scholarly journals INTEGRATION OF ART AND TECHNOLOGY: HYBRID ART APPLICATIONS

2021 ◽  
Vol 10 (87) ◽  
Keyword(s):  
New Media ◽  
Modern Art ◽  
Design And Technology ◽  
Art Integration ◽  
Art And Technology ◽  
Science Technology ◽  
Art Practices ◽  
The 1960S ◽  
Hybrid Art ◽  
Over Time

Today, hybrid art applications attract attention as the integration of science, technology, new media and design. These art practices started with Modernism at the beginning of the 20th century, with the search for some changes in the understanding of art based on knowledge and talent, and a more determined search was started, especially since the 1960s. Artists collaborated with experts from different disciplines, and although these collaborations did not lead to a complete change in modern art, they aroused interest as hybrid applications that combine different competencies; It has been described as a necessity of modernism's search for innovation. Over time, it has been seen as interdisciplinary combinations, applications that combine experimental and research-based art, design and technology. In this study, it is aimed to clarify the definition, scope and blurriness of hybrid art by examining the application and theoretical infrastructure of today's hybrid art practices in the historical process, which combines different disciplines and stands out in unlimited processes and environments. The works, which have been put forward by the meeting of technology and art from the 1960s to the present, have been examined with examples through the theoretical framework. Keywords: Hybrid art, integration, interdisciplinary art, art and technology, new media

Art, Science, Technology: Six Exhibitions 1966–1998

Leonardo ◽  
2019 ◽  
Vol 52 (2) ◽  
pp. 194-195
Author(s):  
Frank Popper
Keyword(s):  
New Media ◽  
Theoretical Foundation ◽  
Modern Art ◽  
Museum Of Modern Art ◽  
New Media Art ◽  
Art And Technology ◽  
Science Technology ◽  
The Spectator ◽  
The Aesthetic ◽  
The City

From the late 1960s until the end of the twentieth century, the author organized, or helped organize, six exhibitions throughout Europe that saw artists integrate and alter the collective destinies of science, art and technology. The works of art presented at these exhibitions: KunstLichtKunst at the Stedelijk Van Abbe Museum in Eindhoven; the Lumière et Mouvement exhibition at the Musée d’Art Moderne de la Ville de Paris; Cinétisme, Spectacle, Environnement, held at the Mobile theater of the Maison de la Culture in Grenoble; Interventions and Environments in the Streets of Paris and in Its Suburbs and Electra at the Museum of Modern Art of the City of Paris; and the Virtual Art show in Boulogne-Billancourt in 1998, did more than just lay a formal and theoretical foundation for new media art to follow—they challenged the perceptions of both the spectator of the art as well as other artists working in this area. This article chronicles the aesthetic and societal ramifications, particularly within the artistic community, that the works in these exhibitions created.

Artistic Research on Life Forms: Exploring the Intersections of Science, Art and Life in the Context of Globalization

Leonardo ◽  
2008 ◽  
Vol 41 (5) ◽  
pp. 468-477 ◽  
Author(s):  
Mojca Puncer
Keyword(s):  
New Media ◽  
Complex Structure ◽  
Life Forms ◽  
The Political ◽  
Science Technology ◽  
Critical Commentary ◽  
The Social ◽  
Art Practices ◽  
The Aesthetic ◽  
Everyday Reality

Contemporary art practices are characterized by the transformation of completed or finalized objects into open works, fluid spatial situations and relations in the social field. Art processes raise the question: Can the complex structure of artworks provide an analogy and methodology that art researchers can use to co-design our culture from anthropological, philosophical, aesthetic and sociopolitical perspectives? This paper addresses this question through an examination of the artistic use of, and critical commentary on, media and available technologies, and of the artistic treatment of life forms found in the work of the younger generation of Slovenian artists (Tratnik, Berlot, Peljhan, Lovšin and others). The strategies these artists employ in their projects significantly strengthen the case for a re-articulation of the aesthetic, the ethical and the political, through a transition in various territories: art, (biotechnological) science, technology, new media and everyday reality.

scholarly journals Autonomous Art Systems: an introduction

Media-N ◽  
2019 ◽  
Vol 15 (1) ◽  
pp. 1-2
Author(s):  
Nick Bontrager ◽  
Adam Fung
Keyword(s):  
New Media ◽  
Autonomous Vehicles ◽  
Emerging Technologies ◽  
Historical Analysis ◽  
Studio Art ◽  
Art And Technology ◽  
Fields Of Study ◽  
Art Practices

Media-N, the Journal of the New Media Caucus, invited submissions for this issue about the use of Autonomous Art Systems, tethered and untethered systems of making, autonomous vehicles, and related programming in creative fields of study. Relevant subjects included: artworks that address concepts of drones or surveillance as subject or form; the influence of emerging technologies on studio art practices; or critical/historical analysis of the entanglement of art and technology.

Beyond the cinematic: Reinventing Chinese martial arts through new media art practices

2019 ◽  
Vol 6 (2) ◽  
pp. 367-391
Author(s):  
Wayne Wong
Keyword(s):  
New Media ◽  
Martial Arts ◽  
Media Art ◽  
Kung Fu ◽  
New Media Art ◽  
Martial Art ◽  
Art Form ◽  
Art Practices ◽  
The 1960S ◽  
Martial Arts Cinema

Abstract This article argues that the reinvention of Chinese martial arts through new media art practices reveals new aesthetic potentialities not readily available in the conventional cinematic medium. While martial arts cinema has captivated the global audience with visual and visceral excitements, most notably through the new-style wuxia films of the 1960s and the kung fu craze of the 1970s, it focuses on representational strategies characteristic of imaginative irreversibility and passive immersivity. The former refers to the rigid segregation of reality and fantasy that discourages the possibility of reversal, whereas the latter describes the immersive wuxia and kung fu spectacles as a disembodied experience, contrary to the core of martial arts learning and practice. To address the above issues, martial arts-inspired new media artworks, such as susuan pui san lok's RoCH Fans & Legends (2015) and Jeffery Shaw, Sarah Kenderdine and Hing Chao's Lingnan Hung Kuen Across the Century (2017), look for alternative approaches to represent martial arts imaginations for the goals of preserving an intangible cultural heritage and promoting an intellectual reflexivity. In so doing, not only do the new media artworks help to reposition Chinese martial arts as an everyday art form via conventional art spaces worldwide through the transnational and transregional flow of cinema, but they also establish the subtle connection between traditional martial art and contemporary art in the context of globalization.

Mod Pop Methods

2015 ◽  
Vol 1 (1) ◽  
pp. 64-88
Author(s):  
Quinlan Miller
Keyword(s):  
New Media ◽  
Real Life ◽  
Trans Content ◽  
Popular Entertainment ◽  
Television Industry ◽  
Production Studies ◽  
Feminist Media Studies ◽  
The Everyday ◽  
The 1960S ◽  
Gender Regulation

This article reconstructs queer popular culture as a way of exploring media production studies as a trans history project. It argues that queer and trans insights into gender are indispensible to feminist media studies. The article looks at The Ugliest Girl in Town series (ABC, 1968–69), a satire amplifying a purported real-life fad in flat chests, short haircuts, and mod wigs, to restore texture to the everyday landscape of popular entertainment. Approaching camp as a genderqueer practice, the article presents the program as one of many indications of simultaneously queer and trans representation in the new media moment of the late 1960s. Behind-the-scenes visions of excavated archival research inform an analysis of the series as a feminist text over and against its trans misogyny, which evaluates and ranks women based on their looks, bodies, and appearance while excessively sexualizing and even more stringently appraising, policing, and punishing trans women, women perceived to be trans, and oppositional forms of femininity. The program captures both the means of gender regulation and detachment from it, the experience of gender embodiment, and the promise of presenting and being perceived as many genders. Ugly is an awful word in the way it is usually wielded, but it can be reclaimed. Examining this rarely cited and often misconstrued Screen Gems series helps to demonstrate a more equitable distribution of creative credit for queer trans content across the television industry and the subcultures it commodified in the 1960s.

Indigenous higher education sector: the evolution of recognised Indigenous Leaders within Australian Universities

2020 ◽  
pp. 1-7 ◽  
Author(s):  
Stacey Kim Coates ◽  
Michelle Trudgett ◽  
Susan Page
Keyword(s):  
Higher Education ◽  
Indigenous Education ◽  
Indigenous Australians ◽  
Access To Higher Education ◽  
Public Schooling ◽  
Indigenous Students ◽  
Early Experiences ◽  
Commonwealth Government ◽  
The 1960S ◽  
Over Time

Abstract There is clear evidence that Indigenous education has changed considerably over time. Indigenous Australians' early experiences of ‘colonialised education’ included missionary schools, segregated and mixed public schooling, total exclusion and ‘modified curriculum’ specifically for Indigenous students which focused on teaching manual labour skills (as opposed to literacy and numeracy skills). The historical inequalities left a legacy of educational disparity between Indigenous and non-Indigenous Australians. Following activist movements in the 1960s, the Commonwealth Government initiated a number of reviews and forged new policy directions with the aim of achieving parity of participation and outcomes in higher education between Indigenous and non-Indigenous Australians. Further reviews in the 1980s through to the new millennium produced recommendations specifically calling for Indigenous Australians to be given equality of access to higher education; for Indigenous Australians to be employed in higher education settings; and to be included in decisions regarding higher education. This paper aims to examine the evolution of Indigenous leaders in higher education from the period when we entered the space through to now. In doing so, it will examine the key documents to explore how the landscape has changed over time, eventually leading to a number of formal reviews, culminating in the Universities Australia 2017–2020 Indigenous Strategy (Universities Australia, 2017).

scholarly journals INTERDISCIPLINARY ART PRACTICES IN INDIA

2016 ◽  
Vol 4 (8) ◽  
pp. 168-175
Author(s):  
Rafi Saba ◽  
Furqan Ahmad
Keyword(s):  
Information Technology ◽  
Science Technology ◽  
Art Practices ◽  
Recent Developments ◽  
Almost All ◽  
Changing World

Today in this fastest changing world of science, technology, inventions and information technology, every field is connected to one another in some way. Science technology and innovations are affecting almost all the facets of life and disciplines of knowledge hence art is not the exception. Today art is not limited to the paint and canvases instead it has different aspects. This study was conducted, referring to the changes in the art practices and examines some recent developments in contemporary Indian Arts. Interdisciplinary means combining, connecting or involving two or more academic, scientific, or artistic disciplines. It represents the fusion of two or more professions, technologies, departments, or the like.

scholarly journals Social Class Origin and Assortative Mating in Britain, 1949–2010

Sociology ◽  
2017 ◽  
Vol 52 (6) ◽  
pp. 1217-1236 ◽  
Author(s):  
Ursula Henz ◽  
Colin Mills
Keyword(s):  
Social Class ◽  
Assortative Mating ◽  
Class Mobility ◽  
The Social ◽  
Class Origin ◽  
To Come ◽  
Similar Class ◽  
The 1960S ◽  
Level Aspect ◽  
Over Time

This article examines trends in assortative mating in Britain over the last 60 years. Assortative mating is the tendency for like to form a conjugal partnership with like. Our focus is on the association between the social class origins of the partners. The propensity towards assortative mating is taken as an index of the openness of society which we regard as a macro level aspect of social inequality. There is some evidence that the propensity for partners to come from similar class backgrounds declined during the 1960s. Thereafter, there was a period of 40 years of remarkable stability during which the propensity towards assortative mating fluctuated trendlessly within quite narrow limits. This picture of stability over time in social openness parallels the well-established facts about intergenerational social class mobility in Britain.

Psytrance Influences on Touchless Interactive Experiences

2015 ◽  
pp. 146-169 ◽  
Author(s):  
Paulo César Teles ◽  
Aidan Boyle
Keyword(s):  
New Media ◽  
Electronic Music ◽  
Body Movement ◽  
Technological Equipment ◽  
Human Being ◽  
New Media Art ◽  
Art And Technology ◽  
Innovative Behaviour ◽  
And Control

In the fields of new media, art, and technology, we live and evolve together with multimedia interactivedigital technology. This symbiosis has made it possible to develop novel works that dialogue with theexploratory nature of the human being when confronted with unfamiliar technological equipment. The electronic music scenario brought us some elements that inspired and provoked us in this quest. The Psytrance style in particular made us realize that once a minimal simple harmony was supported by a solid rhythm, the audience could interact and control many of the sound clusters available, solely with their body movement. In this chapter we report experimental results and analysis, which point towards an approach for composing electronic music through the distinct and innovative behaviour of the participants, turning them into real performers, as well as transforming the role of the DJ/VJ by engaging them in a two-way dialogue with their audience.

“The Leaver” and “The Left”

2021 ◽  
pp. 288-306
Author(s):  
Nathan John Rodriguez
Keyword(s):  
New Media ◽  
Head Coach ◽  
Sports Fans ◽  
Parasocial Relationships ◽  
Reader Responses ◽  
Parasocial Relationship ◽  
Group Member ◽  
Over Time ◽  
Ebb And Flow

The study of parasocial relationships has surged in recent years, as fans use new media to access even more information about various media personae. Most work involving sports fans has examined behavior at a particular time rather than over time. This article investigates how Kansas basketball fans reacted to the departure of former head coach Roy Williams over a period of nine years. Opinions were culled from reader responses to articles mentioning Williams on KUsports.com. Each comment was analyzed thematically and then coded by an expressed grief state using the Kubler-Ross (1969) model. The notion of parasocial divorce is introduced to describe the depth of parasocial relationships for highly motivated fans. The findings reveal an ebb and flow of affection and antipathy toward Williams over time. Results demonstrate how quickly fans may grow to loathe a former group member, but also how rapidly and under what conditions that parasocial relationship may be repaired.

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