scholarly journals Ofiara zwierzęca w obrzędowości starożytnych Rzymian: rekonstrukcja rytuału ofiarnego w świetle antycznych świadectw literackich

2021 ◽  
pp. 53-73
Author(s):  
Idaliana Kaczor

Religious ceremonies in ancient Rome, foundational for its cult, made manifest the communal piety by the means of sacrificial rites. Adopting a formalist religious approach, the Romans carefully regulated the sacrificial process (sacrificium). Partially preserved literary sources in theory allow one to reconstruct the sequence of acts comprising a Roman sacrificial rite, with the following article employing said sources to propose a template for a Roman animal sacrifice ritual.

2020 ◽  
pp. 14-27
Author(s):  
Joseph Howley

The history of reading in antiquity is wholly dependent on literary sources that must be read with care; one misinterpreted passage can enable an entire misguided history. This is the case with Augustine’s account of Ambrose reading silently, and the tenacious misapprehension that such reading was impossible in antiquity. Another reading of the passage points not to reading’s physical mechanics but to its psychological unknowability, and the distance that reading creates between subjects whether in the same room or at a historical distance. This should prompt us to consider other unknowable or invisible aspects of ancient Roman reading, like its dependence on enslaved labor, ubiquitous but almost never described. The unknowability of ancient reading invites us to consider its cultural idiosyncrasy; that idiosyncrasy, in turn, provides exciting new points of contact with our current age of digital reading.


1981 ◽  
Vol 40 (4) ◽  
pp. 271-278 ◽  
Author(s):  
P. Gregory Warden

The Domus Aurea was built by Nero after the fire of 64 A. D., and construction continued at least until Nero's death in 68. Although the building is described by Roman writers, none of the remains identified today as the Domus Aurea are mentioned in the literary sources. Previous scholarship, basing itself on literary sources and other Roman monuments, has shown that the Domus Aurea was a landscape park in which the architectural components were subordinated to a greater landscape design, but problems still remain with regard to topographical questions. The Domus Aurea is normally reconstructed as vast in scale, covering up to 80 hectares or a large part of ancient Rome. It is suggested here that the monument covered a much smaller area, perhaps only half that normally reconstructed. Problems of chronology are also discussed, particularly the question of what happened to the building after the death of Nero. It is suggested that the Esquiline wing, the best known of the buildings presently identified as the Domus Aurea, is only partially Neronian, and that its eastern section is Flavian in date. This revision affects our view of the development of Roman architecture and assigns less importance to the role played by Neronian architects in the "concrete revolution" of the 1st century A. D.


2020 ◽  
Vol 56 ◽  
pp. 281-296
Author(s):  
Bar Leshem

The Greek myth of Niobe was known in the ancient world both by literary sources and visual representations. Both in Ancient Greece and in Ancient Rome, the myth was represented, alongside a variety forms of art, in funerary art, but in a different manner during each period of time. In Ancient Greece, the myth was represented on Apulian and South Italian vases, portraying the finale scene of the myth: Niobe’s petrification. In Ancient Rome, a shift is visible: the portrayal of the scene of the killing of Niobe’s children on sarcophagi reliefs. The aim of this paper is to follow the iconography of each culture and to understand the reason for the shift in representation, while comparing the two main media forms.


2006 ◽  
Vol 175 (4S) ◽  
pp. 309-309
Author(s):  
Jennifer R. Hill
Keyword(s):  

Author(s):  
Alistair Fox

This book investigates the coming-of-age genre as a significant phenomenon in New Zealand’s national cinema, tracing its development from the 1970s to the present day. A preliminary chapter identifies the characteristics of the coming-of-age film as a genre, tracing its evolution and the influence of the French New Wave and European Art Cinema, and speculating on the role of the genre in the output of national cinemas. Through case studies of fifteen significant films, including The God Boy, Sleeping Dogs, The Scarecrow, Vigil, Mauri, An Angel at My Table, Heavenly Creatures, Once Were Warriors, Rain, Whale Rider, In My Father’s Den, 50 Ways of Saying Fabulous, Boy, Mahana, and Hunt for the Wilderpeople, subsequent chapters examine thematic preoccupations of filmmakers such as the impact of repressive belief systems and social codes, the experience of cultural dislocation, the expression of a Māori perspective through an indigenous “Fourth Cinema,” bicultural relationships, and issues of sexual identity, arguing that these films provide a unique insight into the cultural formation of New Zealanders. Given that the majority of films are adaptations of literary sources, the book also explores the dialogue each film conducts with the nation’s literature, showing how the time frame of each film is updated in a way that allows these films to be considered as a register of important cultural shifts that have occurred as New Zealanders have sought to discover their emerging national identity.


2020 ◽  
Vol 2 (3) ◽  
pp. 8-28
Author(s):  
Susan Milbrath

Analysis of the iconography in a directional almanac on Codex Borgia pages 49–52 invites comparison with almanacs in a related set of divinatory manuscripts known as the Borgia Group, but one aspect of the Codex Borgia almanac remains unique. It records real-time dates employing the central Mexican system of year dates that help identify the images as year-end rituals. These fifteenth-century dates correlate with the last twenty-day “month” in the year, known as Izcalli in the Valley of Mexico and neighboring Tlaxcala. Izcalli rituals in February involved drilling a new fire, the erection of sacred trees, and animal sacrifice, all of which appear on Borgia 49–52. During Izcalli, human sacrifice was performed only every fourth year, a pattern like that seen in the Codex Borgia and the Codex Cospi, where death imagery and decapitated humans appear prominently on the fourth year-bearer page, associated with the southern direction. Borgia Group codices also depict trees and birds representing the four cardinal directions. These are most prominent on Codex Fejérváry-Mayer page 1 in a cosmogram representing two different calendar formats, like those seen in the Borgia almanac. The 5 × 52-day format was used to measure the solar year and Venus cycle, and a second set of day signs appears in a 4 × 65-day pattern useful in calculating the fifty-two-year cycle and the Venus cycle. This provides a subtext for understanding the dates represented on Borgia 49–52 and the extension of the almanac on page 53, where the Venus almanac begins.


2016 ◽  
Vol 3 (3) ◽  
pp. 48-53 ◽  
Author(s):  
G. Chobotko ◽  
L. Raychuk ◽  
I. McDonald

The aim of the article was to defi ne the role of the radioactive environment contamination in the formation of ecosystem services strategy. Methods. Monographic, systemic and structural, factor analysis, abstract and logical research methods have been used. The data from the State Statistics Service of Ukraine, the Ministry of Agrarian Policy and Food of Ukraine, the Ministry of Ecology and Natural Resources of Ukraine, materials of scientifi c researches, international materials and reports and other literary sources on the issues investigated have been used as an information base. Results. Retrospective analysis of sources and state of radioactive eco- systems contamination was conducted and the priority steps in developing the concept of ecosystem services in conditions of radiation contamination were found. Conclusions. The current socio-ecological paradigm of the transition from environmental use to environmental management should be refl ected in the relevant envi- ronmental management mechanisms. Currently, when assessing the state of ecosystem services in Ukraine and worldwide one must take into account the changes in food demand of residents of radioactively contaminated areas, the exploitation of radioactively safe ecosystems growth, their overload and degradation. All of this re- quires an inventory of ecosystem services by type, region, consumers, etc. and the formation of a state register of ecosystem services with a clear assignment of area of responsibility for appropriate natural ecosystems. This will help to make the economic evaluation of different ecosystem services and mechanisms of charges for ecosystem services.


2020 ◽  
Vol 62 (1-2) ◽  
pp. 7-21
Author(s):  
M. Dudáš ◽  
P. Eliáš jun. ◽  
D. R. Letz ◽  
Z. Bártová ◽  
V. Kolarčik

The distribution of Sonchus palustris in Slovakia was studied using herbarium specimens and literary sources. The herbarium studies, supplemented with targeted field search in the years 2015–2018, revealed 61 new localities and confirmed many other older locations. The species has been recorded in 19 phytogeographical districts and sub-districts of Slovakia. Most of the records are concentrated in the Podunajská nížina lowland in SW Slovakia and in the Ipel'sko-rimavská brázda region in southern Slovakia. Our results showed that the species is relatively common in different types of wetlands and its re-evaluation in the recent version of the Slovak red list is not needed. Chromosome number data for two new populations in eastern Slovakia (both 2n = 18) were counted. The distribution map is given.


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