scholarly journals Between Grief and Pride: Visual Methods for the Study of Intergenerational Features of Emotional Experiences and Collective Memory of the War

2021 ◽  
Vol 29 (4) ◽  
pp. 127-143
Author(s):  
A.M. Rikel ◽  
N.V. Fedorova ◽  
I.B. Bovina
Keyword(s):  
Collective Memory ◽  
Emotional Reaction ◽  
Emotional Reactions ◽  
Second World War ◽  
Visual Methods ◽  
Emotional Experiences ◽  
World War ◽  
Historical Events ◽  
Second World

The category of generation and emotional reactions within the framework of collective memory are considered as central categories within the framework of the research presented here. It is assumed that historical events are associated with certain emotional experiences, and the collective memory retains extremely positive or extremely negative ones. The study was conducted using visual methods, in which the subjects were asked to assess their feelings and emotions when looking at photographs of various wars of the XX century. Conclusions are drawn about the most pronounced feeling of fear among all generations of Russians when assessing various images of war; the absence of differences in the perception of the Second World War among four generations of Russians (N = 589 people) in all emotional reactions, except for the experience of pride in the results of the war. Separately, the so-called “Y” generation is described, experiencing the least vivid emotional reaction, including in terms of feelings of empathy.

Archive Photography That Forms a Personal and Collective Memory

2021 ◽  
Vol 12 (3) ◽  
pp. 50-67
Author(s):  
Eva Strazdina
Keyword(s):  
Collective Memory ◽  
Historical Perspective ◽  
Second World War ◽  
World War ◽  
Historical Events ◽  
Historical Authenticity ◽  
Visual Diary ◽  
The Individual ◽  
Second World ◽  
The Way

Personal and family albums created by Latvians in the period from 1939 until the 1950s are placed in a wider social and historical perspective by analyzing its content, as well as the individual intent to create it. This work explores photography album as a tool to organize memories and how historical, personal photography albums serve and interact as evidence of private as well as a public past. The research tries to prove the historical authenticity in two personal albums created by Latvians during the Second World War and the following years – a visual diary illustrating the imprisonment in the Soviet working camp in Siberia and a family album memorializing the way and life of the Latvian refugees in the Alt Garge camp, Germany. Two personal albums (currently stored at the archive of the Museum of Occupation of Latvia) have become objects of historical value and are an informative source for learning, analyzing and educating about historical events.

scholarly journals Reassessing Japanese American Collective Memory Through Gene Oishi’s Internment Narratives

2021 ◽  
Author(s):  
Nicolangelo Becce
Keyword(s):  
Collective Memory ◽  
Model Minority ◽  
Second World War ◽  
Japanese Americans ◽  
Japanese American ◽  
World War ◽  
True Self ◽  
Direct Response ◽  
Model Minority Stereotype ◽  
Second World

Seven decades after Japanese Americans were interned during the Second World War, former journalist and internment survivor Gene Oishi published Fox Drum Bebop (2014). The protagonist, Hiroshi, had been introduced in Oishi’s previous memoir, In Search of Hiroshi (1988), as “quasi-fictional” and “neither American nor Japanese, but simply me”. Yet, in the same memoir, Oishi had also described his inability to write about ‘Hiroshi’, thus settling on ‘Gene’ as a main character and waiting 28 more years before publishing a book about his true self. A comparison between the two books highlights that In Search of Hiroshi was written as an attempt at telling a story that would implicitly support the ‘model minority’ myth by offering an account of the internment experience as a direct response to the sociopolitical constraints related to the request by Japanese Americans for redress from the U.S. government. On the other hand, the more recent Fox Drum Bebop represents a fictional retelling of Oishi’s memoir which reveals the limits of the collective memory of the internment as developed during the redress years by openly defying the ‘model minority’ stereotype while at the same time once more denouncing the injustices suffered by the Japanese American community during the war. This essay focuses on Oishi’s double narrative as a reassessment of the collective memory of the internment experience and of its lasting effects on Japanese Americans.

Jedwabne and Wizna

2007 ◽  
pp. 244-270
Author(s):  
Marta Kurkowska
Keyword(s):  
Collective Memory ◽  
Second World War ◽  
World War ◽  
North Eastern ◽  
Second World

THE LOCALITIES explored herein, Jedwabne and Wizna, are both situated in the Łomża region of north-eastern Poland, close to each other. Only a few kilometres separate the two and yet what each can contribute and has contributed to local, regional, and national collective memory sets them oceans apart. The inspiration for this article was precisely this simple contrast. How is it that towns inhabited by persons of a similar culture evolve into symbols of radically different attitudes and actions taken by Poles during the Second World War?...

Memory in Post-communist Europe: Controversies over Identity, Conflicts, and Nostalgia

2018 ◽  
Vol 32 (4) ◽  
pp. 924-935
Author(s):  
Małgorzata Głowacka-Grajper
Keyword(s):  
Eastern Europe ◽  
Collective Memory ◽  
Central And Eastern Europe ◽  
Second World War ◽  
The Political ◽  
World War ◽  
Communist Past ◽  
The One ◽  
Communist Countries ◽  
Second World

This article is part of the special cluster titled Social practices of remembering and forgetting of the communist past in Central and Eastern Europe, guest edited by Malgorzata Glowacka-Grajper Controversies over social memory form an important aspect of reality in the post-communist countries of Eastern Europe. On the one hand, there are debates about coming to terms with the communist past and the Second World War that preceded it (because important parts of the memory of the war were “frozen” during the communist era), and, on the other hand, and intimately connected to that, are discussions about the constant influence of communism on the current situation. This article presents some of the main trends in research on collective memory in the post-communist countries of Eastern Europe and reveals similarities and differences in the process of memorialization of communism in the countries of the region. Although there are works devoted to a comparative analysis of memory usage and its various interpretations in the political sphere in the countries of Eastern Europe, there are still many issues concerning daily practices (economic, religious, and cultural) associated with varying interpretations of the war and the communist past which needs further elaboration and analysis.

scholarly journals FEATURES OF DEPICTION THE SECOND WORLD WAR EVENTS IN THE XXTH CENTURY RUSSIAN, AMERICAN AND HUNGARIAN PROSE (BASED ON THE NOVELS «LIFE AND FATE» BY VASILIY GROSSMAN, «FATELESSNESS» BY IMRE KERTÉSZ, «FROM HERE TO ETERNITY» BY JAMES JONES)

2020 ◽  
Vol 33 ◽  
pp. 433-447
Author(s):  
Adalbert BARAN
Keyword(s):  
Historical Memory ◽  
Modern Society ◽  
Second World War ◽  
Point Of View ◽  
World War ◽  
Historical Events ◽  
James Jones ◽  
History Of ◽  
From Here To Eternity ◽  
Second World

The present article deals with the comparative analysis of the methodological bases of depicting the authenticity, features, and character of ideological-thematic reflection of the Second World War events on the pages of the novel by Russian writer Vasily Grossman (1905-1964) «Life and Fate» (1960), the masterpiece by the American novelist James Jones (1921-1977) «From here to eternity» (1953) and the work by the Hungarian novelist Imre Kertész (1929-2016) «Fatelessness» (1975). The novels' authors did not need to interpret historical events by other people's memories and strive for a documentary. The original document in the novels was the life and unique memory of the writers themselves, and not only in the sense of the artistic reproduction of the true sides of the survived and seen, but also in terms of serious thoughts about the relationship of the past with the present in their moral, social, philosophical and ethical aspects. The article highlights the events and circumstances that predetermined the formation of features of the writers' worldview and led to the writing of the novels on military topics. The novels «Life and Fate», «Fatelessness», and «From here to eternity» can be considered as deeply personal works by the writers who have not declared, magnified the events of the history in context, but through the image system of the novels deeply examined, analyzed their roots. The authors of the novels have shown the history of the 20th century not on the background of exaggerated, politically agitating, heroic pictures, but from the point of view of the true significance of historical events for modern society. Keywords: documentary, historical memory, regime, literary tradition, writer’s consciousness, historical concreteness.

scholarly journals Ruins of the smart city: a visual intervention

2020 ◽  
Vol 19 (3) ◽  
pp. 353-368
Author(s):  
Emma Fraser ◽  
Clancy Wilmott
Keyword(s):  
Second World War ◽  
Urban Life ◽  
Visual Methods ◽  
World War ◽  
Alternative Vision ◽  
Fertile Ground ◽  
Urban Futures ◽  
The City ◽  
Second World ◽  
Rose Macaulay

The visual imaginary of the future city is increasingly dichotomized between visions of hyper-technological digital urbanism and the city in a state of ruin, without people, overtaken by nature. These alternating imaginaries key into concerns over urban futures, as questions of sustainability and rising inequality come to bear on urban life. Such binary imaginaries produce volumes of visual material, lauding and critiquing philosophies of newness, endless progress and the city without decline. This article uses an inventive visual methodology to ask how these imaginaries become situated in the everyday ecologies of living. This methodology focuses on several so-called ‘brownfield’ sites in Salford, UK, and the ‘smart’ Oxford Road Corridor in neighbouring Manchester, to playfully and visually map the entanglement of digital urban ecologies through the themes of wilderness, play and compost. These three themes relate to the pleasure of urban wilderness described by Rose Macaulay, reflecting on London’s wild ruins after the Second World War; the playful contrast between smart urbanism and urban wastelands, understood through interdisciplinary visual methods; and Haraway’s notion of compost as the fertile ground of collaboration that marks a material–semiotic entanglement between place, people and nature. The authors investigate how these frameworks reflect the diversity of urban ecology (animals, plants and humans) and might provide an alternative vision of how the city could be, a vision built from how the city currently is.

THE PROBLEM OF NATIONAL TRAUMA IN THE COLLECTIVE MEMORY OF GERMANS IN THE UNITED GERMANY

2021 ◽  
pp. 117-126
Author(s):  
Marina V. Novikova ◽  
Keyword(s):  
Collective Memory ◽  
Second World War ◽  
World War ◽  
Civilian Population ◽  
Global Context ◽  
National Trauma ◽  
Feature Films ◽  
Individual Memory ◽  
The Individual ◽  
Second World

The article attempts to characterize the state of historical con- sciousness of the Germans at the end of the 20th – beginning of the 21 st century. The article examines what factors influenced the formation of the “sacrificial narrative” in the collective memory of the Germans of the united Germany. The research is based on the publications in the German, Polish and Russian press, autobiographical works, interviews, diaries and memoirs of Gunther Grass, Gerhard Schroeder, etc., analyzes the works of art and filmography released at that time. Memories of the suffering of the German civilian population during the Second World War usually belonged to the individual memory or remained part of the German family history. True, the traumatic past was often used for political purposes, especially in the FRG in the matters related to the theme of exile. In the first decade of the new millennium, thanks to the changes in the cultural agenda – the release of a number of books and feature films, the plot of which was based on the suffering of the Germans, the traumatic past is at the center of public debate. However, the rethinking of the theme of the suffering of the German civilian population was met with a rather wary response in the global context, primarily from Poland and the victor countries.

Gender, Memory, and National Myths: Ol'ga Berggol'ts and the Siege of Leningrad

2000 ◽  
Vol 28 (3) ◽  
pp. 551-564 ◽  
Author(s):  
Lisa Kirschenbaum
Keyword(s):  
Collective Memory ◽  
Shared Memory ◽  
Human Memory ◽  
Second World War ◽  
World War ◽  
Personal Stories ◽  
Great Patriotic War ◽  
War Dead ◽  
The 1960S ◽  
Second World

In Russia, the memory of the Second World War has been at once deeply personal and profoundly political. Largely erased from official memory until Stalin's death, the story of the war became, in the 1960s, a key means of legitimizing the Soviet state. The mythic “20 million”—more recent estimates are closer to 30 million war dead—became the heart of a lasting and state-sanctioned collective memory of shared suffering, patriotism, and redemption. As historian Nina Tumarkin has argued, the official “cult” of the war began to crumble in the mid-1980s, and what she calls “raw human memory,” personal stories untainted by the myth created from above, began to emerge. Tumarkin contends that the “winds of glasnost' and perestroika” effectively “ravaged” both the state-sanctioned “myth” and the “shared memory” of the Great Patriotic War. Personal tragedies began to replace the official tale of national triumph.

CONSIGNING JUSTICE TO HISTORY: TRANSITIONAL TRIALS AFTER THE SECOND WORLD WAR

2013 ◽  
Vol 56 (2) ◽  
pp. 553-581 ◽  
Author(s):  
KIM CHRISTIAN PRIEMEL
Keyword(s):  
Collective Memory ◽  
Second World War ◽  
The Other ◽  
World War ◽  
History Of ◽  
The Hague ◽  
The Law ◽  
The One ◽  
Second World

ABSTRACTThis article reviews recent historical investigations of transitional trials held after the Second World War. It identifies three main strands of historiography. One group of studies has been dominated by the trials' participants who have shaped the perception of the trials' scope, their achievements, and their shortcomings, and pursued political, legal, or biographical agendas. A second group has treated the trials as a mere epilogue to the history of the deceased regimes. A third, more profound approach has conceptualized the trials as places where collective memory was assembled, configured, and shaped. This notion opens the debate to an analysis of how law and history on the one hand, jurisdiction, jurisprudence, and historiography on the other interact and how they impact on one another. The article compares and evaluates the benefits drawn from this research. It finds that historical analyses which take seriously the epistemological premises of the law as well as the courtroom's performativity manage to bypass well-trodden paths of interpretation which either deplore the limited, inadequate punishment meted out, or celebrate the triumphant march from Nuremberg to The Hague. The article concludes that such interdisciplinary readings help to avoid widespread disillusionment with the results of transitional trials.

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