents that understand primarily physical violence and (c) an exploration on the Protection of Women from Domestic Violence Act, 2005, which through legal language makes a formal provision on translating suffering.

Review of Sisterhood is Global: The International Women's Movement Anthology.

1985 ◽  
Vol 30 (11) ◽  
pp. 916-916
Author(s):  
Janet T. Spence
Keyword(s):  
Women's Movement

The Changing Face of Irish Ireland: Séamus Ó Grianna's and Éilís Ní Dhuibhne's Fictions of the Donegal Gaeltacht

2014 ◽  
Vol 44 (2) ◽  
pp. 357-380
Author(s):  
Ríona Nic Congáil
Keyword(s):  
Twentieth Century ◽  
Women's Movement ◽  
Irish Language ◽  
Shared Interest ◽  
Early Twentieth Century ◽  
Rural And Urban ◽  
Historical Fact ◽  
Insight Into

Séamus Ó Grianna and Éilís Ní Dhuibhne, whose lifespans overlapped only briefly, rank among the most prolific Irish writers of the twentieth century. Their bilingualism, moreover, offers them access to two languages, cultures, and viewpoints. Their shared interest in the Donegal Gaeltacht during the revivalist period, and their use of fiction to explore and represent it, provide their readers with a remarkable insight into the changing ideologies of twentieth-century Ireland, and particularly Irish-Ireland, touching on broad issues that are linguistic, cultural, political, gendered, and spatial. This essay begins by analyzing the narrative similarities between Ó Grianna's Mo Dhá Róisín and Ní Dhuibhne's Hiring Fair Trilogy, and proceeds to examine how both writers negotiate historical fact, the Irish language, the performance of Gaelic culture, the burgeoning women's movement, and the chasm between rural and urban Ireland of the revival. Through this approach, the essay demonstrates that the fictions of these two writers reveal as much about their own agendas and the dominant ideas of the epoch in which they were writing, as they do about life in the Donegal Gaeltacht in the early twentieth century.

The Personal is the Political

2010 ◽  
Vol 3 (1) ◽  
pp. 125-148
Author(s):  
Mercilee M. Jenkins
Keyword(s):  
San Francisco ◽  
Women's Movement ◽  
Community Member ◽  
The Political ◽  
Oral Histories ◽  
Grass Roots ◽  
Feminist Organization ◽  
Second Wave

This paper explores the transformation of oral histories into a play about the founding of San Francisco Women's Building based on extensive interviews. My impetus for writing She Rises Like a Building to the Sky was to portray the kind of grass roots feminist organization primarily composed of lesbians that made up a large part of the second wave of the Women's Movement in the 1970's and early 1980's. The evolution of She Rises is discussed from three positionalities I occupied over an extensive period of time: oral historian, playwright and eventual community member. Excerpts from She Rises are used to illustrate the lessons I learned in the process of creating this work. I will discuss my self-collaboration in terms of the oral historian's concern for fidelity, the playwright's desire to bring such material to life whether by fact or fiction, and the community member's fears of how others will view this rendition of their stories. The behind the scenes dramas reveal as much as the play itself about the challenges and rewards of undertaking such projects.

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