scholarly journals A Question on the Masculinity in the South Korean War Films -Focusing on 71-into the Fire and The Front Line-

Film Studies ◽  
2014 ◽  
Vol null (60) ◽  
pp. 151-177
Author(s):  
정영권
2014 ◽  
Vol 11 (3) ◽  
pp. 5023-5052 ◽  
Author(s):  
J. Lee ◽  
T. K. Yoon ◽  
S. Han ◽  
S. Kim ◽  
M. J. Yi ◽  
...  

Abstract. Forests play an important role in the global carbon (C) cycle, and the South Korean forests also contribute to this global C cycle. While the South Korean forest ecosystem was almost completely destroyed by exploitation and the Korean War, it has successfully recovered because of national-scale reforestation programs since 1973. There have been several studies on the estimation of C stocks and balances in the South Korean forests over the past decades. However, a retrospective long-term study including biomass and dead organic matter (DOM) C and validating DOM C is still insufficient. Accordingly, we estimated the C stocks and balances of both biomass and DOM C during 1954–2012 using a~process-based model, the Korean Forest Soil Carbon model, and the 5th Korean National Forest Inventory (NFI) report. Validation processes were also conducted based on the 5th NFI and statistical data. Simulation results showed that the biomass C stocks increased from 36.4 to 440.4 Tg C and sequestered C at a rate of 7.0 Tg C yr−1 during 1954–2012. The DOM C stocks increased from 386.0 to 463.1 Tg C and sequestered C at a rate of 1.3 Tg C yr−1 during the same period. The estimates of biomass and DOM C stocks agreed well with observed C stock data. The annual net biome production (NBP) during 1954–2012 was 141.3 g C m−2 yr−1, which increased from −8.8 to 436.6 g C m−2 yr−1 in 1955 and 2012, respectively. Compared to forests in other countries and global forests, the annual C sink rate of South Korean forests was much lower, but the NBP was much higher. Our results could provide the forest C dynamics in South Korean forests before and after the onset of reforestation programs.


2020 ◽  
Vol 6 (2) ◽  
pp. 43-66
Author(s):  
Laura Ha Reizman

The Korean War (1950–53) changed the material and affective landscape of the Korean peninsula and ushered in a new era ruled by a military dictatorship dependent on US military power. With bases dotting the South Korean peninsula, former agricultural villages became camptowns that catered to the needs of American soldiers. This article focuses on the South Korean melodrama Chiokhwa (Hellflower, 1958), directed by Shin Sang-ok, which narrates a love triangle between two brothers and Sonya, a camptown prostitute or yanggongju. It examines the role of the postwar environment in constructing the spaces of the subject. Using the yanggongju figure as a technology of postwar memory, this work reevaluates the ecology of ruination left in the wake of the Korean War—as portrayed through Sonya, scenes of the city, the camptown, the base, and the surrounding fields and marshes—to explore the sense of loss and displacement of this period.


2019 ◽  
pp. 37-68
Author(s):  
Suhi Choi

The Jeju April 3 Peace Park was built in 2008 to commemorate the South Korean state’s atrocities toward civilians on Jeju Island before and during the Korean War. Situated in the distinctive local context of remembering, the park reveals its unique ability to manifest long-suppressed trauma through the meanings of both indigenous spirituality and materiality. A national commemorative event has activated the park even further to become a liberating theater of mourning for suppressed mourners. While it inevitably embraces the conventional aesthetics and rituals of the official commemoration, the park simultaneously facilitates the empathic recollection of the tragic event at the uncanny moments of symbolic work that have been mediated through such uncustomary media as mourners’ bodies, improvised props, and local dialects.


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