A Study on the Fomative Meaning of the Concept of Bricolage As a Hybrid Art -Focusing on British yBa Artist-

This article looks at Okui Enwezor’s theory of countering the art world’s “Westernisms” and his actualization of this theory in his organization of Documenta11 to mount an argument against the universalizing and Eurocentric conception of “global” art. It offers two examples of recent hybrid art/curatorial work in Los Angeles—the 2019 David Hammons show at Hauser and Wirth and the Crenshaw Dairy Mart’s arts activism—to argue for an extension of Enwezor’s model via activist and aesthetic interventions into specific sites and art spaces.

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Negotiating the hybrid: art, theory and genetic technologies

AI & Society ◽

10.1007/s00146-005-0005-6 ◽

2005 ◽

Vol 20 (1) ◽

pp. 49-62 ◽

Cited By ~ 1

Author(s):

Caroline Seck Langill

Keyword(s):

Art Theory ◽

Genetic Technologies ◽

Hybrid Art

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Mirror Brain: Picture and Experience

Leonardo ◽

10.1162/leon_a_00678 ◽

2014 ◽

Vol 47 (3) ◽

pp. 216-224

Author(s):

Elisabeth Weissensteiner ◽

Dorothea Brückner

Keyword(s):

Contemporary Work ◽

Hybrid Art ◽

The University

The installation Mirror Brain was developed by artist Elisabeth Weissensteiner and neurobiologist Dorothea Brückner at the University of Bremen, Germany, where it was launched. The installation, a contemporary work of hybrid art, establishes a philosophical play with viewers-turned-actors rather than an interpretation of neuroscience. Thus it provides a metaphor—a mirro—for the role of neurobiology in science and in art. Based on the project, this paper elaborates on how artistic and scientific depiction differ from each other.

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ARTISTIC CHALLENGES OF ALESSANDRO BARICCO - LITERATURE AND MUSIC

Facta Universitatis Series Visual Arts and Music ◽

10.22190/fuvam1901049p ◽

2019 ◽

pp. 049

Author(s):

Ljiljana Petrovic

Keyword(s):

Television Series ◽

Art Forms ◽

Theater Performances ◽

Hybrid Art

The theme of the paper is the multidisciplinary activities of the Italian writer Alessandro Baricco. Blending elements of literature and music Baricco is a music critic and creator of a television series that promotes not only opera, but also many hybrid art forms. They unite literature and music as well as special theater performances - Totem, public readings, rave readings, literature playlists. In these activities, the writer`s postmodern orientation and tendency towards performance are recognizable. The paper also points to the frequent discrepancies between the critics and the audience when it comes to the reception of his works, as well as the polarization of the critics themselves.

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INTEGRATION OF ART AND TECHNOLOGY: HYBRID ART APPLICATIONS

Idil Journal of Art and Language ◽

10.7816/idil-10-87-06 ◽

2021 ◽

Vol 10 (87) ◽

Keyword(s):

New Media ◽

Modern Art ◽

Design And Technology ◽

Art Integration ◽

Art And Technology ◽

Science Technology ◽

Art Practices ◽

The 1960S ◽

Hybrid Art ◽

Over Time

Today, hybrid art applications attract attention as the integration of science, technology, new media and design. These art practices started with Modernism at the beginning of the 20th century, with the search for some changes in the understanding of art based on knowledge and talent, and a more determined search was started, especially since the 1960s. Artists collaborated with experts from different disciplines, and although these collaborations did not lead to a complete change in modern art, they aroused interest as hybrid applications that combine different competencies; It has been described as a necessity of modernism's search for innovation. Over time, it has been seen as interdisciplinary combinations, applications that combine experimental and research-based art, design and technology. In this study, it is aimed to clarify the definition, scope and blurriness of hybrid art by examining the application and theoretical infrastructure of today's hybrid art practices in the historical process, which combines different disciplines and stands out in unlimited processes and environments. The works, which have been put forward by the meeting of technology and art from the 1960s to the present, have been examined with examples through the theoretical framework. Keywords: Hybrid art, integration, interdisciplinary art, art and technology, new media

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An Analysis of Artistic Diversity in Hybrid Art Practice among Malaysian Artists

Environment-Behaviour Proceedings Journal ◽

10.21834/ebpj.v5isi1.2307 ◽

2020 ◽

Vol 5 (SI1) ◽

pp. 99-105

Author(s):

Valerie Anak Michael ◽

Khairul Aidil Azlin Abd Rahman ◽

Shureen Faris Abdul Shukor ◽

Noor Azizi Mohd Ali

Keyword(s):

Principal Component Analysis ◽

Publishing House ◽

Hybrid Approach ◽

Principal Component ◽

Cluster Sampling ◽

Art Practice ◽

Media Diversity ◽

International Publishing ◽

Hybrid Art ◽

Open Access Article

This research objective is to analyze the artistic diversity in hybrid art practice among selected Malaysian artists. The paper examines the process of making hybrid artworks where focusing on media diversity and experiment activity. The researchers had used cluster sampling and twenty artists involved to answer the questionnaires. The researchers used bar graph and Principal Component Analysis to analyze the artistic diversity in Hybrid Art. The finding of media diversity shows that Malaysian artists are focusing on mixed media, strength and equipment. Besides, the artists are focusing on subject matter, experiment, influence and research for the finding of experiment activity. Keywords: Collaboration, experiment activity, media diversity, hybrid approach. eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI1.2307

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Art, Nature, and Culinary as Leverage of Village Branding at the Foot of the Mountain

Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni ◽

10.33153/dewaruci.v16i2.3620 ◽

2021 ◽

Vol 16 (2) ◽

pp. 67-74

Author(s):

Soerjo Wido Minarto ◽

Rully Aprilia Zandra ◽

Adzrool Idzwan Ismail

Keyword(s):

Development Research ◽

Mountain Communities ◽

Individual Interviews ◽

Tourist Destinations ◽

Government Documents ◽

Before And After ◽

Beach Tourism ◽

To Come ◽

Viable Approach ◽

Hybrid Art

Beach tourism and seaside settlements are perennially popular. Nature's potential as well as the coast's characteristic hybrid art may always entice visitors. The settlements at the foot of the mountain, on the other hand, have their own unique environmental, gastronomic, and cultural identities. Bedugul village (Indonesia), Albarracin village (Spain), Reine village (Norway), Wengen village (Switzerland), Panglipuran village (Indonesia), Hallstatt village (Austria), Patiangan village (Indonesia), and Ora village (Indonesia) are some of the names given to the villages in Indonesia (Greece). They're all mountain communities that have successfully marketed themselves as tourist destinations at the foot of the mountain. The goal of this research is to come up with a viable approach for village branding at the foot of the mountain. This study is a hybrid of action research and development research, with a focus on tourism village acceleration. The Benjor village residents, Benjor village administrators, and a sample of potential visitors were polled for information. The community around Benjor village, the Malang Regency community, and persons outside the Malang Regency were all surveyed for potential visitors. Individual interviews or focus groups, environmental observations, and archives of village office records and Malang Regency government documents were used to gather data. The purpose of this study is to understand the tourism village process before and after therapy. Mining potential excavation yields eleven environmental assets in the form of waterfalls, five culinary assets in the form of chilli sauce, grilled rice, and other similar dishes, and three cultural assets in the form of hadrah, jaranan, and dancing. The development research yielded seven goods that Benjor villagers found to be the most effective in terms of branding. For mountain slope communities, the greatest method is to combine branded items that showcase their artistic, natural, and gastronomic potential.

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Expressive AI: A Hybrid Art and Science Practice

Leonardo ◽

10.1162/002409401750184717 ◽

2001 ◽

Vol 34 (2) ◽

pp. 147-153 ◽

Cited By ~ 28

Author(s):

Michael Mateas

Keyword(s):

Cultural Production ◽

Research Practice ◽

Art Practice ◽

Science Practice ◽

Art And Science ◽

Hybrid Art

Expressive AI is a new interdiscipline of AI-based cultural production, combining art practice and AI-research practice. This article explores expressive AI by comparing it with other AI discourses, describing how it borrows notions of interpretation and authorship from both art and AI research practice and providing preliminary desiderata for the practice.

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A Study of Hybrid Art Practices Among the Artworks of Selected Malaysian Artists

INTERNATIONAL JOURNAL OF ART AND DESIGN ◽

10.24191/ijad.v5i2.2 ◽

2021 ◽

Vol 5 (2) ◽

pp. 13-23

Author(s):

◽

Khairul Aidil Azlin Abd Rahman ◽

Keyword(s):

Direct Observation ◽

Scientific Knowledge ◽

Modern Technology ◽

New Findings ◽

Art Practices ◽

Hybrid Art ◽

The Revolution

The revolution in art practices has led Malaysian artists to discover greater possibilities in art, especially in terms of media exploration. In this paper, the researchers conducted a study of hybrid art practices among the artworks of selected Malaysian artists. The research objective of this paper is to identify and trace, among the selected artworks, hybrid art practices as a way of creating hybrid artworks. The researchers applied direct observation and extracted the artists’ statements for documentation. The results show that most of the artworks applied modern technology and have an element of interaction with the audience. In addition, media exploration has expanded to technological and scientific knowledge. In conclusion, the diversity of media and the discipline have enabled artists to explore more media when producing creative artworks. These collaborations have expanded to produce new findings and allow new perspectives on disciplines in art.

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