Introduction to Part 2

2020 ◽  
pp. 143-146
Author(s):  
Jordan D. Rosenblum
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
York City ◽  
European Countries ◽  
Jewish Communities ◽  
Jewish Immigrants

There is no singular culinary category of “Jewish food.” As discussed in the introduction to this volume, different Jewish communities in different times and places developed culinary preferences and styles, but these do not coalesce into a universal culinary category. In general, Jewish communities adopted local cuisines and tweaked them to accord with kosher laws. However, there are exceptions. For example, in New York City in the twentieth century, Jewish immigrants from various European countries swapped recipes and developed the menu of the “Jewish deli.”...

scholarly journals Nueva York 1916. La ciudad sin límites | New York 1916. Unlimited city

ZARCH ◽  
2017 ◽  
pp. 90
Author(s):  
José Durán Fernández
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Urban Planning ◽  
20Th Century ◽  
Urban Space ◽  
York City ◽  
Planning System ◽  
Siglo Xx ◽  
The City

La Ciudad de Nueva York fue pionera en la aplicación de un sistema de planificación de control urbano que pusiera orden y concierto a una ciudad que rebasa los 5 millones de habitantes a principios del siglo XX. Tal complejo organismo urbano, inédito hasta ese momento, fue objeto del más ambicioso plan urbano sobre una ciudad construida.Este artículo se destina al estudio de este originario plan urbano de 1916, el cual sentaría las bases, unas ciertamente visionarias otras excesivas, de la construcción de la Ciudad de Nueva York en todo el siglo XX. La Building Zone Resolution se creó con dos fines: resolver los problemas de congestión humana en un espacio reducido, la ciudad del presente, y proponer una visión del espacio urbano en las décadas venideras, la ciudad del futuro.El artículo es un compendio de diez textos cortos y un epílogo, que junto a sus respectivos diez documentos gráficos, construyen el corpus de la investigación. El lector pues se enfrenta a un ensayo gráfico formado por pequeños capítulos que le sumergirán en los orígenes de la primera ciudad vertical de la historia.PALABRAS CLAVE: Nueva York; Planeamiento; Visión urbana.The city of New York was a pioneer in the implementation of an urban control planning system that set in order a city that exceeds five million people in the early twentieth century. Such complex urban organism – invaluable until that moment – was the target for the most ambitious urban planning on a built city.This paper focuses on the study of this initial urban planning from 1916, which would set the basis, certainly some visionary yet others excessive, for the building of New York City throughout the 20th century. The Building Zone Resolution was created with two purposes: to solve the issues related to the human bundle in a limited space, the city of the present, and to aim a vision of the urban space in the forthcoming decades, the city of the future.The article is a compendium of ten short texts and one epilogue, which in combination with ten graphic documents, frame the corpus of this investigation. Thus, the reader will face a graphic essay composed by a series of brief chapters that highlight the beginning of the first vertical city in history.KEYWORDS: New York; Planning; Urban vision.

Trial by Jury: An Alternative Form of Theatrical Censorship in New York, 1921–1925

1985 ◽  
Vol 26 (1) ◽  
pp. 47-61 ◽  
Author(s):  
David K. Rod
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
York City ◽  
Alternative Form ◽  
American Theatre ◽  
Jury System ◽  
Legal Controls ◽  
Public Concerns

Between 1921 and 1925, an experimental form of nongovernmental censorship of the theatre was developed and practiced in New York City. Referred to variously as volunteer juries, citizens' juries, or the play-jury system, the experiment attempted to overcome the shortcomings of existing legal controls on the theatre and to relieve public concerns about the exploitation of sexually suggestive and obscene materials in stage plays. Although the play-jury system was short-lived, a review of its brief career reveals significant accomplishments and can provide a clearer picture of some of the issues confronting the American theatre in the first part of the twentieth century.

A Hotel of Her Own: Building by and for the New Woman, 1900-1930

2018 ◽  
Vol 45 (3) ◽  
pp. 517-541
Author(s):  
Nikki Mandell
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Real Estate ◽  
York City ◽  
Urban Landscape ◽  
Upper Class ◽  
Economic Role ◽  
The New Woman ◽  
A Site

This article examines the little-known phenomenon of apartment hotels built for single middle- and upper-class women during the early decades of the twentieth century. Focusing on New York City, where the first and most influential of these residences opened, this study argues that upscale women’s apartment hotels severed the Victorian equivalency between home and family, and reconfigured home as a site of women’s independence and self-fulfillment. They also helped redefine women’s economic role; rather than engaging elite women as consumers of household goods, apartment hotels engaged them as consumers of housing and as real-estate developers. As women’s apartment hotels moved from amusing experiment to markers of twentieth-century modernity, they etched the New Woman’s individuality, ambitions, sexuality, and civic engagement into the urban landscape.

“Culture Morphology” and Cultural History in Berenice Abbott's Changing New York

Prospects ◽  
1984 ◽  
Vol 9 ◽  
pp. 255-291
Author(s):  
John Raeburn
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Cultural History ◽  
York City ◽  
Farm Security Administration ◽  
Culture Morphology ◽  
Federal Arts Project

Berenice abbott's photographs of New York City in the 1930s, made under the aegis of the Federal Arts Project of the WPA, have never enjoyed the acclaim that the work of photographers for the Farm Security Administration (FSA) received from the 1930s onward, despite the fact that her work is at least the equal of theirs in both aesthetic and documentary interest. Her photographs have not exactly been neglected — she is dutifully mentioned in most histories of twentieth-century photography — but neither have they been seen as at least equally central to our understanding of the culture of 1930s America as the work of Rothstein, Mydans, Lee, and even Lange and Evans. Changing New York (1939), a collection of nearly 100 of her photographs taken between 1935 and 1938, is a major document of the Depression, one that has heretofore been slighted in evaluations of the decade's achievements.

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