Trial by Jury: An Alternative Form of Theatrical Censorship in New York, 1921–1925

1985 ◽  
Vol 26 (1) ◽  
pp. 47-61 ◽  
Author(s):  
David K. Rod
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
York City ◽  
Alternative Form ◽  
American Theatre ◽  
Jury System ◽  
Legal Controls ◽  
Public Concerns

Between 1921 and 1925, an experimental form of nongovernmental censorship of the theatre was developed and practiced in New York City. Referred to variously as volunteer juries, citizens' juries, or the play-jury system, the experiment attempted to overcome the shortcomings of existing legal controls on the theatre and to relieve public concerns about the exploitation of sexually suggestive and obscene materials in stage plays. Although the play-jury system was short-lived, a review of its brief career reveals significant accomplishments and can provide a clearer picture of some of the issues confronting the American theatre in the first part of the twentieth century.

The Folies Bergère in New York City in 1911

1983 ◽  
Vol 8 (2) ◽  
pp. 146-156
Author(s):  
James S. Moy
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Twentieth Century ◽  
New York City ◽  
York City ◽  
Late Nineteenth Century ◽  
Going Public ◽  
American Theatre ◽  
Late Nineteenth ◽  
Night Club

Nineteenth century American theatre managers generally sought to attract mass audiences. Toward this end they usually featured variety, novelty, and the spectacular in attempts to provide a little something for everyone on each evening's program. By the end of the century many managers had begun to alter this policy, choosing instead to offer entertainments which appealed to only a particular segment of the theatre-going public. Accordingly, the late nineteenth century and the beginning of the twentieth century brought the development of many distinct strains of theatrical entertainment like vaudeville, the circus, the Little Theatre movement, and the beginnings of the night-club industry.

Channelling the dead: A conversation on Desdemona with Tina Benko

2020 ◽  
Vol 13 (3) ◽  
pp. 305-318 ◽  
Author(s):  
Valentina Rapetti
Keyword(s):  
New York ◽  
New York City ◽  
African American ◽  
Toni Morrison ◽  
York City ◽  
Nobel Laureate ◽  
Cross Cultural ◽  
American Theatre ◽  
Broad Variety ◽  
Character Building

Tina Benko is an American stage, screen and television actress who has steadily trodden the Broadway boards for twenty years while starring in films and TV series and teaching acting and movement in New York City. An intensely focused and versatile performer, Benko has played in a broad variety of genres, ranging from screwball and Shakespearean comedies to realistic Russian, Scandinavian and American plays. In this interview, she discusses the factors that attracted her to drama and theatre, her acting training and approach to character-building, and theatre as a space for healing and reconciliation as she experienced it while working in Desdemona (2012), a cross-cultural theatre adaptation of William Shakespeare’s Othello staged by American theatre and opera director Peter Sellars, with texts by African American Nobel Laureate Toni Morrison, and music and lyrics by Malian singer-songwriter Rokia Traoré.

scholarly journals Nueva York 1916. La ciudad sin límites | New York 1916. Unlimited city

ZARCH ◽  
2017 ◽  
pp. 90
Author(s):  
José Durán Fernández
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Urban Planning ◽  
20Th Century ◽  
Urban Space ◽  
York City ◽  
Planning System ◽  
Siglo Xx ◽  
The City

La Ciudad de Nueva York fue pionera en la aplicación de un sistema de planificación de control urbano que pusiera orden y concierto a una ciudad que rebasa los 5 millones de habitantes a principios del siglo XX. Tal complejo organismo urbano, inédito hasta ese momento, fue objeto del más ambicioso plan urbano sobre una ciudad construida.Este artículo se destina al estudio de este originario plan urbano de 1916, el cual sentaría las bases, unas ciertamente visionarias otras excesivas, de la construcción de la Ciudad de Nueva York en todo el siglo XX. La Building Zone Resolution se creó con dos fines: resolver los problemas de congestión humana en un espacio reducido, la ciudad del presente, y proponer una visión del espacio urbano en las décadas venideras, la ciudad del futuro.El artículo es un compendio de diez textos cortos y un epílogo, que junto a sus respectivos diez documentos gráficos, construyen el corpus de la investigación. El lector pues se enfrenta a un ensayo gráfico formado por pequeños capítulos que le sumergirán en los orígenes de la primera ciudad vertical de la historia.PALABRAS CLAVE: Nueva York; Planeamiento; Visión urbana.The city of New York was a pioneer in the implementation of an urban control planning system that set in order a city that exceeds five million people in the early twentieth century. Such complex urban organism – invaluable until that moment – was the target for the most ambitious urban planning on a built city.This paper focuses on the study of this initial urban planning from 1916, which would set the basis, certainly some visionary yet others excessive, for the building of New York City throughout the 20th century. The Building Zone Resolution was created with two purposes: to solve the issues related to the human bundle in a limited space, the city of the present, and to aim a vision of the urban space in the forthcoming decades, the city of the future.The article is a compendium of ten short texts and one epilogue, which in combination with ten graphic documents, frame the corpus of this investigation. Thus, the reader will face a graphic essay composed by a series of brief chapters that highlight the beginning of the first vertical city in history.KEYWORDS: New York; Planning; Urban vision.

Box office, U.S.A., 1864–1870: Regional Profiles

1967 ◽  
Vol 8 (2) ◽  
pp. 112-126
Author(s):  
Eugene K. Bristow ◽  
William R. Reardon
Keyword(s):  
New York ◽  
New York City ◽  
York City ◽  
Stock Company ◽  
American Theatre ◽  
Box Office ◽  
Central Concentration

Paralleling in time, though not in power, the national expansion and concentration in finance, transportation, and manufacturing, the American theatre entered the 1860's as primarily a stock-company operation, but emerged from the decade as a traveling theatre with a central concentration in New York City. Circuits and booking agencies organized by managers and producers during the seventies and eighties led eventually to the virtual monopoly of the American theatre established by the Theatrical Syndicate in 1896.

A Hotel of Her Own: Building by and for the New Woman, 1900-1930

2018 ◽  
Vol 45 (3) ◽  
pp. 517-541
Author(s):  
Nikki Mandell
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Real Estate ◽  
York City ◽  
Urban Landscape ◽  
Upper Class ◽  
Economic Role ◽  
The New Woman ◽  
A Site

This article examines the little-known phenomenon of apartment hotels built for single middle- and upper-class women during the early decades of the twentieth century. Focusing on New York City, where the first and most influential of these residences opened, this study argues that upscale women’s apartment hotels severed the Victorian equivalency between home and family, and reconfigured home as a site of women’s independence and self-fulfillment. They also helped redefine women’s economic role; rather than engaging elite women as consumers of household goods, apartment hotels engaged them as consumers of housing and as real-estate developers. As women’s apartment hotels moved from amusing experiment to markers of twentieth-century modernity, they etched the New Woman’s individuality, ambitions, sexuality, and civic engagement into the urban landscape.

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