"Our Mother Earth Is My Purpose": Recollections From Mr. Albert Smith, Na'ashó'ii dich'ízhii

2013 ◽  
Vol 37 (1) ◽  
pp. 105-124
Author(s):  
Annie Ross
Keyword(s):  
World War Ii ◽  
World War ◽  
Environmental Practice ◽  
Personal Experiences ◽  
The Us ◽  
Mother Earth

This article is based upon interviews dating from 1999 to 2010 with Mr. Albert Smith (Na'asho'ii dich'izhii), chronicling his personal experiences, motivation, purpose, and goal in serving in World War II as a code talker. He describes the iconic significance of his Navajo Code Talker uniform, and most importantly, how it symbolizes the Sacred Home/Land he worked to protect by serving in the US Marines during World War II. The article conveys firsthand information regarding indigenous environmental practice through warrior work, the role of spirituality in maintaining health, both in the field and upon return to home, and how Navajo worldview motivated his actions.

The World around Us

2021 ◽  
pp. 31-60
Author(s):  
M.I. Franklin
Keyword(s):  
United States ◽  
World War Ii ◽  
September 11 ◽  
John Cage ◽  
World War ◽  
The Us ◽  
The World ◽  
Singular Individual ◽  
The Cold War

Chapter 2 sets the compass through a work that seems to have little to say about sampling. 4’33” (four thirty-three) by John Cage is based on no (performed) sounds, no flashy pyrotechnics in its execution, nor reverence for the notion of music as a singular, individual creative act, or performance. The chapter considers Cage’s evocation of “silence” as the sampled material that is at stake in this iconic piece. I consider how silence, and silencing work in the context of censorship and social control given that the timeframe for the inception of 4’33” resonates with post-World War II, mid-twentieth-century United States during the Cold War. Engaging with this work can also tell us something about the role of censorship in public arts life half a century later, in the US shortly after the Al Qaeda attacks on September 11, 2001. As I argue, when regarded as a material of music, and thereby as a source from which to “sample” silence, 4’33”offers both a sonic and “sound-less” baseline for the four case studies to follow. “Silence” as rendered in Cage’s work, its wider connotations and evocation of the sensation of sound-filled stillness also serve as a signal for instances of domination, of how oppression can take place quietly, without fanfare. Considering silence as a geocultural, socio-musicological matter allows us a moment to retune our ears and minds by encountering the broader (in)audible domains through, and from which sampling practices take place.

8. World War II and the demise of the Great Writ

2021 ◽  
pp. 72-91
Author(s):  
Amanda L. Tyler
Keyword(s):  
World War Ii ◽  
Great Britain ◽  
Mass Incarceration ◽  
Japanese Americans ◽  
Habeas Corpus ◽  
World War ◽  
Winston Churchill ◽  
High Courts ◽  
The Us

This chapter explores the role of habeas corpus during World War II in the US and Great Britain. On the American side, the chapter details how suspension ruled in the Hawaiian Territory but the mass incarceration of Japanese Americans on the mainland followed in the absence of a suspension under Executive Order 9066. As the chapter details, this happened even though lawyers counselled President Franklin D. Roosevelt that doing so would violate the Suspension Clause. The chapter continues by contrasting the experience in Britain, where Prime Minister Winston Churchill led the push to retreat from its citizen detention program under Regulation 18B and restore a robust habeas privilege. The chapter also compares habeas decisions rendered by the high courts in both countries while asking larger questions about what can be learned from these events.

scholarly journals A Critical Analysis of the US Role in the World

2020 ◽  
Vol 1 (4) ◽  
pp. 355-360
Author(s):  
Dr. Muhammad Tariq ◽  
Amjad Ali Khan ◽  
Ejaz Khan
Keyword(s):  
World War Ii ◽  
Democratic Peace ◽  
Key Factors ◽  
World War ◽  
Post World War Ii ◽  
The Us ◽  
The World ◽  
Changing Role ◽  
Trump Administration

The US has played a significant role in the world particularly during the post-world War–II period. The changing role has been ascribed by some to the Trump administration while by others it has been attributed to the Obama administration. Democratic Peace Theory provides the basic theoretical framework for the study while four key factors of the US role have been elucidated. The focus of this paper is to investigate the role played by the US in the post-World War-II era to date coupled with the changing behavior of the US from time to time during different regimes. The main objectives of the paper include global leadership, defense, and promotion of liberal international order, freedom, democracy, and prevention of the emergence of hegemonic power. It is an important fact that the US has played the role of world hegemony, particularly in the post-World War-II era.

Boy on the Bridge

2019 ◽  
Author(s):  
Andrew Marble
Keyword(s):  
World War Ii ◽  
Parental Influence ◽  
Family Background ◽  
Clinton Administration ◽  
World War ◽  
Joint Chiefs Of Staff ◽  
Us Military ◽  
The Us ◽  
Nature Vs Nurture

John Shalikashvili: From Boy on the Bridge to Top American General tells the captivating tale of how John Shalikashvili, a penniless, stateless World War II refugee achieved the American dream by being appointed the thirteenth chairman of the Joint Chiefs of Staff, the highest-ranking officer in the US military, during the Clinton administration. Through a gripping narrative covering his wartime upbringing, aristocratic family background, parental influence, immigrant experience, and betrayals by loved ones—particularly by his high school girlfriend and by his father’s affiliation with the Waffen-SS, which came to light during Shalikashvili’s confirmation process—the biography explores the themes of nature vs. nurture and the role of agency vs. luck (i.e., the influence of his own actions vs. factors beyond his control) in determining Shalikashvili’s character, leadership abilities, and career success.

scholarly journals “Red Fascists”: anti-Nazi Germans under suspicion of the FBI

2019 ◽  
Vol 19 (4) ◽  
pp. 659-665
Author(s):  
Wanilton Dudek
Keyword(s):  
World War Ii ◽  
Los Angeles ◽  
The United States ◽  
Political Movements ◽  
American Continent ◽  
Federal Bureau ◽  
World War ◽  
Federal Bureau Of Investigation ◽  
The Us

Since the rise of Adolf Hitler in Germany in 1933, German opponents of Nazism had look for exile on the American continent, forming complex political movements across the American continent. The presence of the Free German Movement and the Council for the Democratic German in Los Angeles has alerted the US authorities, especially because of evidence of their links with communism and their relations with political movements in Latin America. The purpose of this paper is to analyze the role of the Federal Bureau of Investigation (FBI) in investigating German anti-Nazi exile groups in California and south of the United States border in the context of World War II.  

Correspondent

2021 ◽  
pp. 134-155
Author(s):  
Robert Volpicelli
Keyword(s):  
World War Ii ◽  
Public Speaking ◽  
Academic Institution ◽  
World War ◽  
Political Issues ◽  
The Us ◽  
The World ◽  
The University ◽  
Lecture Tour

Chapter 5 demonstrates how W. H. Auden’s public lecturing was deeply interconnected with his poetry writing during the World War II era. Important to this argument is the fact that Auden didn’t come to the US with the intention of conducting a lecture tour; instead, he arrived as a European émigré during the onset of World War II. Once in America, though, he started delivering lectures as a means of generating a secondary income. Taking these circumstances into account, this chapter examines how the outbreak of World War II informed Auden’s approach to public speaking. Through his work as a lecturer, the poet quickly assumed the role of a wartime correspondent. Yet his early lectures and addresses left him with deep ambivalence about how easily he could stir up the emotions of his audiences. This is an anxiety that compelled Auden to move to the university as a place of semi-detachment. The rest of this chapter thus goes on to trace how he used his poetry to develop a new mode of allegorical speech that still allowed him to address political issues from his new position within the postwar academic institution.

John Cranko's Antigone (1959): A Ballet Lost and Found

2015 ◽  
Vol 33 (1) ◽  
pp. 1-15
Author(s):  
Henrietta Bannerman
Keyword(s):  
World War Ii ◽  
Jean Racine ◽  
World War ◽  
Martha Graham ◽  
Detailed Consideration ◽  
Lost And Found ◽  
The Many ◽  
Tragic Drama ◽  
The Relationship

John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins’ Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasised its Sophoclean source but failed to recognise that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-known effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet – views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film.

The Unassailable Self: Freud's Image Among Post-war American Intellectuals

2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness
Keyword(s):  
World War Ii ◽  
Cold War ◽  
External Force ◽  
Sigmund Freud ◽  
Human Being ◽  
World War ◽  
The Us ◽  
Post War ◽  
The Cold War ◽  
The Way

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.

Painted Memories

2007 ◽  
Vol 7 (4) ◽  
pp. 26-29
Author(s):  
mayer kirshenblatt ◽  
barbara kirshenblatt-gimblett
Keyword(s):  
World War Ii ◽  
World War ◽  
Daily Diet ◽  
The Holocaust ◽  
Yom Kippur ◽  
Root Vegetables

Mayer Kirshenblatt remembers in words and paintings the daily diet of Jews in Poland before the Holocaust. Born in 1916 in Opatóów (Apt in Yiddish), a small Polish city, this self-taught artist describes and paints how women bought chickens from the peasants and brought them to the shoykhet (ritual slaughterer), where they plucked the feathers; the custom of shlogn kapores (transferring one's sins to a chicken) before Yom Kippur; and the role of herring and root vegetables in the diet, especially during the winter. Mayer describes how his family planted and harvested potatoes on leased land, stored them in a root cellar, and the variety of dishes prepared from this important staple, as well as how to make a kratsborsht or scratch borsht from the milt (semen sack) of a herring. In the course of a forty-year conversation with his daughter, Barbara Kirshenblatt-Gimblett, who also interviewed Mayer's mother, a picture emerges of the daily, weekly, seasonal, and holiday cuisine of Jews who lived in southeastern Poland before World War II.

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