scholarly journals Poetic Updates In Uzbek Literature (On The Example Of Prose Masterpiece)

2021 ◽  
Vol 58 (1) ◽  
pp. 735-753
Author(s):  
Khamrakulova Khurshida Kuvvatovna

As a result of the renewal of national thinking, the events of life and the principles of the approach to the human person in Uzbek prose also changed and began to take on new forms.  In a number of prose works, we find images of courageous people who have not lost their identity and faith over the years.  At the same time, we are confronted with those who, under ideological pressure, have turned to "modernity", apostatized, deceived and become servants of a deceptive and violent ideology.  We see that the hypocrisy inherent in such images is portrayed in all its horrors.  It can be seen that in Uzbek prose works the attempt to reflect the unique nature, unique world, past and feelings of the nation has become a certain aesthetic principle, and such positive research serves as a basis for significant growth in prose.  The works we have analyzed not only renew epic thinking in one way or another, but also serve as a basis for the emergence of new trends, currents and directions in literary life.  As a result, it influences the development of socio-spiritual and artistic aesthetic thinking.

2009 ◽  
Author(s):  
Richard Robert Madden ◽  
Marguerite Blessington
Keyword(s):  

1954 ◽  
Vol 18 (5) ◽  
pp. 384-384 ◽  
Author(s):  
Fred McKinney
Keyword(s):  

Jane Austen is acknowledged for the application of realism and satire in her novels. This paper focuses on the analysis of realism and satire in Jane Austen’s Pride and Prejudice; however, her entire oeuvre spotlights the features (of satire and realism) alongside robust feminism: typical of her literary taste and temperament, not necessarily of the Romantic Age which she lived in. Rigorous analysis and realistic observation reveals that the employment of realism and satire in Pride and Prejudice, are quite obvious, in all sorts of aspects including narrative, settings, themes and characters. Analysis of the novel under study leads to the observation that satire and realism go hand in hand in the said novel—intermittently—and thoughtfully. Conclusively, it is observed that Jane Austen’s literary life had a tremendous influence on how to subsume realism (primarily through matrimonies) of age and satire on a romantic society (whereby ideals collapse headlong), in Pride and Prejudice.


2018 ◽  
Vol 6 (2) ◽  
pp. 141-143
Author(s):  
Daniel Nuzum
Keyword(s):  

Author(s):  
Oren Izenberg

This book offers a new way to understand the divisions that organize twentieth-century poetry. It argues that the most important conflict is not between styles or aesthetic politics, but between poets who seek to preserve or produce the incommensurable particularity of experience by making powerful objects, and poets whose radical commitment to abstract personhood seems altogether incompatible with experience—and with poems. Reading across the apparent gulf that separates traditional and avant-garde poets, the book reveals the common philosophical urgency that lies behind diverse forms of poetic difficulty—from William Butler Yeats's esoteric symbolism and George Oppen's minimalism and silence to Frank O'Hara's joyful slightness and the Language poets' rejection of traditional aesthetic satisfactions. For these poets, what begins as a practical question about the conduct of literary life—what distinguishes a poet or group of poets?—ends up as an ontological inquiry about social life: What is a person and how is a community possible? In the face of the violence and dislocation of the twentieth century, these poets resist their will to mastery, shy away from the sensual richness of their strongest work, and undermine the particularity of their imaginative and moral visions—all in an effort to allow personhood itself to emerge as an undeniable fact making an unrefusable claim.


EMPIRISMA ◽  
2015 ◽  
Vol 24 (1) ◽  
Author(s):  
Nunung Lasmana Dan Ahmad Suhendra

the Qur’anic studies in Indonesia continue to experiencing a significant growth. Lukman Abdul Qohar Sumabrata, Lukman Saksono, and Anharudin offered a symbolic method of interpretation. They seek to interpret the Qur’an with different perspectives by looking at its format and structure, leading to different interpretations of the Qur’an. Lukman Abdul Qahar Sumabrata’s interpretation method attracted attentions from many people and encouraged them to study more closely the format and structure of the Qur’an. The interpretation of symbolic phenomenology refers to the format and structure of the Qur’an of the ‘Uthmāni script.Keywords: al-Qur’an, Fenomenologi Simbolik, Tafsir


Sign in / Sign up

Export Citation Format

Share Document