8. World War II and the demise of the Great Writ

Author(s):  
Amanda L. Tyler

This chapter explores the role of habeas corpus during World War II in the US and Great Britain. On the American side, the chapter details how suspension ruled in the Hawaiian Territory but the mass incarceration of Japanese Americans on the mainland followed in the absence of a suspension under Executive Order 9066. As the chapter details, this happened even though lawyers counselled President Franklin D. Roosevelt that doing so would violate the Suspension Clause. The chapter continues by contrasting the experience in Britain, where Prime Minister Winston Churchill led the push to retreat from its citizen detention program under Regulation 18B and restore a robust habeas privilege. The chapter also compares habeas decisions rendered by the high courts in both countries while asking larger questions about what can be learned from these events.

Author(s):  
Amanda L. Tyler

The book concludes by celebrating aspects of the history of the writ of habeas corpus as a great writ of liberty, observing that the writ has served as a vehicle for securing the freedom of political prisoners and slaves and for the declaration of bedrock constitutional rights in criminal cases. But, the conclusion also notes, it is also the case that habeas corpus has sometimes fallen short, as the World War II mass incarceration of Japanese Americans reveals. Habeas, in other words, is sometimes only as effective as the politics of the time permit. Highlighting the challenges that lie ahead for the future of the storied writ, the conclusion suggests that we would do well to recall the period when the writ earned Blackstone’s praise as a “second magna carta,” for that history tells a story of a habeas writ that could bring even the King of England to his knees before the law.


2021 ◽  
pp. 31-60
Author(s):  
M.I. Franklin

Chapter 2 sets the compass through a work that seems to have little to say about sampling. 4’33” (four thirty-three) by John Cage is based on no (performed) sounds, no flashy pyrotechnics in its execution, nor reverence for the notion of music as a singular, individual creative act, or performance. The chapter considers Cage’s evocation of “silence” as the sampled material that is at stake in this iconic piece. I consider how silence, and silencing work in the context of censorship and social control given that the timeframe for the inception of 4’33” resonates with post-World War II, mid-twentieth-century United States during the Cold War. Engaging with this work can also tell us something about the role of censorship in public arts life half a century later, in the US shortly after the Al Qaeda attacks on September 11, 2001. As I argue, when regarded as a material of music, and thereby as a source from which to “sample” silence, 4’33”offers both a sonic and “sound-less” baseline for the four case studies to follow. “Silence” as rendered in Cage’s work, its wider connotations and evocation of the sensation of sound-filled stillness also serve as a signal for instances of domination, of how oppression can take place quietly, without fanfare. Considering silence as a geocultural, socio-musicological matter allows us a moment to retune our ears and minds by encountering the broader (in)audible domains through, and from which sampling practices take place.


2013 ◽  
Vol 37 (1) ◽  
pp. 105-124
Author(s):  
Annie Ross

This article is based upon interviews dating from 1999 to 2010 with Mr. Albert Smith (Na'asho'ii dich'izhii), chronicling his personal experiences, motivation, purpose, and goal in serving in World War II as a code talker. He describes the iconic significance of his Navajo Code Talker uniform, and most importantly, how it symbolizes the Sacred Home/Land he worked to protect by serving in the US Marines during World War II. The article conveys firsthand information regarding indigenous environmental practice through warrior work, the role of spirituality in maintaining health, both in the field and upon return to home, and how Navajo worldview motivated his actions.


Mundo Eslavo ◽  
2021 ◽  
Author(s):  
Mariia Shymchyshyn

The article deals with the English translations of Lesia Ukrainka’s works. The author considers the new approaches to translation that emerged after the Cultural turn in the last part of the 20th century. In particular, the attention has been paid to the issues of migration and translation, negation of the Eurocentric ideas about translation, and translation as a constituent part for the formation of migrant’s community. Considering the chronology of the translation of Lesia Ukrainka’s works into English, it is argued that as a rule they were done by the Ukrainian diaspora and published in the periodicals, financed by the Ukrainian communities in Great Britain, the USA, and Canada. The most intensive phase of the popularization of poetess’s works in English happened to be during the middle of the last century. This could be explained by the nature of the third wave of migration, which occurred after World War II. This wave brought the highly politicized people, who tried to oppose the Soviet regime. They used literature to oppose the Soviet appropriation of the Ukrainian cultural heritage. Besides the Ukrainian diaspora have utilized the native fictional discourse to maintain the boundaries and consciousness of their collectivity.


Author(s):  
Dr. Muhammad Tariq ◽  
Amjad Ali Khan ◽  
Ejaz Khan

The US has played a significant role in the world particularly during the post-world War–II period. The changing role has been ascribed by some to the Trump administration while by others it has been attributed to the Obama administration. Democratic Peace Theory provides the basic theoretical framework for the study while four key factors of the US role have been elucidated. The focus of this paper is to investigate the role played by the US in the post-World War-II era to date coupled with the changing behavior of the US from time to time during different regimes. The main objectives of the paper include global leadership, defense, and promotion of liberal international order, freedom, democracy, and prevention of the emergence of hegemonic power. It is an important fact that the US has played the role of world hegemony, particularly in the post-World War-II era.


Author(s):  
Andrew Marble

John Shalikashvili: From Boy on the Bridge to Top American General tells the captivating tale of how John Shalikashvili, a penniless, stateless World War II refugee achieved the American dream by being appointed the thirteenth chairman of the Joint Chiefs of Staff, the highest-ranking officer in the US military, during the Clinton administration. Through a gripping narrative covering his wartime upbringing, aristocratic family background, parental influence, immigrant experience, and betrayals by loved ones—particularly by his high school girlfriend and by his father’s affiliation with the Waffen-SS, which came to light during Shalikashvili’s confirmation process—the biography explores the themes of nature vs. nurture and the role of agency vs. luck (i.e., the influence of his own actions vs. factors beyond his control) in determining Shalikashvili’s character, leadership abilities, and career success.


2020 ◽  
Vol 12 (3) ◽  
pp. 45-84
Author(s):  
I. E. Magadeev

The paper examines how military and political leaders of the Soviet Union, the United States and Great Britain assessed in the first post-war years and in the face of emerging bipolar world order the lessons of World War II, how the latter influenced their strategic planning and forecasts with the emergence of nuclear weapons. The author outlines the key features of this period (1945–1949), including still fresh memories of the unprecedented destruction and losses of the past war, the US ‘nuclear monopoly’, and the absence of a system for nuclear deterrence. The paper provides a systematic comparison of lessons from the past war, learnt by the Soviet, the US and British establishment, identifies similarities and differences between them. The author concludes that WWII was perceived by the political and military leaders of that time as a model of the eventual ‘great war’ in the future, which almost certainly would be ‘total’ and ‘global’ in scope and would demand both thorough preparations during the peacetime and the militarization of civil life. Indeed, the experience of WWII had greatly influenced the strategic and operational planning in the USSR, the USA and Great Britain in 1945–1949. Moscow prepared to face the potential aggression on its Western borders or in the Far East in order to avoid the mistakes of 1941. In Washington the decisionmakers acknowledged the Soviet superiority in conventional weapons and didn’t exclude the possibility that the Soviet Army could quickly establish control over the Western Europe and that the US military would have to retake it in a ‘new Operation Overlord’. The pessimistic outlook of the ‘defense of the Rhine’ was also shared in London, and the British military planned to evacuate the troops to the British Isles (‘shadow of Dunkirk’) and to focus on strategic bombing of the USSR and its allies. Even the appearance of nuclear weapons, that would dramatically alter the strategic context in the following years, played a relatively minor role in 1945–1949. The author concludes that the shadow of World War II and its lessons had a long-lasting effect on the post-war international relations.


Genealogy ◽  
2018 ◽  
Vol 2 (3) ◽  
pp. 26
Author(s):  
Karen Suyemoto

This paper reflects on ways in which intergenerational familial experience of the Japanese American World War II mass incarceration may have differentially affected the ethnic and racial identity development of multiracial Sansei (third generation Japanese Americans). I begin with a brief review of the literature related to the effects of the camps on Nisei, integrating psychological understandings of racial and ethnic identity development, contextual history, and research on the psychological effects; I focus here on effects for Nisei that have been connected to their intergenerational interactions: distancing from Japanese American heritage and identity, silence about the camp experience, and the negotiation of racism and discrimination. I turn then to the primary focus of the paper: Using a combination of autoethnographical reflection, examples from qualitative interviews, and literature review, I engage in reflective exploration of two ways in which intergenerational effects of the camp experience influenced Sansei racial and ethnic identities that vary among monoracial and multiracial Sansei: familial transmission of Japanese American culture by Nisei to Sansei, and the intergenerational effects and transmission of racial discrimination and racial acceptance. I conclude with reflections on intergenerational healing within Japanese American families and communities, and reflections on the relation of these dynamics to current issues of racial justice more generally.


2015 ◽  
Vol 7 (2) ◽  
pp. 106-114
Author(s):  
Irina Anatolyevna Zvegintseva

Despite its remote location from the major theatre of operations, Australia participated in the war siding with the Anti-German Coalition from the outbreak of World War II up to its end. Naturally, this impacted upon economic, social and cultural life of the country. The war was broadly covered by the Australian filmmakers and took a significant place in Australian cinema. For Australia World War II began on September 3rd, 1939. A million of Australian men and women fought against Germany in 19391945. Talking of the war theme in the Australian cinema, one should firstly pay tribute to the memory of dozens of Australian cameramen sent to the World War front alongside with soldiers, who covered the events in the newsreels. As for feature filmmakers, they were not able to cover the war due to poor production funding. Only after resuscitation of the national filmmaking in 1970s Australian filmmakers got an opportunity of shooting a number of interesting films dedicated to the events that had taken place seventy years ago. The theme of World War II was covered in many films. A lot of the best national filmmakers paid tribute to it, ranging from Brendan Mahers Sisters of War (2010) with its unprecedented harsh and truthful depiction of the role of Australian women in the war, to Jonathan Teplitzkys The Railway Man (2013), based on the bestselling autobiography of Eric Lomax (co-produced with Great Britain). The relevance of this article and its innovative contribution comes down to proof, that, although the number of films dedicated to World War II is relatively limited, their quality is extremely high and noteworthy. Its also noteworthy, that Australian filmmakers have brought back in the viewers minds the heroism of their fathers and forefathers, thus paying tribute to the memory of those who saved the world from Nazism seventy years ago.


2019 ◽  
Vol 19 (4) ◽  
pp. 659-665
Author(s):  
Wanilton Dudek

Since the rise of Adolf Hitler in Germany in 1933, German opponents of Nazism had look for exile on the American continent, forming complex political movements across the American continent. The presence of the Free German Movement and the Council for the Democratic German in Los Angeles has alerted the US authorities, especially because of evidence of their links with communism and their relations with political movements in Latin America. The purpose of this paper is to analyze the role of the Federal Bureau of Investigation (FBI) in investigating German anti-Nazi exile groups in California and south of the United States border in the context of World War II.  


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