In Ancient Rome

2020 ◽  
pp. 14-27
Author(s):  
Joseph Howley
Keyword(s):  
Ancient Rome ◽  
History Of Reading ◽  
Digital Reading ◽  
Literary Sources ◽  
History Of ◽  
Physical Mechanics

The history of reading in antiquity is wholly dependent on literary sources that must be read with care; one misinterpreted passage can enable an entire misguided history. This is the case with Augustine’s account of Ambrose reading silently, and the tenacious misapprehension that such reading was impossible in antiquity. Another reading of the passage points not to reading’s physical mechanics but to its psychological unknowability, and the distance that reading creates between subjects whether in the same room or at a historical distance. This should prompt us to consider other unknowable or invisible aspects of ancient Roman reading, like its dependence on enslaved labor, ubiquitous but almost never described. The unknowability of ancient reading invites us to consider its cultural idiosyncrasy; that idiosyncrasy, in turn, provides exciting new points of contact with our current age of digital reading.

Idleness and Freedom in Michel de Montaigne’s “Essays”

2019 ◽  
Vol 29 (1) ◽  
pp. 189-202
Keyword(s):  
Intellectual History ◽  
Ancient Rome ◽  
Spiritual Quest ◽  
Guiding Principle ◽  
Sextus Empiricus ◽  
History Of ◽  
Self Knowledge ◽  
The Aesthetic ◽  
The Relationship

The article advances a hypothesis about the composition of Michel de Montaigne’s Essays. Specialists in the intellectual history of the Renaissance have long considered the relationship among Montaigne’s thematically heterogeneous thoughts, which unfold unpredictably and often seen to contradict each other. The waywardness of those reflections over the years was a way for Montaigne to construct a self-portrait. Spontaneity of thought is the essence of the person depicted and an experimental literary technique that was unprecedented in its time and has still not been surpassed. Montaigne often writes about freedom of reflection and regards it as an extremely important topic. There have been many attempts to interpret the haphazardness of the Essays as the guiding principle in their composition. According to one such interpretation, the spontaneous digressions and readiness to take up very different philosophical notions is a form of of varietas and distinguo, which Montaigne understood in the context of Renaissance philosophy. Another interpretation argues that the Essays employ the rhetorical techniques of Renaissance legal commentary. A third opinion regards the Essays as an example of sprezzatura, a calculated negligence that calls attention to the aesthetic character of Montaigne’s writing. The author of the article argues for a different interpretation that is based on the concept of idleness to which Montaigne assigned great significance. He had a keen appreciation of the role of otium in the culture of ancient Rome and regarded leisure as an inner spiritual quest for self-knowledge. According to Montaigne, idleness permits self-directedness, and it is an ideal form in which to practice the freedom of thought that brings about consistency in writing, living and reality, in all of which Montaigne finds one general property - complete inconstancy. Socratic self-knowledge, a skepticism derived from Pyrrho of Elis and Sextus Empiricus, and a rejection of the conventions of traditional rhetoric that was similar to Seneca’s critique of it were all brought to bear on the concept of idleness and made Montaigne’s intellectual and literary experimentation in the Essays possible.

Introduction

2018 ◽  
Author(s):  
Elena Lombardi
Keyword(s):  
Material Culture ◽  
The State ◽  
Women Readers ◽  
History Of Reading ◽  
Documentary Evidence ◽  
Cultural Events ◽  
Visual Models ◽  
Woman Reader ◽  
History Of ◽  
Female Literacy

This chapter explores a more concrete and historicized figure of the woman reader. It explores the forces that make her appear and disappear, and surveys the state of knowledge on medieval female literacy, and the documentary evidence on women readers. It investigates typically female modes of reading (such as the educational, the devotional, and the courtly) and the visual models that were available to vernacular authors to forge their imagined textual interlocutor. It shows how the protagonist of this book is the product of two cultural events within the history of reading and the material culture of the book: the raise of literacy among the laity and women in the years under consideration, and a changed scenario insofar as theories and practices of reading are concerned.

The Experience of Poetry

2019 ◽  
Author(s):  
Derek Attridge
Keyword(s):  
Late Antiquity ◽  
Cultural Practice ◽  
Oral Traditions ◽  
English Renaissance ◽  
Ancient Rome ◽  
Ancient Greek ◽  
Continuity And Change ◽  
Private And Public ◽  
History Of ◽  
The Impact

The question this book addresses is whether, in addition to its other roles, poetry—or a cultural practice we now call poetry—has, across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson’s Works and the death of Shakespeare in 1616, continuously afforded the pleasurable experience we identify with the crafting of language into memorable and moving rhythmic forms. Parts I and II examine the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. Part III deals with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the importance of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. Part IV explores the achievements of the English Renaissance, from the manuscript verse of Henry VIII’s court to the anthologies and collections of the late Elizabethan period. Among the topics considered in this part are the advent of print, the experience of the solitary reader, the continuing significance of manuscript circulation, the presence of poet figures in pageants and progresses, and the appearance of poets on the Elizabethan stage. Tracking both continuity and change, the book offers a history of what, over these twenty-five centuries, it has meant to enjoy a poem.

The Renaissance of Roman Colonization

2020 ◽  
Keyword(s):  
International Law ◽  
Roman History ◽  
Italian Renaissance ◽  
Ancient Rome ◽  
Legal Interpretation ◽  
Colonial Discourse ◽  
Property Distribution ◽  
Carlo Sigonio ◽  
History Of ◽  
History Of International Law

The colonization policies of Ancient Rome followed a range of legal arrangements concerning property distribution and state formation, documented in fragmented textual and epigraphic sources. Once antiquarian scholars rediscovered and scrutinized these sources in the Renaissance, their analysis of the Roman colonial model formed the intellectual background for modern visions of empire. What does it mean to exercise power at and over distance? This book foregrounds the pioneering contribution to this debate of the great Italian Renaissance scholar Carlo Sigonio (1522/3–84). His comprehensive legal interpretation of Roman society and Roman colonization, which for more than two centuries remained the leading account of Roman history, has been of immense (but long disregarded) significance for the modern understanding of Roman colonial practices and of the legal organization and implications of empire. Bringing together experts on Roman history, the history of classical scholarship, and the history of international law, this book analyses the context, making, and impact of Sigonio’s reconstruction of the Roman colonial model. It shows how his legal interpretation of Roman colonization originated and how it informed the development of legal colonial discourse, from visions of imperial reform and colonial independence in the nascent United States of America, to Enlightenment accounts of property distribution, culminating in a specific juridical strand in twentieth-century Roman historiography. Through a detailed analysis of scholarly and political visions of Roman colonization from the Renaissance until today, this book shows the enduring relevance of legal interpretations of the Roman colonial model for modern experiences of empire.

Franz Rosenthal’s Half an Autobiography

2014 ◽  
Vol 54 (1) ◽  
pp. 34-105
Author(s):  
Hinrich Biesterfeldt
Keyword(s):  
Geographical Location ◽  
The United States ◽  
Past Century ◽  
Yale University ◽  
Islamic History ◽  
Near Eastern ◽  
Literary Sources ◽  
Turbulent Times ◽  
History Of ◽  
Near Eastern Studies

Franz Rosenthal (1914-2003), one of the outstanding scholars of Semitic languages, Arabic and Islamic history of the past century, has described himself as an Orientalist, whose task is “to look beyond the culture in which one is rooted to other cultures whatever their geographical location with respect to Europe, in order to learn about and understand them and to try to spread the knowledge thus acquired”. This simple-sounding approach is qualified by a vast knowledge of the appropriate literary sources and a keen sense for the truly significant topic that characterize all of Rosenthal’s works. His memoir discusses these aspects, as well as the profile and outlook of Near Eastern Studies, particularly in relation to neighboring disciplines, and the roles of philology and language teaching. What is at least as interesting as this discussion is an autobiographical account of Rosenthal’s family, his school and university years in Berlin, of his emigration to the United States, and his career up to his arrival at Yale University – a memoir which illuminates his work and his convictions and which tells a story of “cruelly turbulent times” that changed the lives of many scholars and opened up new ways of scholarship.


Differential Brain Activation in 5- and 6-Year-Olds with and without Family History of Reading Difficulty

NeuroImage ◽  
2009 ◽  
Vol 47 ◽  
pp. S120
Author(s):  
J.M. Black ◽  
M. Nagamine ◽  
P.K. Mazaika ◽  
H. Tanaka ◽  
L.M. Stanley ◽  
...  
Keyword(s):  
Family History ◽  
Brain Activation ◽  
Reading Difficulty ◽  
History Of Reading ◽  
History Of

An Interpretation and Analysis on the Polychromy of Attic Korai from Votive and Funerary Contexts

2021 ◽  
Author(s):  
Lilly Hickox
Keyword(s):  
Spectral Data ◽  
Analytical Techniques ◽  
Surface Cleaning ◽  
Complete Evaluation ◽  
Literary Sources ◽  
History Of ◽  
Asking Questions ◽  
Colour Patterns ◽  
Greek World ◽  
Marble Surface

The characteristic woman of Archaic Greek sculpture, the kore (pl. korai) stands proud, rigid, frontal, and omnisciently smirking at her viewer with the famous Archaic smile. She has been interpreted as an attendant, goddess, or deceased maiden, wearing representations of draped diaphanous robes, jewelry, and bearing offerings. Yet where her now clean marble surface exists once was intricately illuminated with vibrant pigments, inlaid stones, metals, and often accompanied by accessories of various materials. Recent advancements in analytical techniques have enabled scholars to delve deeper into the study of these sculptures, uncovering traces of pigments which would otherwise be left undetected. However, the image that these colours paint has yet to be thoroughly analysed and a history of intentional removal and surface cleaning has postponed a complete evaluation of the sculptures. In Attica, from the sixth to the early 5th century BCE, korai reflect stylistic progression and variation within and between archaeological contexts. A palette of colours was used to display features now lost to the modern eye. This paper examines the korai, proposing meaning through colour, patterns, and representations. Using polychrome reconstructions, spectral data, pottery, archaeological evidence, and ancient literary sources, the author interpreted the polychromy and decorative elements of Attic korai from votive and funerary contexts. Asking questions on symbolism, utility, cultural connection, and identity of the sculptures; this paper explains the use of pigments in relation to the symbolism of the sculptures and to their role in the greater framework of the Archaic Greek world.

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