scholarly journals Ernest Hemingway e a Guerra Civil Espanhola

2009 ◽  
Vol 19 (2) ◽  
pp. 225-236
Author(s):  
Tom Burns

Resumo: Este artigo discute o romance For Whom the Bell Tolls, 1940 [Por quem os sinos dobram], do escritor e jornalista americano Ernest Hemingway, uma ficção sobre a Guerra Civil Espanhola que o autor escreveu na Espanha enquanto servia como correspondente de guerra. O romance, favorável à causa legalista, parece assumir uma posição mais política que os romances e histórias anteriores de Hemingway, mas, na verdade, desenvolve mais uma variação do típico “herói de Hemingway”, celebrado em quase toda a obra do autor: o indivíduo solitário, corajoso, destinado ao fracasso, mas determinado a extrair algum significado da vida em um mundo absurdo.Palavras-chave: Guerra Civil Espanhola; herói de Hemingway; literatura de guerra.Abstract: This article discusses the American writer-journalist Ernest Hemingway’s novel For Whom the Bell Tolls (1940), his fiction of the Spanish Civil War, which the author wrote in Spain while serving as a war correspondent for the North American Newspaper Alliance. The novel, sympathetic to the Loyalist cause, seemed to take a more political turn than his previous novels and stories, but in fact turned out to work yet another variation of the typical “Hemingway hero” celebrated in nearly all of the author’s work – the isolated individual, courageous, doomed, but determined to elicit some meaning from life in an absurd world.Keywords: Spanish Civil War; Hemingway hero; Literature of War.

Author(s):  
Lisa Nanney

Dos Passos was instrumental in initiating The Spanish Earth, a 1937 documentary film relief effort for the Republican fight against fascism in the Spanish Civil War, although he likely did not contribute to its writing. Yet the dangerous, divisive circumstances surrounding the film’s creation and his collaboration with its Communist director Joris Ivens and with colleague Ernest Hemingway during its production in Spain challenged Dos Passos’s beliefs about the relationship between politics and art and profoundly affected his subsequent career. The execution of a Spanish friend, José Robles, at the hands of Russian military personnel who were ostensibly Republican allies, and a subsequent coverup, led Dos Passos to re-evaluate his leftist political positions, his professional alliance with Ivens, and his longtime friendship with Hemingway. The film and its circumstances raised complex questions about the dynamics between fact and fictionalization in documentary and the artist’s ethical and aesthetic responsibilities. Dos Passos’s choices to report fully on the repercussions of factionalization in the Spanish anti-fascist cause, to represent multiple perspectives of the looming greater European conflict, and to articulate unequivocally his conviction that Communism was compromising both European and U.S. leftist movements earned opprobrium from literary critics who had theretofore lionized him.


PMLA ◽  
2008 ◽  
Vol 123 (5) ◽  
pp. 1621-1629 ◽  
Author(s):  
Salah D. Hassan

This essay consists of three beginnings, then a deferred reading of a novel. One beginning, a theoretical beginning, reflects on the question implicit in my title: What is unstated in the state of Lebanon? Another beginning, a literary critical beginning, returns to the work of Kahlil Gibran, the most famous early-twentieth-century Arab North American writer. Gibran links modernist and postmodernist Arab North American writing and, in a historical parallel, connects the foundations of the Lebanese state under French colonial rule to its disintegration in the context of the civil war. A third beginning, a contextual beginning, evokes more recent events in Lebanon through a discussion of the July War of 2006, during which Israel bombed the country for over a month. These three points of departure, I suggest, are crucial to readings of contemporary Arab North American fiction, which is always conditioned by theories of the state, a post-Gibran literary sensibility, and the politics of the present. More specifically, I argue that Rawi Hage's representation of the civil war in Lebanon in DeNiro's Game negotiates the destruction of the Lebanese state through figures of the unstated, whose very existence questions more generally the state form as the preeminent site of political authority and contributes to unstating the state.


2019 ◽  
Vol 16 (27) ◽  
pp. 276-299
Author(s):  
JULIANA JARDIM DE OLIVEIRA E OLIVEIRA

Este artigo aborda o tema das relações entre Império e Prová­ncias no Brasil a partir de um olhar internacional e em um contexto de ”crise da década de 1860” e da Guerra Civil nos EUA. Dentro do contexto de uma guerra que tem implicações transnacionais, analisaremos dois focos de debate na Cá¢mara dos Deputados do Brasil que sofreram a influência do conflito nos EUA: as propostas de retomada de produção do algodão e os problemas relativos ao recrutamento de soldados em meio á  guerra. Busca-se demonstrar que a Cá¢mara dos Deputados foi palco importante para que os deputados se posicionassem a partir de diferentes interesses regionais ou provinciais, frente a um contexto internacionalizado. Em suas falas é possá­vel observar que em face ao conflito norte-americano e o contexto internacional, os parlamentares foram capazes de fazer uso de um ”jogo de escalas” para discutirem demandas e interesses regionais, explicitando relações nacionais, regionais e internacionais.Palavras-chave:  Estado Nacional. Guerra Civil. Prová­ncias.  PROVINCIAL INTERESTS IN BRAZIL DURING THE AMERICAN CIVIL WAR:  a transnational view of the relationship between the Empire and the ProvincesAbstract:  This paper discusses the relationship between the Empire as a central power and the Provinces in Brazil from an international perspective within the context of the ”crisis of the 1860s” and the American Civil War. In view of this national conflict with transnational implications, we will focus on two debates in the Brazilian Lower House of Congress: the debates over the investments in cotton production and the army recruitment in times of war. The Lower House was an important environment for Brazilian Congressmen to defend different regional or provincial demands, in view of an internationalized context. In their speeches it is possible to assert that, when faced with the North American conflict and the international context, congressmen were able to use a game of ”scales” to expose their regional demands and interests, highlighting national, regional, and international relationships.Keywords:  Civil War. National State. Provinces.  INTERESES PROVINCIALES EN BRASIL EN LOS Aá‘OS DE LA GUERRA CIVIL NORTEAMERICANA:  una mirada transnacional sobre relaciones entre el Imperio y las ProvinciasResumen:  Este articulo trata del tema de las relaciones entre imperio y provincias de Brasil a partir de la mirada internacional en el contexto de la ”crisis de la década de 1860” y de la Guerra Civil de los EEUU. Dentro del contexto de una guerra de carácter internacional, analizaremos dos enfoques de debate en la Cámara de los Diputados de Brasil: las propuestas de retomadas en la producción del algodón y los problemas relacionados al reclutamiento de soldados en el medio de la guerra. Es objetivo probar que la Cámara de los Diputados fue un escenario importante para que los diputados se posicionaran a partir de diferentes intereses regionales o provinciales, frente a un contexto internacionalizado. En sus declaraciones es posible observar que ante el conflicto norteamericano y el contexto internacional, los parlamentarios fueron capaces de hacer uso de un ”juego de escalas” para discutir demandas e intereses regionales, explicitando relaciones nacionales, regionales e internacionales.Palabras clave:  Estado Nacional. Guerra Civil. Provincias.


Author(s):  
Raanan Rein

The number of Jewish volunteers who joined the International Brigades (IB) in order to defend the Spanish Republic against the Nationalist rebels was very high. Their presence among volunteers from each nation was in most cases greatly disproportionate to their representation in the general population of those countries. Many of these volunteers held internationalist views, and the idea of emphasizing their Jewish identity was alien to them. But in fact—as is reflected, for example, in the letters they sent from the Spanish trenches to their friends and relatives or in their memoirs—they also followed the Jewish mandate of tikkun olam, a Hebrew phrase meaning “repairing the world,” or showing responsibility for healing and transforming it. Many volunteers attempted to block, with their own bodies if need be, the Nazi and Fascist wave sweeping across Europe, thus defending both universal and Jewish causes. While there is a voluminous bibliography on the IB, less attention has been given to Jewish participation in the Spanish Civil War; and most studies of Jewish participation in the war focus on Jewish-European or on Jewish-North American volunteers. There is a conspicuous absence of historiography about Jewish-Argentines, and very little written on Jewish-Palestinians, in the Iberian conflict. This article looks at volunteers from these two countries and their motivation for taking an active part in the Spanish Civil War.


2009 ◽  
Vol 19 (1) ◽  
pp. 133-149
Author(s):  
Fernanda Mourão

Resumo: A partir da primeira carta de Emily Dickinson (1830-1886) a Thomas Higginson, que então seria seu “preceptor” e interlocutor para sempre, este texto propõe uma leitura da obra da escritora norte-americana a partir do biografema da carta e da ideia de sua obra como “carta ao mundo” – conforme um de seus mais famosos poemas –, com todas as implicações trazidas pelo termo, e à luz das teorias de Roland Barthes, Maurice Blanchot e Silvina Rodrigues Lopes, entre outros.Palavras-chave: poesia; escrita; carta.Abstract: Departing from the first letter Emily Dickinson (1830-1886) wrote Thomas Higginson, who would forever be her “preceptor” and interlocutor, this text proposes a reading of the North- american writer considering the notion of biografema and the idea of her work as “letter to the world” – according to one of her most famous poems –, with all the implications brought by the term and under the light of the theories of Roland Barthes, Maurice Blanchot e Silvina Rodrigues Lopes, among others.Keywords: poetry; writing; letter.


1991 ◽  
Vol 65 (2) ◽  
pp. 279
Author(s):  
John Crispin ◽  
Gareth Thomas

Hispania ◽  
1991 ◽  
Vol 74 (4) ◽  
pp. 891
Author(s):  
Jana Sandarg ◽  
Gareth Thomas

Author(s):  
Jeannette Gaudet

This article focuses on the biographical novel, Pas pleurer (2014) and the author Lydie Salvayre’s development of two diametrically opposed experiences of the Spanish civil war. Pas pleurer deploys the author’s parallel engagement with Montse, Salvayre’s mother, and with Georges Bernanos through a reading and commentary of the polemical essay, Les Grands Cimetières sous la lune. Biographical material provides the ground for intersecting narratives: on the one hand, the Bernanos intertext with its keen analysis of the complicity of secular and religious institutions to maintain control of Spain through terrorism and violence reverberates throughout and finds its echo in the tragic story of Montse’s older brother José. Set against this is the adolescent Montse’s encounter with the dramatic social revolution underway in the Catalan city and her life-altering experience of passionate love, the memory of which remains intact and luminous despite age and disease. Examining both n arratives highlights the act of resistance at the heart of the novel and captured by its title.


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