scholarly journals Destruction of Patriarchal Society by Nu Shu in Snow Flower and Secret Fan

2021 ◽  
Vol 11 (1) ◽  
pp. 92
Author(s):  
Xingjie Du

Lisa See’s Snow Flower and Secret Fan is set in Emperor Taoguang period-late Qing Dynasty that is featured by patriarchal society. One of typical features of the patriarchal society is that the male is the center of everything, while the female is in a disadvantaged position, which is clearly shown in the novel. However, Laotong–a kind of woman’s friendship in the novel can be regarded as a sort of female rebellion to the patriarchal society. They communicate with each other in a special way that men have no access to, which in a way wins more space for women in feudal society in which men always are in dominated position in terms of social status in family or society. The paper is going to discuss how this nu shu narrative destructs the patriarchal society and strives for more space for women, breaking the yoke of man’s gaze and power.

Author(s):  
Wong Soon Dee

Kajian ini bertujuan untuk mengkaji pembentukan novel Niehai Hua dalam konteks masyarakat pada akhir Dinasti Qing. Teori lapangan Bourdieu telah diaplikasikan dalam kajian ini dan novel Niehai Hua diletakkan dalam suatu lapangan yang berunsurkan masyarakat akhir Dinasti Qing untuk membincang secara menyeluruh tentang pengaruhnya terhadap penulisan novel Niehai Hua. Dapatan kajian menunjukkan bahawa pengalaman kehidupan dan latar masyarakat yang dialami oleh Zeng Pu telah mempengaruhi pemikirannya dalam penulisan dan pembentukan tema novel ini. Kandungan yang dihuraikan dalam novel Niehai Hua berkait rapat dengan realiti masyarakat, maka tema-tema novel ini telah merangkumi kritikan mengenai kemerosotan politik akhir Dinasti Qing, pendedahan tentang pencerobohan kuasa-kuasa imperialisme serta pujian terhadap ideologi pembaharuan dan revolusi. Kesimpulan daripada kajian menunjukkan pengaruh latar masyarakat akhir Dinasti Qing dan latar belakang kehidupan Zeng Pu terhadap penulisan Niehai Hua adalah penting untuk memahami pembentukan novel ini secara terperinci. Implikasi kajian ini dapat membantu kita untuk membuat penilaian semula tentang kedudukan novel akhir Dinasti Qing dalam kesusasteraan China. (This study was aimed to review the formation of the novel Niehai Hua in the context of the society during the late Qing Dynasty. Bourdieu’s field theory has been applied in this study and the novel Niehai Hua was placed in a field that characterises the society of the late Qing Dynasty in order to discuss thoroughly its influence over the novel writing. The findings showed that the life and background of the society experienced by Zeng Pu has influenced his thinking in the writing and the creation of the themes of the novel. The content described in the novel Niehai Hua was closely related to the reality of society. Hence, the themes of this novel include criticism of political decline of the late Qing Dynasty, exposure of the aggression of imperialism power and the compliment towards the ideology of reformation and revolution. As a conclusion, the background of the society during the late Qing Dynasty and biobibliography of Zeng Pu have influenced the writing of Niehai Hua which are important for us to understand the formation of this novel. The implications of this study helps us to make a reassessment of the position of the late Qing Dynasty novel in Chinese literature.)


2010 ◽  
Vol 69 (2) ◽  
pp. 337-346 ◽  
Author(s):  
David T. Johnson

For most cultures and most of human history, the death penalty was taken for granted and directed at a wide range of offenders. In ancient Israel, death was prescribed for everything from murder and magic to blasphemy, bestiality, and cursing one's parents. In eighteenth-century Britain, more than 200 crimes were punishable by death, including theft, cutting down a tree, and robbing a rabbit warren. China of the late Qing dynasty had some 850 capital crimes, many reflecting the privileged position of male over female and senior over junior.


2020 ◽  
Vol 16 (10) ◽  
pp. 53
Author(s):  
Xuefei Zhang ◽  
Xiaoming Yang

During the late Qing dynasty and the early Republic of China, women's clothing had a revolutionary change. Under the unprecedented social transformation in a millennium, Social Darwinism called for “mother of the citizens”, arousing public concern to release women's bodies. Anti-foot-binding movement awakened women's self-awareness and planted a hint of women's emancipation. While Feminism turned the value to the “parity of citizens,” women disguised their female character and dressed as men. Early Qipao was widespread during women’s liberation movement. The New Culture Movement facilitated ideology of Human Liberation. Women gradually possessed independence of personality and changed their corsets. They tended to confront and express body curves instead of cover and weakening.


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